u/chain-smoker69

"Ek din pyaar, fir dusre din tum hate karte,
teesre din pe vaar, fir chauthe din tum wait karte,
pachve din tum gate par the, chatve din pe chase karate,
saathve din mere naam pe tum pait bharte!"

“Ek din pyaar, fir dusre din tum hate karte…”
MC Stan describes a toxic relationship cycle by counting days one by one. Love, hate, fights, waiting, chasing everything keeps repeating. The relationship feels emotionally unstable, almost addictive.
“Saatve din mere naam pe tum pait bharke khao”
adds bitterness to it. Stan feels like after all the chaos, the other person still benefits from his name/status. The casual storytelling style makes it hit harder because he sounds emotionally tired, like this cycle became normal for him.

"Khaao sab log yahan pe pait bharke, sher banke
fir meko kaiku hate karte,hate karte, hate karte?
hate karte, hate karte, hate karte, hate karte
hate karte, hate karte, hate"

“Khaao sab log yahan pe pait bharke, sher banke…”
MC Stan talks about people benefiting from him, using his name, energy or success to uplift themselves (“sher banke”), but still hating him afterwards. There’s frustration because the same people who survive because of him act against him publicly.
The constant repetition of “hate karte” feels intentional. It creates mental exhaustion, almost like those thoughts are looping inside his head continuously. Instead of sounding angry, he sounds hurt and confused:- “If I helped you all so much, then why do you still hate me?”

"Trend bana yaha pe MC Stan ko hate karte,
Public ne jhada meko ek ladki ko date karte
wo ladki puchi meko kaise tum yeh sab face karte,
main bola mere peeche ek time zara baith kar dekh"

“Trend bana yaha pe MC Stan ko hate karte…”
MC Stan talks about how hating him became normalized and almost fashionable.
“Public ne jhada meko ek ladki ko date karte”
shows how even his personal life gets judged constantly. When the girl asks him how he handles all this pressure and hate, Stan replies:- “mere peeche ek time zara baith kar dekh”
Meaning:- “Try living my life once, then you’ll understand.”
The line sounds simple but carries emotional weight because beneath the fame and attitude, Stan sounds mentally exhausted from constantly being watched, judged and hated.

"kaisa marta deo dekh ghar tak!!!
bole to apla hood, palat soot
jider dikhega dhan, lagega mann!
aane de re konsa pan son"

“Kaisa marta deo dekh ghar tak… bole to apla hood, palat soot”
This section shifts the song back into Stan’s street identity. After talking about hate and emotional exhaustion, he reminds listeners where he comes from. “Apla hood” carries pride and belonging, while “palat soot” gives the feeling of instant retaliation and survival instincts built from his environment.
“Jider dikhega dhan, lagega mann”
This line reflects hunger. Growing up around struggle makes money feel magnetic. It is not greed in a glamorous sense, but the mindset of someone who has seen lack closely enough for success to become an obsession.
“Aane de re konsa pan son”
The ending restores confidence again. No matter who comes against him, Stan sounds prepared. That balance between vulnerability and aggression is what gives the track its emotional tension.

"Sab ek saath, ek jaat, no paat, no ghaat, do laath
tere moo pe padegi, jhadegi teri behen meko,
bhen nahi hai meko fir bhi samjh sakta teko,
teko kya? sabko mera voice nahi hai echo,
fir bhi gunj raha har jagah, har jagah, har"

“Sab ek saath, ek jaat, no paat, no ghaat…”
This section feels like Stan speaking from a collective street mentality rather than as an individual. “Ek jaat, no paat” rejects divisions and hierarchy in his hood, survival matters more than social labels. The rough repetitive flow makes it sound like a chant, almost mob-like in energy.
“Do laath tere moo pe padegi…”
The aggression returns instantly. Violence in Stan’s music often feels less cinematic and more casual, like it’s part of everyday language and environment.
“Teri behen meko… bhen nahi hai meko fir bhi samjh sakta teko”
The line suddenly becomes emotionally strange after the aggression. Stan says he doesn’t even have a sister, yet he can still understand the other person emotionally. For a brief moment the hostility drops and vulnerability slips through.
“Teko kya? sabko mera voice nahi hai echo, fir bhi gunj raha har jagah…”
This becomes a statement about his art. Not everyone relates to or understands his voice, but it still echoes everywhere. Even people who hate him cannot ignore his presence anymore.

