What's New in V 1.2:
New Features:
Added BLOOM effect for the dreamy film-emulated looks!
Added Film Softness as a slider in the FILM GRAIN tab to better mimic what happens on a real film.
QOL Improvements:
- Moved BLEACH, BLOOM and FILM GRAIN to a separate node.
(The final screenshot has exaggerated levels of bloom and grain for demonstration purposes.)Download Prismatica Pro
https://play.google.com/store/apps/details?id=com.harwin.prismatica
join the discord server https://discord.gg/Cnkxhf3f6
I come from a video production background, not a coding background. I love shooting high-end video on my phone, but the Android software ecosystem for post-production is incredibly fragmented. Standard apps destroy professional video formats, and the pro apps are either too expensive or overly complex.
So, I used AI to help me code Prismatica.
It's an app designed to bring desktop-level color science (specifically, a DaVinci Wide Gamut pipeline) to mobile devices. It handles heavy Log files and allows for professional color grading right on the phone. Figuring out the math for the color space transforms and battling Android's video rendering limitations was a massive hurdle, but the core engine is finally live.
I am looking for early beta testers to break the app. I need to know how it runs on different processors and if the interface makes sense to new users.
Check it out on the Play Store:https://play.google.com/store/apps/details?id=com.harwin.prismatica
I come from a video production background, not a coding background. I love shooting high-end video on my phone, but the Android software ecosystem for post-production is incredibly fragmented. Standard apps destroy professional video formats, and the pro apps are either too expensive or overly complex.
So, I used AI to help me code Prismatica.
It's an app designed to bring desktop-level color science (specifically, a DaVinci Wide Gamut pipeline) to mobile devices. It handles heavy Log files and allows for professional color grading right on the phone. Figuring out the math for the color space transforms and battling Android's video rendering limitations was a massive hurdle, but the core engine is finally live.
I am looking for early beta testers to break the app. I need to know how it runs on different processors and if the interface makes sense to new users.
Check it out on the Play Store:https://play.google.com/store/apps/details?id=com.harwin.prismatica
The sensors on modern flagships are incredible, and the native Log capabilities mean we are capturing massive amounts of data in the highlights and shadows. But there is a massive problem: the moment you put that footage into a standard Android editing app, it gets compressed and crushed because the app doesn't understand wide-gamut color spaces.
I was sick of having to move everything to a desktop workstation just to get the colors right, so I built an app called Prismatica.
It's an Android-native color engine that actually supports a DaVinci Wide Gamut workflow. This means you can import your flat, desaturated Log files, and the app will correctly map the colors without destroying the dynamic range or causing horrible color banding.
If you are utilizing the advanced video features on your phone, give this a try and let me know how it handles the files.
Download here:https://play.google.com/store/apps/details?id=com.harwin.prismatica
The sensors on modern flagships are incredible, and the native Log capabilities mean we are capturing massive amounts of data in the highlights and shadows. But there is a massive problem: the moment you put that footage into a standard Android editing app, it gets compressed and crushed because the app doesn't understand wide-gamut color spaces.
I was sick of having to move everything to a desktop workstation just to get the colors right, so I built an app called Prismatica.
It's an Android-native color engine that actually supports a DaVinci Wide Gamut workflow. This means you can import your flat, desaturated Log files, and the app will correctly map the colors without destroying the dynamic range or causing horrible color banding.
If you are utilizing the advanced video features on your phone, give this a try and let me know how it handles the files.
Download here:https://play.google.com/store/apps/details?id=com.harwin.prismatica
Hello everyone. I’m a filmmaker trying to solve the mobile Log bottleneck. Modern flagship phones are capturing incredible 10-bit Log and RAW data, but the Android ecosystem severely lacks a proper non-destructive, scene-referred color management system.
I built Prismatica to act as a proper color engine on Android. Instead of just slapping a LUT over a display-referred image, the app maps sensor data (Sony S-Log3, V-Log, Apple Log, etc.) into a DWG/DaVinci Intermediate working space to preserve highlight latitude before any adjustments are made.
I used AI as a co-pilot to help me architect the specific EOTF math. Because I am coming at this from a filmmaker's perspective rather than a computer science background, I want to submit this to the experts here for a sanity check.
If anyone has a few minutes to throw some heavy 10-bit 4:2:2 HEVC files at it, I would be incredibly grateful to know where the pipeline breaks down or if the EOTF mapping holds up on different Android displays.
Link:https://play.google.com/store/apps/details?id=com.harwin.prismatica
Hello everyone. I’m a filmmaker trying to solve the mobile Log bottleneck. Modern flagship phones are capturing incredible 10-bit Log and RAW data, but the Android ecosystem severely lacks a proper non-destructive, scene-referred color management system.
I built Prismatica to act as a proper color engine on Android. Instead of just slapping a LUT over a display-referred image, the app maps sensor data (Sony S-Log3, V-Log, Apple Log, etc.) into a DWG/DaVinci Intermediate working space to preserve highlight latitude before any adjustments are made.
I used AI as a co-pilot to help me architect the specific EOTF math. Because I am coming at this from a filmmaker's perspective rather than a computer science background, I want to submit this to the experts here for a sanity check.
If anyone has a few minutes to throw some heavy 10-bit 4:2:2 HEVC files at it, I would be incredibly grateful to know where the pipeline breaks down or if the EOTF mapping holds up on different Android displays.
