u/Ava166

بڵاونامەیەک لە بەڕێوەبەرایەتی گشتی هاتوچۆ؛

ئاماژە بە نوسراوی وەزارەتی ناوخۆ/ بەڕێوەبەرایەتی گشتی دیوان/ ب. کارگێڕی و سەرچاوە مرۆییەکان ژمارە (١٣٦٥٧) لە ١١ی ٥ی ٢٠٢٦، بە پشت بەستن بە بڕیاری ئەنجومەنی وەزیران ژمارە (٧٩)ی ساڵی ٢٠١٦، لە خشتەی دووەم، خاڵی (٨)، ئاگاداری شۆفێران و سەرنشینان دەکەینەوە کە:
یەکەم: بۆ پاراستنی ژینگە و ڕاگرتنی پاک و خاوێنی کوردستان، قەدەغەیە شۆفێر یان سەرنشین، لە کاتی رۆیشتن یان وەستانی ئۆتۆمبێل، هەر جۆرە زبڵ و خاشاکێک فڕێ بداتە سەر شەقام و شۆستەکان.
دووەم: بە پێچەوانەوە، بڕی (٤٠.٠٠٠ چل هەزار دینار) سزای دارایی بۆ هەر سەرپێچیەک بۆ ئۆتۆمبێل/ یان ماتۆڕسکیل ڕەوانە دەکرێت کە سەرپێچییەکەی تێدا ئەنجام دراوە.
سێیەم: ئەم سزایە زیاد دەکرێت بۆ هەموو سیستمەکانی تۆمارکردنی سەرپێچی وەکو PDA و کامێراکانی تۆمارکردنی تیژڕۆیی و چاودێری.
چوارەم: دەسەڵات دەدرێتە ئەفسەری هاتوچۆ بۆ سەپاندنی ئەو سزایە ڕاستەوخۆ لە کاتی بینینی، یان لەو کاتەی بە ڤیدیۆی تۆمارکراو لە لایەن هاووڵاتییانەوە بۆ پلاتفۆرمەکانی بەڕێوەبەرایەتییەکانی هاتوچۆ ڕەوانە دەکرێت.
پێنجەم: داوا لە هاونیشتیمانیان دەکەین هاوکاری پاراستنی ژینگە بکەن و خۆیان لە فڕێدانی زبڵ و خاشاک بپارێزن، هەروەها هاوکار بن لە ئاگادار کردنەوەی پۆلیسی هاتوچۆ لە سەرپێچیکاران بە ناردنی ڤیدیۆ و وێنە.

ڕاگەیاندنی بەڕێوەبەرایەتی گشتی هاتوچۆ
١٢ی ئایاری ٢٠٢٦

citizen named Dlovan Hamdi, from Duhok Province, has discovered an archaeological statue unearthed by soil erosion following the recent heavy rains. This is considered a rare find, as it is the first time an artifact of this specific type has been discovered within the Kurdistan Region.

Dlovan stated: "I felt a sense of responsibility, which is why I handed the piece over to the relevant authorities."

Statues of this type were originally created for religious purposes. As seen in the figure, the individual is depicted in the midst of performing religious rituals.

Similar statues have previously been found in Northern Kurdistan, specifically at archaeological sites such as Grê Navukê, Girê Keçel, and several other northern locations, dating back 10,000 to 12,000 years.

هاوڵاتییەک بەناوی "دڵۆڤان حەمدی" لە پارێزیگای دهۆک، بەهۆی ڕاماڵینی زەوی ئەم باران بارینەی ڕابردوو پەیکەرێکی شوێنەواری دوزییەوە، کە دۆزینەوەیەکی دەگمەنە و یەکەمین جارە پارچە شوێنەوارێکی لەم چەشنە لە کوردستان بدۆزرێتەوە.

دلۆڤان دەڵێت: هەستم بە بەرپرسیارێتی کرد، بۆیە پارچەکەم ڕادەستی لایەنە پەیوەندیدارەکان کردووە.

ئەم جۆرە پەیکەرانە بۆ مەبەستی ئایینی دروستکراون. وەک دەبینین کەسەکە لە کاتی ئەنجامدانی ئەرکە ئایینییەکانیدایە

لەم پەیکەرانە لە باکووری کوردستان، لە ناوچە شوێنەوارییەکانی گرێ ناڤوکی و گرێ کەچەڵ و چەندین ناوچەی تر هەر لە باکوور دۆزراونەتەوە و مێژووییان 10-12 هەزار ساڵە.

In September 2015, during a brutal 24-hour military curfew in the Kurdish city of Cizre, a 10-year-old girl named Cemîle Çağırga was playing in her doorway when she was shot by a Turkish sniper. She died in her mother’s arms. 

Because of the strict "shoot-to-kill" curfew imposed by the Turkish government, no ambulance could reach their home, and no one was allowed to leave for a hospital or a cemetery.

The unimaginable reality:

As the summer heat began to affect her body, her mother, Emine, had no way to bury her daughter. To prevent her child's body from decomposing, she was forced to place Cemîle in the family’s deep freezer. For three days, Cemîle lay among the frozen food. Her mother later recounted how she spent those nights holding her daughter’s frozen hand so she wouldn’t feel "lonely or cold." 

The Political Brutality:

Cemîle’s death was not an isolated incident. It occurred during a period of intense state violence against Kurdish civilians in Southeast Turkey. The Turkish government justified these sieges as "anti-terror" operations, but the reality for those on the ground was a systematic campaign of collective punishment. 