"Mujhse dar laga, dar laga?
toh fir dar bhaga yeh le, dum laga
khajve vichar tumko kam laga, kam laga?
kamar mai lumb sumb laga? dumla ka? gumla ka?
rum laga, rang laga, jung laga, mann laga
first time dekha mene toh tu mand laga,
jaude bhau tuj sampla ka"

“Mujhse dar laga, dar laga? toh fir dar bhaga…”
This section feels mentally chaotic on purpose. He keeps bouncing between threats, slang and half-complete thoughts like somebody speaking directly from emotion instead of carefully writing poetry.
“Mujhse dar laga? Toh phir dar bhaga yeh le, dum laga…”
Here MC Stan challenges the fear directly. “Dum laga” means gather courage/strength and face him instead of being scared from a distance.
“Khajwe Vichar tumko kam laga?”
This is a callback/reference to his own mindset and earlier artistic identity through “Khajwe Vichar” mentality. Stan is basically saying: “I already showed you how I think, and you still underestimated it?”
“Kamar mein lumb sum laga? Dumlaka? Gumla ka?
Rum laga, rang laga, jung laga, mann laga”
Here the verse intentionally starts collapsing into chaotic rhyme chains instead of direct storytelling. Alcohol, colours, war, emotions everything blends together into one intoxicated mental state.
“First time dekha maine toh tu mand laga, jaau de bhau tuja sampla ka”
Stan flips the judgment back on others. The same world that called him “mand” now looks weak and finished to him.

"Pill bitha dala mene meko numb laga,
police kutte jaise marri lekin lund laga,
mat kar, patkan, latkan ek bola, "bhau sathi kay pan?"
bhau, sathi kay pan, pan kashala karto, bhau, sathi kay pan?
aai pan, radat basti, din-raat, aai pan, nai pan, mi khali tujhi item"

"Pill bitha dala mene meko numb laga"
It feels emotionally exhausted beneath the intoxicated surface. Stan uses pills and substances here less as flexes and more as emotional escape. “Numb laga” is important because the goal is not happiness anymore it is to stop feeling things altogether.
“Police kutte jaise marri lekin lund laga”
Stan brings back his reality instantly. Despite police pressure and harassment, he sounds emotionally detached, almost desensitized to violence and authority because it became part of everyday life.
“Bhau, sathi kai pan? Pan kashal karto, bhau sathi kai pan?”
This is where the verse emotionally shifts. At first it sounds like pride in brotherhood: “I’d do anything for my people.”
But then Stan questions it himself: “But why am I even doing all this for brotherhood?”
That self-questioning changes the entire mood of the verse. The street loyalty suddenly stops sounding glamorous.
“Aai pan, radat basti, din-raat…”
His mother crying day and night becomes the emotional consequence of that lifestyle. Behind the drugs, aggression and hood identity, there is guilt and helplessness at home.
“Nai pan, mi khali tujhi item”
The word “item” is often used for girlfriend in local slang, the line can flip into disrespect and domination instead of vulnerability. That duality is what makes Stan’s writing interesting sometimes one line can sound emotional on surface but also work as a flex/diss depending on how you hear the tone and flow.

"Mitra sobat dai pan kaam wali karti bai pan,
karat asti, hasti mala baghun tujhi item, hi pan,
ani bye pan mi vicharl lo hot tula tu zavat nahi ka heela,
tu bola meko "hota mera panch minute mai dheela" toh fuck me
chutiya idhar ich khatam hogayele tu
ladki log ko satisfy nahi kar sakta
to fir kya karegi bichari"

“Mitra sobat dai pan kaam wali karti bai pan…”
This entire section feels intentionally disrespectful and ego-driven. Stan shifts from emotional chaos back into pure domination and humiliation of opps/other guy through sexual flexes something very common in raw underground trap culture.
“Hasti mala baghun tujhi item…”
Stan says even the other guy's girl reacts positively around him, which becomes a direct attack on the other guy's masculinity and status.
Then the verse turns mocking: “Tu zavat nahi ka heela?”
and the reply: “Hota mera panch minute mai dheela”
The other guy basically admits he cannot satisfy his girl sexually. Stan uses this confession to completely clown him: “Chutiya idhar ich khatam hogayele tu…”
“Toh fir kya karegi bichari”
The ending sounds sarcastic rather than sympathetic. Stan frames the girl as someone stuck with an incapable guy, which completes the disrespectful flex energy of the entire section.

