r/IndianHipHopHeads

We are listeners of music and devote hours just to support our artist and we are the actual power of so called influential people
Imagine everybody boycotted MJ he would have been a nobody

So it’s our time to boycott this arrogant a- hole Bunty who made his whole career on sympathy and now treats his fans badly
This guy does only what he wants and when his fans who made him a star criticise him he calls them nakli
This is some cheap behaviour
Seriously since 2023 he is just making a fool
Of himself , overanalysing other rappers statements

Remember how badly he abused kings parents and when someone does it to him he acts as if the world is falling apart

He deserves no respect from us
Let’s show him his place
Let’s start to avoid him and give that monkey no clout and see what’s left in him
He was blackballed by other and at that time his fans were with him and now when he started to get respect he showed his true colours

Let’s start this asap
Not about music but also we should see what kind of people we bring to the main stage

Partly fun, partly funny, partly conscious - Luv(Sic) is an EP that captures the feelings of someone who is sick of how commoditized love has become in this digital age. It encapsulates a journey from seeking love outside of yourself to eventually finding it within you!

Listen to your fans man. They know the truth better than you. Your management is trash. You're surrounded with Yes men. Stop uploading every week bhai. Upload 3 songs once a year, not in one month. Plus, do some advertisements for your art. Ads lagane se organic nahi rahega kya? AKB ko dekh, an independent artist who does advertisements for his art. Stop posting random things on social media, hire some agency to handle it. Make your social acc look professional. Only post when needed. Ye kaju ko baju mei rakho, aur woh pipeline ka nalka thik karo koi pls. Stop having connections with your fan pages. All they do is bad pr. Aap khud koi pr team hire karo. Aajkal Views art se nahi lekin artist ki pr aur social personality se aate hai. Learn from your opps, krsna faaltu mei kuch bhi upload nahi karta. News mei bane rehna is good, but when you're present everywhere then people will stop hyping things. Aur haan bantai records bandh karo, ye koi NGO hai kya? Organic organic bohot huwa ab kuch naye topic par aajao. At the end, apne fans ki suno! Love your songs but you need some reality check.

Koi ho sake toh ye post dhh channels tak pahuncha do. Lala tak kya chaand tak baat pahuncha do.

"Ek din pyaar, fir dusre din tum hate karte,
teesre din pe vaar, fir chauthe din tum wait karte,
pachve din tum gate par the, chatve din pe chase karate,
saathve din mere naam pe tum pait bharte!"

“Ek din pyaar, fir dusre din tum hate karte…”
MC Stan describes a toxic relationship cycle by counting days one by one. Love, hate, fights, waiting, chasing everything keeps repeating. The relationship feels emotionally unstable, almost addictive.
“Saatve din mere naam pe tum pait bharke khao”
adds bitterness to it. Stan feels like after all the chaos, the other person still benefits from his name/status. The casual storytelling style makes it hit harder because he sounds emotionally tired, like this cycle became normal for him.

"Khaao sab log yahan pe pait bharke, sher banke
fir meko kaiku hate karte,hate karte, hate karte?
hate karte, hate karte, hate karte, hate karte
hate karte, hate karte, hate"

“Khaao sab log yahan pe pait bharke, sher banke…”
MC Stan talks about people benefiting from him, using his name, energy or success to uplift themselves (“sher banke”), but still hating him afterwards. There’s frustration because the same people who survive because of him act against him publicly.
The constant repetition of “hate karte” feels intentional. It creates mental exhaustion, almost like those thoughts are looping inside his head continuously. Instead of sounding angry, he sounds hurt and confused:- “If I helped you all so much, then why do you still hate me?”

"Trend bana yaha pe MC Stan ko hate karte,
Public ne jhada meko ek ladki ko date karte
wo ladki puchi meko kaise tum yeh sab face karte,
main bola mere peeche ek time zara baith kar dekh"

“Trend bana yaha pe MC Stan ko hate karte…”
MC Stan talks about how hating him became normalized and almost fashionable.
“Public ne jhada meko ek ladki ko date karte”
shows how even his personal life gets judged constantly. When the girl asks him how he handles all this pressure and hate, Stan replies:- “mere peeche ek time zara baith kar dekh”
Meaning:- “Try living my life once, then you’ll understand.”
The line sounds simple but carries emotional weight because beneath the fame and attitude, Stan sounds mentally exhausted from constantly being watched, judged and hated.

