









I’m on a roll
For questions this week.
I’m getting a hand-me-down 3/4 violin prepared for my daughter. It’s in good shape but it’s been sitting a while.
It’s a Karl Knilling violin. There is no year marked in it but I can narrow down the age based on the fact that it belonged to my nephew who played it about 16-20 years ago and it says it was made in Germany so it can’t be older than 1990.
The strings are at least 16 years old, and the fine tuners that were on the tailpiece were all dirty and stiff, plus they were a bad design and were marring the finish under the tailpiece. So I bought a whitner-style Fiddlerman tailpiece for it and Fiddlerman strings.
Well, it turns out Karl Knilling pegs have unusually tiny holes in them, and the Fiddlerman strings are too fat.
My options:
- I have precision tools that are entirely capable of boring out the holes *assuming* that there isn’t anything more technical in a peg hole than just, well, a hole in a stick.
- I could buy all new pegs and pay a luthier to fit new pegs to the violin. I’m not sure this is my best go-to solution for a violin my daughter will probably outgrow in a year, but it’s an ok backup plan in case I try option 1 and fail.
- I can find much thinner strings that will fit the pegs.
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The E string was a bit of a tight fit but worked. The A string was very difficult to install. The D string was incompatible but I’m stubborn and managed to cram it in there after shaving off a little of of the outer layer of windings. The G string was an entirely lost cause - it’s just bigger than the hole no matter what. So currently the violin only has 3 strings on it.
So… is there a very thin string set or at least a single G string I should be trying?
Is there any reason why I should NOT attempt to widen the holes a little, given that needing to replace the pegs at the luthier would be an option if it doesn’t work?
I might cross post this to violinmaking.
ecently, I accepted an assignment from an orchestra colleague to photograph his violin. I usually do a bit of photography on the side, exploring additional revenue streams, but this type of photography is still quite new to me. He wants to sell the instrument, so the images were intended to support that purpose.
What do you think of the final results?
For the full-body shots, I used around eight different images with varying points of illumination, which I blended into a single final image, as I currently only own one flash.
If you have any tips or tricks for photographing instruments, I would be very grateful!
I’m making a batch of Iris Carr’s retouch varnish which calls for shellac dissolved in alcohol and sandarac dissolved in alcohol. The sandarac gets strained and then added to the shellac solution.
I’ve made this recipe several times before, using the same sandarac and shellac. Usually I pour out a weight of finely ground sandarac into a jar, add the alcohol, and heat the jar (~200º C for about an hour) to speed up the sandarac dissolving. Then I put the shellac in a separate jar with alcohol and by the time the sandarac has fully dissolved the shellac has dissolved as well. I pour the sandarac through a coffee filter into the shellac, stir it up and it’s ready to go. This time there is a white goo settling to the bottom of the jar of sandarac. With heat, the goo becomes more liquid and can get swirled into the rest of the liquid, but as soon as it cools the goo reforms and sinks to the bottom.
I don’t remember having this issue before. Should I filter out the goo? Is the goo the important part and I need to keep cooking it until it breaks down completely? Should I not be heating the sandarac at all and just let it sit for days until it breaks down on its own? Would love to know if anyone else is familiar with this and can give some insight.
on my way back from working at a friends with my viola back in a tote bag and went to the shop on my way home. i bought a carton of orange juice and put it in the tote bag and a sharp edge of the viola pierced the carton and it leaked everywhere. i didn’t realise until i got home and emptied my bag to find everything including my rough arched viola back absolutely soaked 😭😭😭
if anyone can offer anything that might help i would be infinitely grateful!!!
(please excuse the insane corners - this back was cut out on a jigsaw before id finished the corners on the rib structure so i wanted to give myself lots of wiggle room!!!)
Hello everyone!
I am interested to buy this violin from someone
He's asking 800$ for it.
He has no paperwork or anything , had it for 11 yrs and he's an music high school student.
I'm thinking of going to see it and try it out and I want to take an luthier with me.
As an advanced 5 year violinist playing things like Vivaldi winter solo concertos, Butterfly lovers, Meditation from Thais, and Scene De Ballet. What violin would you recommend and what price range should i target. I’m looking for a nice one as my current one cost about 5,000. Would Cremona be a good place to purchase?
I'm a luthier and I'm trying to make some small interior lights for instruments. Basically it's a small strip of LEDs that slide in through the F hole so I can better illuminate the interior.
Here's an example that a friend has in her shop. Unfortunately she's had it so long she can't recall where it came from.
I'm trying to make myself a handful of similar lights, in different lengths, for different size instruments (this length gets in the way in a violin, but doesn't light the entirety of a cello).
I managed to make myself one prototype out of a Paulmann SimpleLED kit, but it meant cutting off about 1.49 meters of LED strip to use just 10 cm...and now I can't find a good solution for connecting the rest of the strip....at least among the materials I can find in Europe at small scale. Part of that may be that I can't figure out my search terms.
Does anyone have a good supplier in France or Europe for ....? (No Amazon, please)
Bonus points if I can re-use the excess strip from the Paulmann SimpleLED kit, but I realize the kit may not be made to avoid waste.
Here's what I managed to make at home with the kit:
It works well enough as a one-off, but I do not want to spend 15 EUR and waste meters of material for every one of these that I need!
I want to create these in a way that isn't terribly expensive, but will hold up for years.
If anyone can help me with the appropriate terms, and point me to a good place to buy these parts in Europe (not Amazon) I would really appreciate it.
Hey all, I’ve made a 15” Viola and looking for a chinrest that is “high” enough to accommodate the extra thickness I’ve given it. Measures 50mm in total, would the Wittner Zurich fit? Thanks!