
r/SCREENPRINTING

CMYK print for my brand
Hoping this to be a conversation starter/eye catcher, I do most of my sales at local pop ups/vendor events.
CMYK Back print. With a front chest print that is just the brand name "never enough" in gothic text. (Still haven't printed it)
Instagram is nvr.enough3, my brand has pivoted so much, especially my IG
How to permanently paint/mark Monprene scuba fins?
Bonjour,
Je cherche une méthode durable pour marquer/peindre sur mesure les nageoires Scubapro faites en Monprene. Je fais des illustrations détaillées de style pointillisme directement sur les ailerons, donc je cherche quelque chose de précis et durable, pas seulement un simple marquage de nom.
J’ai déjà testé plusieurs méthodes : Posca, Sharpie, différents vernis transparents (spray Motip, Créalia, vernis marin Odif), mais aucune n’a donné de résultats vraiment durables. J’ai même contacté des fabricants industriels de peinture/revêtements et envoyé des échantillons de dérives, mais aucune solution vraiment convaincante jusqu’à présent.
Problèmes rencontrés :
- mauvaise adhérence
- La peinture « coule » sous la couche transparente
- Écaillement/écaillage rapide
- faible résistance aux rayures, à l’eau salée et aux UV
- La flexion des ailerons provoquant des fissures dans la peinture
J’ai entendu parler de graver légèrement ou poncer la surface pour améliorer l’adhérence, et aussi de traiter le plastique à la flamme, mais cette méthode me semble risquée.
Alors je voulais demander :
- Existe-t-il de la peinture, de l’encre ou un revêtement vraiment adapté au Monprene/plastique flexible ?
- Les promoteurs d’adhérence ou les apprêts en plastique peuvent-ils fonctionner à long terme ?
- La gravure pourrait-elle être une vraie solution ?
- Des méthodes industrielles comme l’impression par tampon ou la sérigraphie sont-elles possibles à petite échelle ?
Je cherche surtout quelque chose qui dure vraiment : résistance à l’eau salée, résistance aux UV, résistance aux rayures et flexibilité sans s’écailler ni se fissurer.
Si quelqu’un a réussi à marquer ou peindre ce type de matériau sur le long terme, j’aimerais beaucoup connaître une méthode fiable.
Merci !
This has been posted by many people multiple times before, but I really need to emphasize this...
Fuck red ink.
Edit: printing with it is fine, shit just gets everywhere and stains your hands like a sunuvabitch.
First CMYK print, how did I do?
First CMYK print, I’m pretty happy with it. Any critiques? Let me know!
Screen printers: I thought it was straightforward… I was wrong
When I got into screen printing, it got me thinking it would be pretty easy to come up with a design, burn it onto screen, add some ink, and print. That was the idea in my head, at least. But once I actually started doing it, I got to realise there’s a lot more going on beneath the surface.
Getting a clean, sharp print isn’t just about having a good design. There are so many small factors that can make or break the final result, things like mesh count, how thick or thin your ink is, the amount of pressure you apply with the squeegee, and even how well the print is cured afterward. The tricky part is that even a tiny adjustment to one of these can completely change how the print turns out.
I’ve been trying different setups and approaches, and honestly, it still feels like a learning process every single time. Some days everything comes together perfectly, and other days, well, not quite. It’s one of those crafts where hands on experience really counts more than you might expect at the beginning.
At one point, I got curious about how the professionals do it that I ended up dicing deep into different machine setups. I even found myself scrolling through manufacturing lists just to understand how commercial screen printing equipment is built. That alone gave me a whole new approach for things like precise registration, stable platens, and how consistency is maintained when producing at scale.
I’m still figuring things out as I go but that is a part of what makes it enjoyable. If you’re just starting like me, it’s worth knowing that it’s not as easy as it seems but when everything finally clicks, it’s incredibly satisfying.
Need help bringing this idea to life
I want to get a shirt made for my partner’s birthday by next week. I have a proof of the design that I like but am having trouble on the shirt platforms to get it where I want it. It would be preferred to do DTG. Happy to provide other features as needed. Can someone point me in the right direction? TIA
Live Screen printing
Had posted in here about scoring a little buddy dryer. Got booked for an event last Saturday and threw a cinco de mayo event at my studio Sunday along wjth my moms food truck & I got to put it to work! Successful weekend 🙏🏽 keep printing, keep creating my friends!