"kaisa marta deo dekh ghar tak!!!
bole to apla hood, palat soot
jider dikhega dhan, lagega mann!
aane de re konsa pan son"

“Kaisa marta deo dekh ghar tak… bole to apla hood, palat soot”
This section shifts the song back into Stan’s street identity. After talking about hate and emotional exhaustion, he reminds listeners where he comes from. “Apla hood” carries pride and belonging, while “palat soot” gives the feeling of instant retaliation and survival instincts built from his environment.
“Jider dikhega dhan, lagega mann”
This line reflects hunger. Growing up around struggle makes money feel magnetic. It is not greed in a glamorous sense, but the mindset of someone who has seen lack closely enough for success to become an obsession.
“Aane de re konsa pan son”
The ending restores confidence again. No matter who comes against him, Stan sounds prepared. That balance between vulnerability and aggression is what gives the track its emotional tension.

"Sab ek saath, ek jaat, no paat, no ghaat, do laath
tere moo pe padegi, jhadegi teri behen meko,
bhen nahi hai meko fir bhi samjh sakta teko,
teko kya? sabko mera voice nahi hai echo,
fir bhi gunj raha har jagah, har jagah, har"

“Sab ek saath, ek jaat, no paat, no ghaat…”
This section feels like Stan speaking from a collective street mentality rather than as an individual. “Ek jaat, no paat” rejects divisions and hierarchy in his hood, survival matters more than social labels. The rough repetitive flow makes it sound like a chant, almost mob-like in energy.
“Do laath tere moo pe padegi…”
The aggression returns instantly. Violence in Stan’s music often feels less cinematic and more casual, like it’s part of everyday language and environment.
“Teri behen meko… bhen nahi hai meko fir bhi samjh sakta teko”
The line suddenly becomes emotionally strange after the aggression. Stan says he doesn’t even have a sister, yet he can still understand the other person emotionally. For a brief moment the hostility drops and vulnerability slips through.
“Teko kya? sabko mera voice nahi hai echo, fir bhi gunj raha har jagah…”
This becomes a statement about his art. Not everyone relates to or understands his voice, but it still echoes everywhere. Even people who hate him cannot ignore his presence anymore.

"Mujhse dar laga, dar laga?
toh fir dar bhaga yeh le, dum laga
khajve vichar tumko kam laga, kam laga?
kamar mai lumb sumb laga? dumla ka? gumla ka?
rum laga, rang laga, jung laga, mann laga
first time dekha mene toh tu mand laga,
jaude bhau tuj sampla ka"

“Mujhse dar laga, dar laga? toh fir dar bhaga…”
This section feels mentally chaotic on purpose. He keeps bouncing between threats, slang and half-complete thoughts like somebody speaking directly from emotion instead of carefully writing poetry.
“Mujhse dar laga? Toh phir dar bhaga yeh le, dum laga…”
Here MC Stan challenges the fear directly. “Dum laga” means gather courage/strength and face him instead of being scared from a distance.
“Khajwe Vichar tumko kam laga?”
This is a callback/reference to his own mindset and earlier artistic identity through “Khajwe Vichar” mentality. Stan is basically saying: “I already showed you how I think, and you still underestimated it?”
“Kamar mein lumb sum laga? Dumlaka? Gumla ka?
Rum laga, rang laga, jung laga, mann laga”
Here the verse intentionally starts collapsing into chaotic rhyme chains instead of direct storytelling. Alcohol, colours, war, emotions everything blends together into one intoxicated mental state.
“First time dekha maine toh tu mand laga, jaau de bhau tuja sampla ka”
Stan flips the judgment back on others. The same world that called him “mand” now looks weak and finished to him.