Link:https://play.google.com/store/apps/details?id=com.harwin.prismatica
Hello everyone. I’m a filmmaker trying to solve the mobile Log bottleneck. Modern flagship phones are capturing incredible 10-bit Log and RAW data, but the Android ecosystem severely lacks a proper non-destructive, scene-referred color management system.
I built Prismatica to act as a proper color engine on Android. Instead of just slapping a LUT over a display-referred image, the app maps sensor data (Sony S-Log3, V-Log, Apple Log, etc.) into a DWG/DaVinci Intermediate working space to preserve highlight latitude before any adjustments are made.
I used AI as a co-pilot to help me architect the specific EOTF math. Because I am coming at this from a filmmaker's perspective rather than a computer science background, I want to submit this to the experts here for a sanity check.
If anyone has a few minutes to throw some heavy 10-bit 4:2:2 HEVC files at it, I would be incredibly grateful to know where the pipeline breaks down or if the EOTF mapping holds up on different Android displays.
https://play.google.com/store/apps/details?id=com.harwin.prismatica
Hello everyone. I’m a filmmaker trying to solve the mobile Log bottleneck. Modern flagship phones are capturing incredible 10-bit Log and RAW data, but the Android ecosystem severely lacks a proper non-destructive, scene-referred color management system.
I built Prismatica to act as a proper color engine on Android. Instead of just slapping a LUT over a display-referred image, the app maps sensor data (Sony S-Log3, V-Log, Apple Log, Arri Log, etc.) into a DWG/DaVinci Intermediate working space to preserve highlight latitude before any adjustments are made.
I used AI as a co-pilot to help me architect the specific EOTF math. Because I am coming at this from a filmmaker's perspective rather than a computer science background, I want to submit this to the experts here for a sanity check.
If anyone has a few minutes to throw some heavy 10-bit 4:2:2 HEVC files at it, I would be incredibly grateful to know where the pipeline breaks down or if the EOTF mapping holds up on different Android displays
https://play.google.com/store/apps/details?id=com.harwin.prismatica
Hello people! I shoot a lot of video, and my biggest pain point has always been mobile grading. When I’m traveling or on set, I often want to quickly grade 10-bit Log footage from my mirrorless camera (or even my phone) directly on my Android device.
The problem is that standard mobile editing apps completely destroy the footage. They treat Log data like standard display-referred Rec.709, resulting in crushed blacks, clipped highlights, and terrible banding.
I got tired of having to pull out a heavy laptop workstation just to apply a basic, mathematically accurate transform. Since I don't have a traditional computer science background, I used AI as a technical co-pilot to architect a true scene-referred pipeline, and I built Prismatica.
It uses a DaVinci Wide Gamut (DWG) / DaVinci Intermediate workflow. This means you can transfer your 10-bit S-Log3, V-Log, C-Log, Arri Log or even Apple Log or Samsung Log files from your camera directly to your Android phone or tablet, and the app will correctly map the sensor data to preserve your dynamic range.
It handles the actual EOTF (Electro-Optical Transfer Function) math before you apply any creative LUTs, split toning, or film grain.
I’m looking for filmmakers here who shoot Log on dedicated cameras to test the Beta. I’d love to know how it handles heavy files from different camera systems (Sony, Canon, Fuji, Panasonic) and if the color mapping holds up to your standards.
https://play.google.com/store/apps/details?id=com.harwin.prismatica
Hello r/Cameras! I shoot a lot of video, and my biggest pain point has always been mobile grading. When I’m traveling or on set, I often want to quickly grade 10-bit Log footage from my mirrorless camera (or even my phone) directly on my Android device.
The problem is that standard mobile editing apps completely destroy the footage. They treat Log data like standard display-referred Rec.709, resulting in crushed blacks, clipped highlights, and terrible banding.
I got tired of having to pull out a heavy laptop workstation just to apply a basic, mathematically accurate transform.
Since I don't have a traditional computer science background, I used AI as a technical co-pilot to architect a true scene-referred pipeline, and I built Prismatica.
It uses a DaVinci Wide Gamut (DWG) / DaVinci Intermediate workflow. This means you can transfer your 10-bit S-Log3, V-Log, C-Log, ArriLog, or even Apple Log files from your dedicated camera directly to your Android phone or tablet, and the app will correctly map the sensor data to preserve your dynamic range.
It handles the actual EOTF (Electro-Optical Transfer Function) math before you apply any creative LUTs, split toning, or film grain.
I’m looking for filmmakers here who shoot Log on dedicated cameras to test the Beta. I’d love to know how it handles heavy files from different camera systems (Sony, Canon, Fuji, Panasonic, etc) and if the color mapping holds up to your standards.
https://play.google.com/store/apps/details?id=com.harwin.prismatica
If you shoot Log on your phone (like Apple Log, S-Log3, or Samsung Log), you already know the massive pain point: there hasn't been a good way to actually grade those massive 10-bit files on the device itself. Standard Android apps just treat the footage like standard Rec.709, resulting in crushed blacks, clipped highlights, and terrible banding.
I got tired of transferring 20GB of video to my PC just to apply a basic transform, so I built Prismatica.
It uses a scene-referred DaVinci Wide Gamut pipeline, which means it actually does the math to map the sensor data correctly before applying any creative adjustments. You can retain all the detail of your Log footage, add split tone or film grain, and export right from your phone.
I'd love for this community to test it out and tell me what features are missing for your mobile workflow.
Hello people! The developer of Prismatica Pro here. I shared a post around 15 days ago regarding the closed testing of this app. I'm very happy to share that the app is alive on the play store now. Please check it out.