"Hook repeats"

"Hate karte, pan dekhne meko marte
block hone se darte, yeh street nigga gharpe
nahi to ghusta tere gharpe
teri behen mere naam pe, kar dalenga
yede chale mat kar, abhi ch bolra teku
aye partya daal re iske seer mein"

“Hate karte, pan dekhne meko marte…”
This section captures the contradiction around Stan’s image. People publicly hate him, but are still obsessed with watching him. The hate starts feeling performative because deep down they are still attracted to his presence and personality.
“Block hone se darte…”
Even after acting against him, people do not want to lose access to him completely. It reflects the weird parasocial pull around controversial artists hate and fascination existing together.
“Yeh street nigga gharpe, nahi to ghusta tere gharpe…”
Stan blurs the line between online hate and real street energy. The threat feels less dramatic and more casual, like violence and confrontation are normalized parts of communication in his environment.
“Teri behen mere naam pe…”
Again he uses disrespect and sexual dominance as psychological flexing. In Stan’s music, these lines are often less about literal meaning and more about establishing power over someone mentally.
“Yede chale mat kar… aye partya daal re iske seer mein”
The ending becomes openly hostile. “Yede chale” means don’t act smart/crazy, while “partya daal” carries violent street imagery.

"Chal ayee kaam pe lag, mere naam pe lag,
mere naam pe jag, mere naam pe hug,
asal ko haq, nakli ko fuck,
Lap, lap, lap, lap, lap, lap"

“Chal ayee kaam pe lag, mere naam pe lag…”
Stan basically says: everything works because of his name now people hustle on it, gain attention from it, even emotionally attach themselves to it.
“Mere naam pe jag, mere naam pe hug”
The repetition makes his identity feel larger than just a person. His name becomes a whole atmosphere people live around love him, hate him, but they still revolve around him.
“Asal ko haq, nakli ko fuck”
This is the core philosophy of the verse. Real people deserve respect, fake people deserve rejection. Very simple line, but it sums up Stan’s entire “real vs fake” mentality throughout the track.
“Lap, lap, lap…”
The ending dissolves into adlibs and rhythm instead of meaning. By this point the song feels less like structured storytelling and more like emotional overflow - ego, exhaustion, love, hate and chaos all blending together into pure vibe.

"Naam laga tere naam ke aage, bole to baap
bole to naap, bitch you's a bop, mi tuza baap
rakh meri sab item tere pass aur sunn meri baat
main aaj ki awaz, tu lund le ke naach, fans mere kattar
sir mein tere kaach"

“Naam laga tere naam ke aage, bole to baap…”
This section feels like pure ego and status assertion. MC Stan presents himself as someone whose identity overshadows everyone else’s. “Baap” here is not literal it means superiority, dominance and influence in street/slang culture.
“Bitch you’s a bop, mi tuza baap”
The line becomes openly disrespectful and dismissive. Stan reduces the other person’s identity while elevating his own. The energy is less lyrical and more psychological making the other person feel small.
“Rakh meri sab item tere pass aur sunn meri baat”
“Item” again works as slang for girlfriend interests, but the line feels careless and emotionally detached, like relationships and attention no longer carry emotional value for him.
“Main aaj ki awaz…”
This is probably the most important line in the section. Beneath all the toxicity and flexing, Stan declares himself as the voice of the current generation and streets. That is why the song constantly switches between chaos, vulnerability, aggression and slang it reflects the emotional instability of the environment he represents.
“Fans mere kattar, sir mein tere kaach”
The ending returns to threat and intimidation. “Kaach” (glass) imagery makes the aggression feel sharp and dangerous, while “fans mere kattar” shows how loyalty from listeners became part of Stan’s power and identity.

