r/movies

Source: Aliens Expanded documentary (2024)

Rest in peace to the all time goat of movie posters. This is both my favorite movie poster ever made and one of my all time favorite movies -- win/win.

I also filmed a speedpaint for this, but I sadly don't know how to put a photo and a video in the same reddit post. I did post it on Instagram though, so if you wanna see that or more of my other stuff it's @ ben_sturr_art

The evil Empire has fallen but Imperial warlords remain scattered throughout the galaxy. As the fledgling New Republic works to protect everything the Rebellion fought for, they enlist the help of legendary Mandalorian bounty hunter Din Djarin and his young apprentice Grogu.

Director: Jon Favreau

Cast: Pedro Pascal, Sigourney Weaver, Martin Scorsese, Jeremy Allen White, Hemky Madera

Rotten Tomatoes: 60%

Metacritic: 55 / 100

Some Reviews (updating):

Nerdist - Rotem Rusak - 4 / 5

>Ultimately, to me, there’s just something that feels kind about this movie. Not kind in that it’s only sunshine and roses, but kind to its viewers, who are probably living hard, stressful lives, who just want to go the movie theater and enjoy a film that takes them on a sweeping space adventure. The good guys get good things, the bad guys get their due, and just the barest bit of the bittersweetness of life looms in the ether to give it all a bit of poignancy.

Total Film - Fay Watson - 3 / 5

>There are some cameos as Clone Wars and Rebels characters get woven into the narrative. But there's nothing radical for the franchise here. And while that's not a problem in itself, it means that The Mandalorian and Grogu isn't the Star Wars cinematic rebirth that Lucasfilm may have been hoping for. If you're happy to while away a few hours with Din Djarin and Grogu, you'll love it – just don't go in expecting much more.

The Times - Kevin Maher - 1 / 5

>Would someone please put Star Wars out of its misery? It’s an ailing pop cultural mutant, unrecognisable from the chirpy fable that George Lucas revealed to the world in 1977.

DiscussingFilm - Andrew J. Salazar - 3 / 5

>Perhaps Disney just needed something to reignite people’s interest in Star Wars after years of recovering from disaster, and Baby Yoda was the safest bet. While that could be true, Jon Favreau, Dave Filoni, and company could have challenged themselves further. If nothing else, Star Wars fans have another incredible score from 3x Oscar-winner Ludwig Göransson to dive into.

The Guardian - Peter Bradshaw - 3 / 5

>The film is watchable and barrels along capably enough, but perhaps there isn’t enough of the humanity, humour and extravagant space melodrama which has made and continues to make Star Wars lovable.

Empire - John Nugent - 3 / 5

>What it does slightly forget to do, though, is move the story forward in any meaningful way. Oddly, it feels like the least consequential Mandalorian chapter yet, with previous episodes from the TV incarnation — or even segments of the much-maligned Book Of Boba Fett — having more impact on the narrative. It’s thinner than skimmed blue milk, with longtime series stewards Jon Favreau (director and co-writer) and Dave Filoni (co-writer and new Galactic Emperor of the entire franchise) largely playing it safe. Perhaps after the relative disappointment of The Rise Of Skywalker, this is all it needed or was intended to be. The Mandalorian And Grogu is, primarily, For Kids, as George Lucas always insisted Star Wars was, and on those modest terms, it finds the way.

Vulture - Bilge Ebiri

>Amazingly, the film is at its best when it really slows down: By far its most compelling part involves a strange mid-movie interlude when the action stops entirely and all we witness is the somber spectacle of one character taking care of another. I won’t give away what this actually entails, but it does allow the puppetry of Grogu to shine and briefly reminds us of the wide-canvas irreverence that Favreau (Iron Man, Jungle Book, Made) once seemed capable of. But then the segment is over, and it’s on to the next thing. The Mandalorian and Grogu continues the story of the Star Wars spinoff series The Mandalorian, and it often feels like several Very Special Episodes of a TV show stitched together. These characters will presumably return in another season of the series, but for now, the movie will serve as a placeholder and little else. As someone who happily watched The Ewok Adventure and Ewoks: The Battle for Endor on TV as a child, I can’t really fault any superfans, especially younger ones, for getting excited about it. But I can wish it were better.

