
Prince Hans, King Runeard, and the villain songs we never got
I think the President of Music telling the team of "Frozen" that it was standard practice for them not to have songs after the second act was ridiculous--especially since every Disney film afterwards contradicted this practice. Also weird to me that Elsa had a villain song that they never included on the soundtrack, but they didn't wanna make a Hans villain song. I also think it may have been to a mentality of "we can't have a serious moment AND a song," since Kristen Anderson-Lopez said she considered a reprise of DYWBAS, but then thought it'd be jarring in the moment. In any case, I think Hans deserved one rather than the film feeling self-congratulatory about having a major twist and the first Disney fairy tale with a twist villain.
While I don't think Hans needed to be a villain to get the story across (his role could've easily been taken by the duke, who was already a pretty straightforward villain), I do think he deserved a villain song. The Broadway adaptation kinda did a half-dash job for me, with the 2nd reprise of "Hans of the Southern Isles." Not only is it short, but it almost feels unnecessary. It isn't long or expansive into his character, and it almost validates it being a dialogue like it was in the film--and I DESPISE having to admit that. Late as it was in the story since he was a twist villain, I think he could've had his own song or at least a reprise of "Love is an Open Door" (easy to take advantage of) that expanded on his dysfunctional family, AKA a cautionary tale for what Anna and Elsa could become. Again, it has more impact if we saw it more and Hans was more present and the audience saw his real side, but I'll take what I can get.
"Frozen 2" largely doesn't have a villain. While King Runeard started this issue due to his fear of magic (I admire the consistency of this in both films that the more "civilized" people are scared of it in contrast to those who live outside of the urban culture), he's already dead and largely a plot device more than a plot device. I saw a review of the film, and someone said it was probably done that way so you wouldn't feel attached to a biological family member of the heroes being evil, but we're here now. While Pocahontas is a controversial film, I do think the song between the colonists and the natives would've been good inspiration for the rising tension and explosion between the Northuldra and the people of Arendelle. Or just give Runeard a solo to explain his motivations and why he/his culture fears magic. It was kinda like a post-colonization PSA without really getting anyone's hands dirty by making the bad guy someone dead and Arendelle not being destroyed. I constantly regret this film kinda having to do some retroactive lore-filling with stuff that would've been a factor/brought up in the first movie, but that's how it works when a sequel is made for financial reasons over creative ones, and then the creative team is screwed over. Honestly I think the film still needed more retuning, possibly an overhaul, but with what we got, I wish we got a villain song for Runeard. I'd take it over Olaf's song.
I swear, we better get a real villain and a villain song in the third film. I'm not saying they gotta be over-the-top mwahahaha (I do like complex, deep villains, not flat ones like older films), but perhaps a supernatural threat, an Eris-like villain from "Sinbad"?