"Basanti in kutto ke samne mat naach,
fuck that time bitch I'm gonna 9
I'm gonna shine, tera dirty mind
main kisiko pan nahi ho gayla sign,
meri ammi se dur bitch I'm not fine
its time to find, who's lying? who's tryin!
P-town baby chowk main rukh ke derele gang sign!!"

“Basanti in kutto ke samne mat naach…”
This line references "Sholay", where Basanti is told not to dance in front of dogs. Stan uses it to say:- don’t perform or lower yourself for people who do not respect you. The line instantly adds bitterness and distrust towards the audience around him.
“Fuck that time bitch I’m gonna shine…”
After all the chaos, hate and emotional instability in the song, this part feels like self-motivation. Stan sounds tired of explaining himself and instead focuses on becoming successful and visible no matter what people think.
“Main kisiko pan nahi ho gayla sign”
This line is important because it reflects independence. During that era, Stan’s identity was deeply tied to being raw and self-made. Not being “signed” means he still sees himself outside industry control.
“Meri ammi se dur bitch I’m not fine”
The aggression suddenly breaks emotionally here. Beneath all the flexing and toxic energy, the real pain appears distance from his mother. It humanizes the entire song because suddenly the chaos feels rooted in loneliness rather than only ego.
“It’s time to find, who’s lying? who’s tryin!”
Stan becomes paranoid and reflective at the same time. Fame, hate and street life make him question who is genuine around him and who is pretending.
“P-town baby chowk main rukh ke derele gang sign!!”

The ending brings the song back to locality and identity. “P-town” (Pune) is not just a place here it is his emotional and cultural root. After all the confusion, love, hate and emotional breakdowns, Stan still ends the track representing where he comes from.

"Pyaar kar!"

That final phrase feels ironic and emotional together. After an entire song full of toxicity, aggression, insecurity and chaos, ending it with “love” makes the track feel emotionally conflicted rather than purely hateful.

This is just my interpretation and understanding of the track through its emotions, slang and context. If I misunderstood any line or missed any deeper reference, feel free to correct me respectfully because art is always open to different perspectives.

So me and my friends (5 of us) went to a ground around 9 PM because every stoner knows that’s the “rolling time” 😭
We went to one corner of the ground where barely anyone was around. One guy was cleaning the stuff, but then we realized we didn’t have a lighter or even a matchbox. So one friend went out searching for one while the remaining 4 of us stayed there.
3 of them were sitting in front of me while I was standing and looking toward the ground area. There were still around 10 people randomly chilling there. Suddenly I saw one bike coming toward us, so I told them, “Yo, one bike is coming.”
One of my friends said, “Keep your eyes on the ground, bro. There’s a police station nearby.”
I looked again but didn’t recognize who they were at first. Then one of my friends looked back properly and screamed:
“COPS!!!”
BROOOOO 😭😭😭
The panic was INSANE. We all started running instantly in completely different directions. One went left, one went right, one disappeared somewhere, and I literally ended up hiding near a chicken shop 😭😭
The funniest part is the friend who went searching for a matchbox got caught because he came back at the worst possible moment 💀
Police asked him:
“What are you doing here?”
And this man casually said:
“I came here to pee.”
The cops checked his pockets, checked his mouth smell too, but luckily he had nothing on him because the stuff was with another friend. So police just told him:
“Don’t come here again. Go.”
Meanwhile we 4 were hiding like wanted criminals for absolutely no reason 😭
After cops left, we somehow found each other again, picked up the dropped phone, and then rolled at another spot anyway 😭😭😭

"Hosh mai aa jara duniya tu dekh,
kitne bhadeeri khayela jara khudku tu dekh,
tu PUBG ke zone mai, teri behen lageli phone mai,
tereko malum kya kon mai?"

Stan starts the track with pure frustration and superiority complex mixed together. He’s basically telling people to wake up and face the real world instead of living in delusion. “PUBG ke zone mai” represents people lost in virtual/internet life while Stan presents himself as someone coming from actual struggle and street reality. The “bhadeeri khayela” part means life has already humbled and embarrassed you many times, yet you still act unaware. Then suddenly he brings disrespectful street slang with “teri behen…” just to create discomfort and establish dominance immediately pure basti argument energy, raw and unfiltered. And the ending “tereko malum kya kon mai?” ties everything together perfectly because beneath all the aggression there’s also hunger for recognition. It sounds like Stan saying:
“You people think I’m just another crazy guy, but you have no idea who I really am or what I’ve survived.”

