
Pilot Episode Colour Grading
What do people think of the color grading in the pilot episode?

What do people think of the color grading in the pilot episode?
hello guys, recently I worked on my first video. I'm a student and I foolishly thought color grading wasn't important. So I spent days going crazy on wheels until I achieved a result that looked natural, but it still looked very ugly, so I watched a couple of tutorials and the results are these:
Do you have any other suggestions for improvement?
First off - congratulations to:
DM me, and I'll explain what you need to do.
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Now I’m reading Color collection handbook by Alexis Van Hurkman and the main control of the images are Lift, Gamma, Gain and Offset.
Cullen Kelly said using those tools are not good because we have to compensate multiple times, it takes a lot of time.
Are there any professionals who mainly use these tools in their workflow?
As far as I know, in DaVinci Resolve, people typically use Global for exposure and linear gain for white balance, and rely on DCTL for most of the rest.
Right now, I’m trying different methods and tools to build a consistent workflow, so I’d love to know how professionals approach this.
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I don’t consider myself professional so I am open to any open critiques off of this simple 20 second clip I put together.
I recently purchased the SONY a6700 in October to begin practicing shooting and editing SLog3 footage. Over the last couple months, I’ve been deep diving on all the basic tools and setup to achieve a consistent and confident ability to manipulate what’s captured look the part after grading in Resolve. I’m grasping everything from proper exposure (exposing to the right), SLog3 to DWG, grading within DWG, and the out to Rec.709, subtractive saturation via channel 2 of HSL on a given node, etc. I always appreciate feedback and any advance tips, especially reference to what the most accurate tool for the job needing to be completed within Resolve is.
I’ve been editing videos for a while now (mostly short-form content — Reels/TikToks) but I feel like I’ve hit a plateau. I want to level up and actually get good, not just “decent.”
A few things I’m trying to figure out:
On the skills side:
• What are the most impactful editing techniques I should focus on first? (pacing, cuts, color grading, sound design…)
• Are there specific exercises or challenges you did that actually made a noticeable difference?
• Any YouTube channels, courses, or creators you’d recommend for learning seriously?
On the practice side:
• Where do you guys get footage to practice on when you don’t have your own?
• Free stock sites are cool but the clips feel generic — is there a better way to get raw, cinematic footage to work with?
• Did any of you re-edit existing films/music videos just to practice? Is that a good method?
I’m using DaVinci Resolve mainly, but open to any advice regardless of the software.
Would really appreciate any honest feedback from people who’ve been through this grind. Thanks
Not asking about workflow or color matching. That’s settled.
Specifically asking about optical character. If the A-camera is running Cooke S4s or Zeiss Supremes on an ARRI or Venice, which add-on lenses for iPhone Pro come closest to that feel — the bokeh rendering, the falloff, the way the lens draws?
Beastgrip, Moment, Sirui — or something else entirely?
At that point is the Dof adapter essential
I don't know how else to describe it. can anyone take a look at my most recent short for my company and see if you can offer advice on how to get this looking a bit cleaner? smeary? smudgey? Im not really great at adding sharpness without it just looking brittle af
I've been inside Dune: Part 2's color grade for a few days now after a long break, lol. It carries some references from Blade Runner, which I loved. Today I was deconstructing, playing around and trying to learn more about what's under the hood in my grading suite, while also referencing videos of David Cole and other forums online.
One thing stopped me cold when I first watched Dune, the blue eyes. Why push them so hard? What were Villeneuve and David trying to make us feel? I do get they're a big part of the story, but finding out how they achieved those eyes fascinated me. No wonder they looked better than when they used contact lenses in the first one.