• Indefinite Curfews: Entire cities were cut off from water, electricity, and medical supplies for weeks.

• Targeting Civilians: Human rights organizations (Amnesty, HRW, UN) documented dozens of civilian deaths, including children and the elderly, often killed by snipers while simply trying to find food or water.

• Erasure: After the sieges, entire neighborhoods were razed to the ground to hide the evidence of the brutality, and those who spoke out—journalists and politicians—were arrested.

The Song:

Today, the ancient Kurdish folk song "Lorîkê Cemîle" (Lullaby for Jamila) has been reclaimed as a tribute to her. What was once a traditional melody is now a haunting anthem for a child who was denied even the dignity of a timely burial.
Kurdish history is often written in blood and preserved in songs. Cemîle’s story remains a stark reminder of the cost of the Turkish state’s century-long policy of suppression against its Kurdish population.

Rest in peace, Cemîle. 🕊️

In 1988, during the brutal chemical attacks on the villages surrounding Koya, Hawar Qadir was only a few months old. While death covered the land, Hawar lost her mother, father, and brother in a bombing.

Miraculously, she remained alive in her mother’s embrace for three days before being discovered by soldiers and later rescued by her aunt, who raised her.

Today, 38 years later, Hawar stood before a workshop at Koya University to commemorate the Anfal of the Koya Plain. She brought with her a powerful symbol of her survival—the pacifier she had as an infant during the genocide. Her life remains a testament to the endurance and courage of our people.

Photos by: Hawjin Abdulwahid

I’m struggling with the texture of my gluten-free bread. It looks okay, but the crust is incredibly hard and the inside is very dense.

I am using this brand in the photo. And I use the yeast from the same brand.

These textiles are distinguished by geometric patterns inspired by mountain terrains and wild flowers, where each piece is woven to be an art canvas telling a story of resilience and connection to the land.

The use of dyes extracted from mountain plants and herbs gives these textiles exceptional quality and a radiance that does not fade over time, making them heirlooms passed down through generations.

This art represents an important aspect of household economy and cultural heritage, as weavers put a piece of their memory and aesthetic identity into every knot of thread that characterizes Kurdistan.

https://x.com/kurdx\_/status/2050683215409516815?s=46&t=dIcbpV1DrBcWuc1CTt-pcA

The Directorate for Combating Violence Against Women and Families / Sulaymaniyah announces a campaign under the hashtag #Combating_Domestic_Violence. This campaign includes the distribution of posters across all directorates and organizations within the Sulaymaniyah Governorate.
The goal of this initiative is to combat violence in order to build a healthy family environment.
#Combating_Domestic_Violence
#Hotline_119
Directorate for Combating Violence Against Women and Families / Sulaymaniyah
May 3, 2026

بەرەنگاری توندوتیژی دەبینەوە

بەرێوەبەرایەتی بەرەنگاربوونەوەی توندوتیژی دژی ئافرەتان‌و خێزان/سلێمانی لە ڕێگەی هەڵمەتی هاش تاگەوە بەناونیشانی (#بەرەنگاربوونەوەی_توندوتیژی_خێزانی)
ڕادەگەیەنێت و بەشێوەی پۆستەر لە سەرجەم بەڕێوەبەرایەتی و ڕێکخراوەکانی پارێزگای سلێمانی بڵاودەکاتەوە.

ئامانجی ئەم هەنگاوە بەرەنگاربوونەوەی توندوتیژییە لەپێناو بوونیادنانی خێزانێکی تەندروست.

#بەرەنگاربوونەوەی_توندوتیژی_خێزانی
#هێڵی_گەرمی_ژمارە١١٩

بەڕێوەبەرایەتی بەرەنگاربوونەوەی توندوتیژی دژی ئافرەتان و خێزان/سلێمانی
٢٠٢٦/٥/٣

### **English Translation**
**Telmoure**… the voice of the soul and the history of the Kurds.
Whether called Telmoure, Tamira, Tamboura, or Tanbur, it is not just a musical instrument; it is the echo of thousands of years of history and the spiritual cry of the Kurdish people.
The word **Telmoure** is composed of two parts: **Tel** and **Moure**. **Tel** means "string," while **Moure** refers to mourning, lamentation, and funeral rites.
This instrument is one of the oldest string instruments in the world. Its roots trace back to Mesopotamia and the Zagros region, with a history spanning back six thousand years.
There are three main types of Telmoure: Yarsan Telmoure, Alevi Telmoure, and Yazidi Telmoure.
Among Kurds, the Telmoure is a sacred instrument that resonates with the sound of divine love. The body (bowl) of the instrument is usually crafted from mulberry wood. It features three strings, and what sets it apart from other instruments is its playing style—it is plucked with the fingers rather than a plectrum (mizrap) or a pick, which produces a deeply soulful sound and a unique vibration.
From the foundation of the Telmoure, Kurds developed several other instruments, including the **Divan** (or Saz) and the **Barbad**. The Barbad later evolved into the **Oud**. When the Oud reached Andalusia, Europeans developed the **Lute** from it, which eventually became the **Guitar**.
Today, the Telmoure has transcended borders. It is recognized globally as a symbol of mystical and authentic Kurdish music. When played, it distances a person from the chaos of the world and leads them toward tranquility.
Have you ever heard the sound of the Telmoure up close? Or would you like to learn how to play it?

https://www.instagram.com/reel/DX4fLypIYk6/