"Pill bitha dala mene meko numb laga,
police kutte jaise marri lekin lund laga,
mat kar, patkan, latkan ek bola, "bhau sathi kay pan?"
bhau, sathi kay pan, pan kashala karto, bhau, sathi kay pan?
aai pan, radat basti, din-raat, aai pan, nai pan, mi khali tujhi item"

"Pill bitha dala mene meko numb laga"
It feels emotionally exhausted beneath the intoxicated surface. Stan uses pills and substances here less as flexes and more as emotional escape. “Numb laga” is important because the goal is not happiness anymore it is to stop feeling things altogether.
“Police kutte jaise marri lekin lund laga”
Stan brings back his reality instantly. Despite police pressure and harassment, he sounds emotionally detached, almost desensitized to violence and authority because it became part of everyday life.
“Bhau, sathi kai pan? Pan kashal karto, bhau sathi kai pan?”
This is where the verse emotionally shifts. At first it sounds like pride in brotherhood: “I’d do anything for my people.”
But then Stan questions it himself: “But why am I even doing all this for brotherhood?”
That self-questioning changes the entire mood of the verse. The street loyalty suddenly stops sounding glamorous.
“Aai pan, radat basti, din-raat…”
His mother crying day and night becomes the emotional consequence of that lifestyle. Behind the drugs, aggression and hood identity, there is guilt and helplessness at home.
“Nai pan, mi khali tujhi item”
The word “item” is often used for girlfriend in local slang, the line can flip into disrespect and domination instead of vulnerability. That duality is what makes Stan’s writing interesting sometimes one line can sound emotional on surface but also work as a flex/diss depending on how you hear the tone and flow.

"Mitra sobat dai pan kaam wali karti bai pan,
karat asti, hasti mala baghun tujhi item, hi pan,
ani bye pan mi vicharl lo hot tula tu zavat nahi ka heela,
tu bola meko "hota mera panch minute mai dheela" toh fuck me
chutiya idhar ich khatam hogayele tu
ladki log ko satisfy nahi kar sakta
to fir kya karegi bichari"

“Mitra sobat dai pan kaam wali karti bai pan…”
This entire section feels intentionally disrespectful and ego-driven. Stan shifts from emotional chaos back into pure domination and humiliation of opps/other guy through sexual flexes something very common in raw underground trap culture.
“Hasti mala baghun tujhi item…”
Stan says even the other guy's girl reacts positively around him, which becomes a direct attack on the other guy's masculinity and status.
Then the verse turns mocking: “Tu zavat nahi ka heela?”
and the reply: “Hota mera panch minute mai dheela”
The other guy basically admits he cannot satisfy his girl sexually. Stan uses this confession to completely clown him: “Chutiya idhar ich khatam hogayele tu…”
“Toh fir kya karegi bichari”
The ending sounds sarcastic rather than sympathetic. Stan frames the girl as someone stuck with an incapable guy, which completes the disrespectful flex energy of the entire section.

"Hook repeats"

"Hate karte, pan dekhne meko marte
block hone se darte, yeh street nigga gharpe
nahi to ghusta tere gharpe
teri behen mere naam pe, kar dalenga
yede chale mat kar, abhi ch bolra teku
aye partya daal re iske seer mein"

“Hate karte, pan dekhne meko marte…”
This section captures the contradiction around Stan’s image. People publicly hate him, but are still obsessed with watching him. The hate starts feeling performative because deep down they are still attracted to his presence and personality.
“Block hone se darte…”
Even after acting against him, people do not want to lose access to him completely. It reflects the weird parasocial pull around controversial artists hate and fascination existing together.
“Yeh street nigga gharpe, nahi to ghusta tere gharpe…”
Stan blurs the line between online hate and real street energy. The threat feels less dramatic and more casual, like violence and confrontation are normalized parts of communication in his environment.
“Teri behen mere naam pe…”
Again he uses disrespect and sexual dominance as psychological flexing. In Stan’s music, these lines are often less about literal meaning and more about establishing power over someone mentally.
“Yede chale mat kar… aye partya daal re iske seer mein”
The ending becomes openly hostile. “Yede chale” means don’t act smart/crazy, while “partya daal” carries violent street imagery.

"Chal ayee kaam pe lag, mere naam pe lag,
mere naam pe jag, mere naam pe hug,
asal ko haq, nakli ko fuck,
Lap, lap, lap, lap, lap, lap"

“Chal ayee kaam pe lag, mere naam pe lag…”
Stan basically says: everything works because of his name now people hustle on it, gain attention from it, even emotionally attach themselves to it.
“Mere naam pe jag, mere naam pe hug”
The repetition makes his identity feel larger than just a person. His name becomes a whole atmosphere people live around love him, hate him, but they still revolve around him.
“Asal ko haq, nakli ko fuck”
This is the core philosophy of the verse. Real people deserve respect, fake people deserve rejection. Very simple line, but it sums up Stan’s entire “real vs fake” mentality throughout the track.
“Lap, lap, lap…”
The ending dissolves into adlibs and rhythm instead of meaning. By this point the song feels less like structured storytelling and more like emotional overflow - ego, exhaustion, love, hate and chaos all blending together into pure vibe.

