u/Few_Ear_9523

these women tend to be opportunists and capitalize on their effect on most men, does anyone know of a modern or ancient myth that depicts this archetypal situation? men are usually the ones that have to learn to love the woman for who she is, I do not recall Jung talking about this stage of animus development, seems like the logical course of things as the woman becomes older and it becomes more difficult to play the game, the type of man that would be able to unravel this stubborn complex would have to be quite the fellow, I am not even convinced it can be undone, it would require a spiritual awakening, we have all seen the drama and tragedy of this dynamic play out in families

I currently use a glue compressor on the master channel to create the deep ducking French House and Electro is known for, fast attack, slow release, lowest threshold and max ratio, it helps me create that ghostly entry and exit of each track as it appears but I am realizing it distorts the tracks noted in the title, why is this happening is there anyway to avoid it? I am starting to use manual level sidechaining as it leads to more clarity but there is something about the compressor ducking that is magical and I prefer it

my daw does not allow me to isolate the kick from the rest of the compressor, so literally every track compresses the mix as it appears, it lets me create the pumping effect French House is known for, if anything the pumping is even more intense, for example if the bass and kick land at the same time, there is a very deep compression that happens, if I offset their placement slightly it kind of EQs them both out of the way while creating a deeper pump then if the kick was isolated