"Jis din tune kara meko diss, uss din se murder ki case mai mai andar tha,
dhaara pan sunke le 326, tere jaise bachkane ghumrele 36
meri kamar lene wala
chal beech mai, fir summer mai hummer
fir anam ki kamar, i fuck her,
I fuck her, i fuck her
I fuck her, i fuck her"

“Jis tune kara meko diss, uss din se murder ki case mai mai andar tha…”
This line is Stan replying to people (mainly indirect shot towards Emiway Bantai according to many listeners) saying that while they were dropping diss tracks and doing rap beefs, he was already dealing with actual legal/street problems. “Andar tha” means he was inside jail/custody. Then the next line confirms the seriousness:
“Dhaara pan sunke le 326…”
IPC 326 is a real Indian legal section related to grievous hurt using dangerous weapons. So Stan is basically comparing internet rap beef with real-life consequences. The whole flex here is: “Tum log online gangster banre, mere pe actual cases chalre the.”
“Tere jaise bachkane ghumrele 36” means immature people with fake beefs are everywhere.
“Meri kamar lene wala, chal beech mai, fir summer mai hummer…”Yaha MC Stan ka flow more vibe-based ho jata hai than lyrical. “Meri kamar lene wala” is like someone trying to pull him down or get close to his level, but Stan immediately dismisses them with “chal beech mai” matlab side ho ja.
Then “summer mai hummer” becomes a success flex. From street chaos to imagining luxury lifestyle and power. The bars together give that typical trap energy: people trying to reach him while he’s mentally already dreaming bigger and flexing harder.

"Bitch go home, mera ek home tere do home,
aage se, pichhe se
upar se, neeche se,
har jagah se mai vato,
nai vato, nai blood mai, nahi crip mai,
nahi flip mai, full cheap mai,
OG bolke, first copy chitkare wo log cheap mai"

"Bitch go home, mera ek home tere do home"
Yeh sexual flex hai. Mera ek home" = mera ek lu*d (d!ck). "Tere do home" = teri ch*t + g*nd (do holes).
"aage se, pichhe se, upar se, neeche se har jagah se mai vato"
Aage se (front se), peeche se (back se), upar se, neeche se — har jagah se main vato (fuck) karta hoon.
"nai vato, nai blood mai, nahi crip mai"
“Main kisi fake gang image ya copied persona ka part nahi hu.” He’s separating himself from people who imitate western gang culture just for aesthetics.
“Nahi flip mai, full cheap mai…”
“Flip” means switching sides/personality for trends, clout or image. Stan bolra he’s not into that fake switching behavior.“Full cheap mai” means those people are completely cheap and unauthentic. Matlab:
fake lifestyle, fake gang image, fake personality sab copied lagta hai.
The bars together continue the same theme: “Main asli hu, tum log bas copied aesthetics pe chalre ho.”
Stan un fake rappers/gangstas ko roast kar raha hai jo khud ko OG bolte hain lekin first copy hain. Jaise market mein "original" bolke duplicate cheezein bechte hain.

"Teko derele wo log wo log bheek mai, leak mai
Ho gaya tha bich mai, snitch mai, trip mai
Lift mai, street pe, cheap mai, sick mai, beat mai
neat mai, meed mai, weed mai, bheed mai
feed mai, free mai, du tujhko green mai
lean mai, clean mai, scene mai, feel mai
kill mai, chill mai, neel mai
Bill mai, gates mai
Itna bas hua intro malum padega aage kon mai"

“Teko derele wo log bheek mai… Itna bas hua intro malum padega aage kon mai”
Yaha MC Stan pure trance/trap flow mode mai chala jata hai. These bars are less about direct storytelling and more about creating overwhelming energy. “Bheek mai” means people are giving fake support/attention like charity, “snitch mai, trip mai” shows fake people, betrayal and drugged/unstable mindset around him.
“street pe, weed mai, bheed mai, scene mai, feel mai…”
feels like thoughts racing continuously. Stan is basically saying he exists everywhere - streets, drugs, crowds, rap scene, vibes like his presence is unavoidable now.
“Green mai, lean mai” are drug/money references inspired by trap culture, while “Bill mai, Gates mai” likely hints toward money and success like Bill Gates level wealth imagery.
The most important line is the ending: “Itna bas hua intro malum padega aage kon mai”
After all this chaotic flexing, Stan says this was just the INTRO. Matlab: “You still haven’t seen the real me yet.”