"Naam laga tere naam ke aage, bole to baap
bole to naap, bitch you's a bop, mi tuza baap
rakh meri sab item tere pass aur sunn meri baat
main aaj ki awaz, tu lund le ke naach, fans mere kattar
sir mein tere kaach"

“Naam laga tere naam ke aage, bole to baap…”
This section feels like pure ego and status assertion. MC Stan presents himself as someone whose identity overshadows everyone else’s. “Baap” here is not literal it means superiority, dominance and influence in street/slang culture.
“Bitch you’s a bop, mi tuza baap”
The line becomes openly disrespectful and dismissive. Stan reduces the other person’s identity while elevating his own. The energy is less lyrical and more psychological making the other person feel small.
“Rakh meri sab item tere pass aur sunn meri baat”
“Item” again works as slang for girlfriend interests, but the line feels careless and emotionally detached, like relationships and attention no longer carry emotional value for him.
“Main aaj ki awaz…”
This is probably the most important line in the section. Beneath all the toxicity and flexing, Stan declares himself as the voice of the current generation and streets. That is why the song constantly switches between chaos, vulnerability, aggression and slang it reflects the emotional instability of the environment he represents.
“Fans mere kattar, sir mein tere kaach”
The ending returns to threat and intimidation. “Kaach” (glass) imagery makes the aggression feel sharp and dangerous, while “fans mere kattar” shows how loyalty from listeners became part of Stan’s power and identity.

"Basanti in kutto ke samne mat naach,
fuck that time bitch I'm gonna 9
I'm gonna shine, tera dirty mind
main kisiko pan nahi ho gayla sign,
meri ammi se dur bitch I'm not fine
its time to find, who's lying? who's tryin!
P-town baby chowk main rukh ke derele gang sign!!"

“Basanti in kutto ke samne mat naach…”
This line references "Sholay", where Basanti is told not to dance in front of dogs. Stan uses it to say:- don’t perform or lower yourself for people who do not respect you. The line instantly adds bitterness and distrust towards the audience around him.
“Fuck that time bitch I’m gonna shine…”
After all the chaos, hate and emotional instability in the song, this part feels like self-motivation. Stan sounds tired of explaining himself and instead focuses on becoming successful and visible no matter what people think.
“Main kisiko pan nahi ho gayla sign”
This line is important because it reflects independence. During that era, Stan’s identity was deeply tied to being raw and self-made. Not being “signed” means he still sees himself outside industry control.
“Meri ammi se dur bitch I’m not fine”
The aggression suddenly breaks emotionally here. Beneath all the flexing and toxic energy, the real pain appears distance from his mother. It humanizes the entire song because suddenly the chaos feels rooted in loneliness rather than only ego.
“It’s time to find, who’s lying? who’s tryin!”
Stan becomes paranoid and reflective at the same time. Fame, hate and street life make him question who is genuine around him and who is pretending.
“P-town baby chowk main rukh ke derele gang sign!!”

The ending brings the song back to locality and identity. “P-town” (Pune) is not just a place here it is his emotional and cultural root. After all the confusion, love, hate and emotional breakdowns, Stan still ends the track representing where he comes from.

"Pyaar kar!"

That final phrase feels ironic and emotional together. After an entire song full of toxicity, aggression, insecurity and chaos, ending it with “love” makes the track feel emotionally conflicted rather than purely hateful.

This is just my interpretation and understanding of the track through its emotions, slang and context. If I misunderstood any line or missed any deeper reference, feel free to correct me respectfully because art is always open to different perspectives.

The replay value of Yo Yo Honey Singh songs feels unusually high compared to many of his counterparts. Even when some tracks seem average or repetitive at first, they somehow grow on listeners over time. Songs like Brown Rang, Desi Kalakaar, tracks from the Glory album, or even Kalaastar often become more enjoyable with repeated listening instead of becoming boring . even though badshah and raftaar has given commercial like Ghana kasoota ,badshah been the biggest commercial rapper in recent years still we don't repeat his songs ever after getting billion views ?