Getting started, DYI, profitability?
Hi all! I’m an artist interested in expanding my mediums! I just took my first workshop this week, figured I should test the waters before committing. I’m mostly interested in being able to take over shirt production for my partner’s trade business, and be able to make a part time income selling shirts/totes/prints at local markets, inside local artisan gift shops, and possibly taking on jobs for other small business in my community. I have such little experience at this point and would be learning as I go since there are no local classes in my area, so I don’t have any idea right now on how much and how efficiently I could actually produce. I don’t have equipment yet as I’m still trying to decide what to do. I’m hoping to be able to make around 30k/yr (US) from this venture. Is that a crazy goal or doable? Can a one man show with a small manual set up be profitable without working to the bone and crazy hours per week? I’m currently a “creative” working in finance and hating it so hoping to find an option that suits my personality and skills better.
Mesh size on automatic press
I'm just curious what mesh size other people use on an automatic press.
My coworker insists on using a 110 for an underprint, regardless of artwork, unless it's a Sim process job. I feel like a higher mesh size would work fine for normal jobs as well since it's an automatic doing the work of pushing ink thru the screen.
I get that white ink is thicker so using a 110 is easier when printing manually but am I wrong it thinking that he should use higher meshes in general on an auto? I see people on IG using a 230 for an underprint where I know we would use a 110 and their final prints look great
So just kinda curious what other people in here do since I know IG isn't a great representation of what people are actually doing
Reclaiming
Hey yall — can you share with me what your reclaiming routine is? Do you use a high-power pressure washer as well?
I came from a fully automated shop with M&R stuff to an upstart shop where I consult (mostly printing) that constantly pops holes and tears screens. They’re constantly spraying out these screens full blast. I am interested in how everyone else does it.
Also, This shop reclaims 30+ screens a day. They do a lot of work.
4-color Process Print
Hand drew this graphic, vectored in illustrator then manually separated in photoshop.
Printed wet on wet 22.5 degrees for all colors 40 LPI 200 mesh
homage to this 90s vegan tee I really like
Very new to this with a diy setup in my garage. Experimenting with halftones. Where do you see room for improvement?
230 mesh screen
PLEASE HELP
Hey homies!
So I am brand new to screen printing and I am so frustrated. I have done this countless times it feels like now. I am having trouble trying to get my design to burn into the screen. I have tried everything. I have tried doing 10 second, 30 second, and 1min 30 second interval calculator tests. I have been trying to follow all the right steps but it never seems to work. I have the uv lights turned on and the design can clearly be seen as you can tell but the second I go into the light the design isn’t there and I can’t see it. The mesh is a 110 mesh and I am using blue and red tex emulsion with the uv lights tagged below. Please help me. Thanks guys!
I and curious how others have felt about S&S after the alphabroader buyout. With it being a private equity firm, with the profit above all mentality, I am really just waiting for it all to go to shit. But have you noticed any changes good or bad?
I have recently been getting missing items and defective products in my order. American Apparel going exclusive to S&S has been terrible for me because I tend to use sanmar whenever I can since they are the last survivor of private equity and the longer we can hold off that take over the better.
What are your thoughts?
Drying rack (spring?) issue
I bought a used drying rack last week that was disassembled. I got the frame reassembled and have attempted to add some shelves, but the springs are not holding the shelves up.
My guess is the springs are old and need to be replaced? Does that seem like the most plausible solution? Is there anything else I should try with the current springs?
I have another rack just like it that works great. Any ideas appreciated!
Does it seem ambitious to buy this press?
description says in good condition, this is a big unit and I’m looking to get a multi color press, is it crazy to get this? Seems too good to be true
How to know if I have bad emulsion (emulsion rinsing out)
I ordered a quart of AP blue 6 months ago and just opened it. I coated a screen and let it dry for 12 hours. I exposed with a 30w UV led speedball lamp for 20 seconds as the AP blue package said. My screen is large 20x24. The lamp is the height of the diagonal of the screen. When I went to rinse out all the emulsion came off the screen. Also while coating the emulsion was dripping. And clumping up some places. Is my emulsion bad? Should I just buy new one and save myself the headache of switching out factors with bad emulsion?