"Pune ke police sirf kareli chillies,
maal saaf kar dekh kaisa likhta lyrics
lyrics birics
chhod aple ku jane ka phoenix, paise nai kuch nahi"

“Police sirf kareli chillies” means police bas pressure/create tension karti rehti hai, but Stan sounds unfazed by it because that environment became normal for him.
“Maal saaf kar” clean the we*d. Then he says “dekh kaisa likhta lyrics” matlab after getting high or entering that zone, his raw creative side comes out. It’s showing the connection between intoxication, chaos and his writing process.
“Lyrics birics” is intentionally childish.
“Chhod aple ku jane ka phoenix…” Yaha “Phoenix” ka meaning rebirth wala bird nahi hai. MC Stan most probably Pune ke Phoenix mall/reference ki baat karra hai. “Aple ku jane ka Phoenix” means: “Apan Phoenix chale kya?”
Then immediately: “Paise nai kuch nahi…” matlab they don’t even have money to go enjoy or flex there properly.

"Shala no.32 bole to bihari ko chaam
station pe kisku ghad,
chale aee wargani ka, ganpati aagyale, wargani kad,
tu score kar, bore kar, mere ghar pe ganje ka jhad"

“Shala no.32” most likely school/local area reference hai and “bihari ko chaam” is disrespectful street language used for flexing toughness and local dominance. Old underground rap mai aise raw slurs common the to sound unfiltered and authentic.
“Station pe kisku ghad…” - This gives railway station/street environment imagery like local fights, meeting points, street activity.
“Ganpati aagyale, wargani kad…” - This is one of the most local Maharashtrian references in the song. “Vargani” means Ganpati donation collection. Every locality collects money during Ganesh festival.
“Tu score kar, bore kar, mere ghar pe ganje ka jhad” - “Score” means arranging drugs/weed. Then “mere ghar pe ganje ka jhad” is an exaggerated flex saying there’s so much weed around him it’s like plants growing at his house.

"PUB G mai mand hogaye tum ek room mai band ho gaye tum
ek soch mai band ho gaye tum meri soch tak poche nahi tum
rakho jeebdi pe acid tabhich pochonge tum
10 time sochoge tum
meri har ek baat ko
samajh meri baat ko, petrol nahi gadi mai
to chutiye thug life dena raat ko"

“PUBG mai mand” means people became mentally numb/addicted inside virtual life.
“Ek room mai band” means physically aur mentally dono trapped. Matlab duniya ka real struggle dekha hi nahi.
He saying tumhari mindset bohot limited hai. Tum log same bubble mai phase hue ho while his thinking comes from street life, chaos, survival and pain isliye “meri soch tak” tum pahoch hi nahi sakte.
"Rakho jeebdi pe acid tabhich pochonge tum” - Acid here most likely LSD reference hai. He’s exaggerating that only after expanding your mind through extreme experiences/tabhi you’ll understand his mentality and art.
“10 time sochoge tum meri har ek baat ko” - Meaning his bars sound random initially, but deeper level pe they stay in your head and force you to rethink them.
“Petrol nahi gadi mai, to chutiye thug life dena raat ko” - bike/car mai petrol tak nahi hai but online/offline thug life pretend karre ho. He’s mocking fake street personas who imitate gangster culture without actually living struggle.

