u/ramenspoonz

Sketchy AF

I've recently noticed a frequent commenter in lesbian and queer subs who is impersonating someone using stolen photos. Yes, "many such cases," etc., but please indulge me. They claim to be bisexual, 24, and a single mother of two. A simple reverse image search shows the photos actually belong to a woman who is straight, 30, married with three children, and living in a completely different location from what the impersonator claims. I shudder to think they may also be using photos of the minors and presenting them as their own. I’ve reported them to Reddit, but I can see they are still very active.

Users like this are posting and commenting on topics such as dating, relationships, and intimacy. They distort our discourses and spread falsehoods and ridiculous misconceptions. They assume that by accumulating a post and comment history, they can build a façade of legitimacy to slide into DMs more convincingly.

Please be careful.

reddit.com
u/ramenspoonz — 8 hours ago
▲ 2 r/cafe

I love drinking out of interesting cups, and this one has a soft, iridescent blue glow to it.

u/ramenspoonz — 5 days ago

We came across these beautiful impatiens thriving in the community garden today.

u/ramenspoonz — 6 days ago
▲ 31 r/fashionhistory+1 crossposts

Georges Lepape (1913) Au clair de la lune / Manteau du soir de Paul Poiret

This image appeared in the July issue of La Gazette du Bon Ton in 1913.

Georges Lepape (1887–1971), a regular contributor to the periodical’s emblematic fashion plates celebrating the leading designers of the era, imagines here a scene titled By the Light of the Moon. The work showcases a refined, stylized woman in a dramatic Paul Poiret evening cloak, typical of the Orientalist and modernist aesthetic shared by Lepape and Poiret.

u/ramenspoonz — 6 days ago

Twice Hilde II presents a doubled image of Karl Hubbuch’s (1891–1979) wife, Hilde Isai. The work was originally conceived as a four‑part portrait, but water damage to the central panels led Hubbuch to cut the composition in half.

Deeply interested in typological portraiture representative of New Objectivity, Hubbuch avoids fixing Isai into a single definitive likeness. Instead, he reveals her through multiple facets. In this particular work, his attention to detail animates each version of her with a distinct psychological charge.

u/ramenspoonz — 22 days ago

This photograph first appeared in the March issue of Vogue Paris in 1979, and shows the supermodel Gia Carangi, then 19, with Robin Osler, who leans over her, dressed in Yves Saint Laurent’s infamous Le Smoking tuxedo.

Helmut Newton’s images are quite fascinating to unpack, as they often blend elements that are both aesthetically pleasing and deeply confronting in their voyeuristic, male‑centric framing. In this instance, there’s a precision in narrative that I nevertheless find quite mesmerising.

u/ramenspoonz — 24 days ago