I will start with these three:

1. Karma x Deep Kalsi
2. Rawal x Bharg
3. J Trix x Subspace

Can also mention Rapper + Mix master artist like Kr$na x Ryan Summer

I have been listening to him since 7 years and noticed some of the flaws in him

1. he needs only yes men around him, any one who challenges him a bit even in a positive way he blocks them and calls them hater and even his own fans are called ‘ nakli bkp’
   You must remember the 2021 incident where he went against his own fanpage
2. He is just lazy outside of music and says ‘ I’m independent and others have label ‘
   Doesn’t know shit about marketing in 2026 and wants to be Micheal Jackson and look at his music videos looks like some from alt Balaji kind of stuff
   Man just chill and shoot good music videos not wrap 8 in a day
3. he doesn’t care about his own music.
   Sadak was the most awaited song of dhh for sure
   But he ruined it just to respond to krsna
   And also the most awaited songs poster was ai 🤖

I am his fan but this is why he will never be what he was in 2020 again after krsna’s beef bro went on self destruction mode
From someone who ignored krsna to a rapper who disses every week

Doing shows all over india and also world requires coordination and communication where you do meet people who don’t always work as per you and mistakes do happen by them but you have to get your way though
But emiway ? No
FYI in 2020
Emiway was considered a bigger artist than divine
But now you know

So me and my friends (5 of us) went to a ground around 9 PM because every stoner knows that’s the “rolling time” 😭
We went to one corner of the ground where barely anyone was around. One guy was cleaning the stuff, but then we realized we didn’t have a lighter or even a matchbox. So one friend went out searching for one while the remaining 4 of us stayed there.
3 of them were sitting in front of me while I was standing and looking toward the ground area. There were still around 10 people randomly chilling there. Suddenly I saw one bike coming toward us, so I told them, “Yo, one bike is coming.”
One of my friends said, “Keep your eyes on the ground, bro. There’s a police station nearby.”
I looked again but didn’t recognize who they were at first. Then one of my friends looked back properly and screamed:
“COPS!!!”
BROOOOO 😭😭😭
The panic was INSANE. We all started running instantly in completely different directions. One went left, one went right, one disappeared somewhere, and I literally ended up hiding near a chicken shop 😭😭
The funniest part is the friend who went searching for a matchbox got caught because he came back at the worst possible moment 💀
Police asked him:
“What are you doing here?”
And this man casually said:
“I came here to pee.”
The cops checked his pockets, checked his mouth smell too, but luckily he had nothing on him because the stuff was with another friend. So police just told him:
“Don’t come here again. Go.”
Meanwhile we 4 were hiding like wanted criminals for absolutely no reason 😭
After cops left, we somehow found each other again, picked up the dropped phone, and then rolled at another spot anyway 😭😭😭

I am a BKP and have been following IHH for more thn a decade now. Till a month or two ago Emiway was one of the most respected artist in the scene and now he is ruining it all and is enroute to self destruction!

He called his fans nakli who have always supported him when they criticised him to be professional, be less consistent and plan well and hire a better management. He is surrounded by Yes man, he thinks he will survive this but no now majority of BKP is against him and jo 1 M view aarhe hai vo bhi nahi aayenge if he continues.

He is surrounded by idiots like Raju who is the main cause of infighting in BKP and thn few days ago he called his fans Nakli! Bhai ab tere 100k views bhi nahi aaye tb rona mat 😂

Have supported this guy for a decade and still love him but if he doesn't change thn hogya iska downfall for good.

He needs to get a proper management and be mature and professional and should stay away from People like Raju and yes men and try to be a bit more mysterious. Consistency thik hai but he should understand that cricitism from fans isn't bad.

Sunega to thik hai else majority BKP is nakli BKP and he will find it soon in next track 😂

Lashcurry just dropped his verse on karma's 'Public notice' beat and hook and I really hope that every other upcoming and major artist joins in. Really wanna see them finally speaking for the country and its people. Enough of self glory, do it for the people this time... I hope people like Naam sujal, siyahi, vichar and other new to scene rappers to take it up.
Jai hind.