"Bhonda ho gayela kya tu
bhonda mat ban, bhonda mat ban, bhonda mat ban
charsa kan, charsa kan, charsa kan
milega fun, milega fun, milega fun
galat sochra mummda tu
milega fun nai, nahi milega dhan"

“Bhonda ho gayela kya tu, bhonda mat ban…” - “Bhonda” in Marathi/Pune slang means clown, dumb ya someone acting stupid/fake. Stan bolra: “Pagal mat ban.”
“Charsa kan… milega fun…” - “Charas” (hash/weed) ka reference use karke wo drug culture ki temporary pleasure mentality mock karta hai. Matlab drugs/fake lifestyle initially “fun” lagte hai.
But immediately he flips it with: - “Galat sochra mummda tu, milega fun nai, nahi milega dhan”
Meaning:
Tu sochra ye sab cool/fun hai, but end mai na real happiness milega na money/success. “Mummda” is local slang style for addressing someone casually/mockingly.

"Upar se ho jayega mand
teri soch london main ghumte baitheli
pateli kaise kya karte ?
matlab fugeri bigeri
dikha mat meku, kanpatte teko
hood mai aake tere, de dala teku"

“Upar se ho jayega mand…” - Yaha Stan bolra drugs/fake lifestyle ke chakkar mai mentally numb aur slow ho jayega tu. “Mand” means dumb/numb mentally continuing the previous warning about charas and fake thug life.
“Teri soch London mai ghumte baitheli…” - This line mocks people who mentally live in fantasies and foreign aesthetics. Matlab physically basti/locality mai ho but dimaag pura fake luxury and western image mai ghoomra hai.
“Pateli kaise kya karte? matlab fugeri bigeri…” - “Pateli” means showing off/flexing unnecessarily. “Fugeri bigeri” basically means fake swagger and useless attitude. Stan is exposing people who act gangster or rich without actually being real.
“Dikha mat meku, kanpatte teko hood mai aake tere, de dala teko” - Now the energy becomes threatening again. “Kanpatte” means slap/hit near the side of the head. Stan basically says: - “Fake attitude mere saamne mat dikha, tere hood mai aake hi tujhe handle kar dunga.”

"Gharpe summe sunnte tum meko,
sab malum meko
tum sab SAB TV dekho,
pyaar bir hogaya to bolna mat meko,
tum 10 gane feko mera ek gana bas hua teko
sirf feel kar tu meko
ladki ke boche pe haat rakh ke sekhu
dekhu mai khudko"

“Gharpe summe sunnte tum meko, sab malum meko…” - Yaha MC Stan bolra ki log secretly usko sunte hai even if publicly hate ya judge kare. “Sab malum meko” gives that confident energy.
“Tum sab SAB TV dekho…” - This is a funny but disrespectful comparison. SAB TV represents safe/family-friendly entertainment, while Stan’s music is raw, dark and uncomfortable. Matlab: - “Tum log mere level ki reality handle nahi kar sakte.”
“Pyaar bir hogaya to bolna mat meko…” - This line feels detached and emotionally numb. Like he’s saying: - “Attachment mat rakh mere se.”
“Tum 10 gane feko mera ek gana bas hua teko” - Simple flex others need 10 songs to make impact while one Stan track is enough to affect people deeply.
“Sirf feel kar tu meko…” - Stan’s tracks are not always about technical lyrics they’re about atmosphere, emotion and vibe. He wants listeners to FEEL the chaos instead of logically decoding every word.
“Ladki ke boche pe haat rakh ke sekhu, dekhu mai khudko” - Very raw and uncomfortable imagery. It reflects lust, emotional emptiness and self-obsession together. Instead of genuine intimacy, the line feels like someone trying to see himself through temporary pleasure and validation.

This is just my personal interpretation of MC Stan’s “Hosh Mai Aa”- if I misunderstood any slang/reference or got something wrong, feel free to correct me respectfully.

I was listening MC Stan from 2019. Tab koi hype nahi tha, koi Bigg Boss nahi tha, koi mainstream recognition nahi tha. Just pure raw music and the few of us who actually knew.
Back when nobody was paying attention, we were listening.
Tadipaar aaya aur honestly I feel like this album doesn't get the respect it deserves. Sab log sirf "fire hai bhai" bolke scroll kar dete hain. Nobody actually sits down and breaks it down.
Toh main soch raha hoon ek proper breakdown karun. Fan ke POV se.
Main koi music critic nahi hoon. No fancy music theory knowledge, no industry connections. But main genuinely samajhta hoon woh kya bol raha hai the Pune streets, the language, the pain, the references that only real listeners catch.
Galat bhi ho sakta hoon kuch jagah I'm not claiming to be an expert.
We were there before it was cool. This breakdown is for those people.
Drop a comment. Let's talk about real music.

Hey everyone, I have a full-time office job and it covers my expenses, but I want to build something on the side to earn extra. I don't have a big amount to invest upfront so I'm looking for something that can be started with little to no money. I've been reading through this sub for a while and I see a lot of success stories but I'd love to know: - What did you start with? How much time does it take per week? How long before you made your first money? Any mistakes to avoid as a beginner? Any field is fine freelancing, digital products, reselling, content, anything. Just want real answers from people who've actually done it. Thanks in advance!

Hey everyone!

I'm a complete beginner and planning my first trek soon. Honestly have no idea where to start when it comes to gear and packing.

Would love to know from experienced trekkers here -

• Which shoes should I buy? Any specific brands?
• What kind of jacket is actually needed?
• Do I really need thermals? Which type?
• What backpack size should I go for?
• Any safety or medical stuff I should carry?
• Anything else I'm probably not even thinking about?

Don't want to overpack but also don't want to show up underprepared on day one 😅

Drop everything you'd personally recommend - gear, brands, budget tips, anything. All suggestions welcome!

Thanks in advance 🙏🏔️

Hey everyone! 👋

I'm from Mumbai and have been planning a moderate Himalayan trek for a while now. Since I'll be travelling solo, I'm looking to join an existing group or find fellow trekkers to team up with.

A bit about me:

- Based in Mumbai (travelling by train, no flights)

- Looking for a moderate difficulty trek

- Flexible on dates, still exploring options

- Budget-conscious – looking for affordable group packages

Trails I'm considering: Kedarkantha, Dayara Bugyal, or Hampta Pass – but open to suggestions!

If you're planning something similar or know of a group I can join, drop a comment or DM me. Would love to share the experience with some like-minded people. 🏔️

Also happy to hear any tips for solo trekkers joining groups for the first time!

Not sure why I felt the urge to post this here, but it felt right lol.

20 years on this planet. Honestly wasn't expecting it to feel any different, but there's something weirdly significant about leaving your teens behind for good. No more "I'm a teenager, I have an excuse" energy — I'm just... a person now I guess?

Still figuring a lot of things out, still have no idea what I'm doing half the time, but I'm here and that's something.

To everyone else who's been through this — does it actually start making sense at some point, or is that just a myth? 😂

Anyway, happy birthday to me. 🎂

Been listening to Dhanji for a while now and something about his music just pulls me in but I can't fully explain why.

Like I FEEL it but I don't fully GET it. The Gujarati slang, the local references, the street humor I catch bits and pieces but I know I'm missing layers.

I have friends but they are not intrested in trekking/travelling. Want a partner for travelling. I am from Kalamboli, Navi Mumbai

I currently have an active SIP in SBI Gold Fund and want to build a more well-rounded mutual fund portfolio.

My profile:

- Age: [20yrs]

- Monthly SIP budget: ₹2000

- Investment horizon: Long-term (7–10 years)

- Risk tolerance: Moderate to moderately aggressive

- Goal: Wealth creation / retirement corpus

What I'm looking for:

- 2–3 additional SIPs to complement my existing gold fund

- Good mix of stability and growth

- Preferably well-diversified across market caps

What I've researched so far:

- Index funds like Nifty 50 or Nifty Next 50

- Flexi-cap funds for diversification

- A small/mid-cap fund for higher growth potential

Would love to hear which funds the community swears by and what allocation strategy makes sense. Also, direct vs regular plan thoughts are welcome!

Thanks in advance 🙌

Karma just dropped "Public Notice" and it's exactly what Indian hip-hop needs right now!

This track is pure protest poetry calling out women's safety, corruption, deforestation, free speech, and recent controversies with sharp bars and real awareness. No filler, just hard-hitting conscious rap.

Karma continues to prove why he's one of the strongest voices in DHH. Respect for using the platform like this.

What do you guys think? Is this the kind of hip-hop we need more of? 👀