Looper - Reuben Baron - 4 / 10

>You can add a point or two to my review score if you treat this as just a long, fairly minor episode of the TV show. But this movie is meant to revitalize Star Wars in theaters, so its being judged on that scale. These movies have always had risk and ambition, at their best and at their worst, so something so bereft of that can't help but feel a bit disheartening, not to mention boring.

Consequence - Liz Shannon Miller - 'B'

>Without any new developments, what we’re left with is a collection of side quests largely connected by cameos, without any of the narrative momentum that has made past Star Wars projects into must-see events. It’s not the Star Wars anyone over the age of 25 grew up with, and the muted excitement for Mando and son’s return reflects that. At least Baby Yoda — sorry, Grogu — is still the cutest.

AV Club - Jesse Hassenger - 'B'

>Indeed, The Mandalorian & Grogu is almost aggressively anti-thematic, preferring to keep even its most obvious parenting metaphors muted and largely unexplored. The movie wants to show you a good time, and it does. Some of its creatures even have some semblance of soul. The “why” of its pivot away from human expression, however, remains opaque, with sinister undertones: Is this mask-and-puppet show a preventative measure to insulate filmmakers (or parent companies) from the uncomfortable but inevitable situation of beloved actors aging (or dying) out of their signature roles? Did they cut that line about Din being outlived because Star Wars itself has become as frightened of death as Anakin? Then again, the series has always had a rich tradition of imbuing potentially lifeless objects with weird humanity, and Favreau and Filoni have extended that process with Grogu. They’re still just franchising within the lines. For now, this is the way.

The Playlist - Rodrigo Perez - 'C'

>“Star Wars” fans have spent years complaining that Kathleen Kennedy ruined Lucasfilm, but the reality looks broader and more dispiriting than one executive. This feels like a collective mistake, with Disney brass included: the dilution of a brand once defined by magical movie scale, mythical qualities, and a transportive emotional sweep. Somewhere along the way, “Star Wars” started mistaking brand extension for imagination and fan service for feeling. If Favreau and Filoni are the new stewards of this franchise, then the once-mighty galaxy probably has a bad feeling about its future. Because right now, it feels like it’s dangling over Cloud City, hand gone, saber lost, and no rescue in sight. Because this is definitely not the way.

The Film Maven - Kristen Lopez - 'C'

>There's a lot that works against The Mandalorian and Grogu. The plot is non-existent and it really does feel like a fully CGI movie. But when it's just Mando and Grogu going from A to B it's such a sweet story. Add to that a desire to just let a lot of kooky puppets run around for a little bit – there's a real Jim Henson vibe – and it's a movie that is more than worth seeing with the kids (or anyone just looking for a cute vibe). It's a lovable mess, but it works.

ComingSoon - Jonathan Sim - 5 / 10

>What we’re left with is a low-stakes Star Wars movie. There’s no planet-killing Death Star, no Starkiller Base, no big battles. Every other Star Wars film has at least one standout sequence. I felt more watching the Battle of Exegol in The Rise of Skywalker than I did during this film. Even other stand-alone movies like Solo: A Star Wars Story, which also didn’t concern itself with lightsabers or the Rebels, had moments like the Kessel Run set piece that really stood out. Nothing stands out here in The Mandalorian and Grogu, as it’s a generic, safe Star Wars movie.

Inverse - Hoai-Tran Bui

>The Mandalorian and Grogu Is Barely A Movie. This is for Star Wars fans who have made the Cantina scene their entire personalities. It’s a CGI creatures extravaganza, offering distinct worlds — here, a cyberpunky crime planet, or a swamp planet filled with Henson puppet creatures — and action figures masquerading as characters, for you to imagine mashing together. Maybe that was the nature of The Mandalorian all along, but on the big screen, it’s all the more glaringly obvious.

Silver Screen Riot - Matt Oakes - 'F'

>To come off (something like Andor) and watch The Mandalorian and Grogu feels like a slap in the face. While Andor reached for the stars, this scoops the fetid muck from the bottom of the bantha pen. It is offensive because it dares to be nothing. This depressing coup de grâce may have effectively killed my love of Star Wars going forward. This is not the way.

Little White Lies - Kambole Campbell - 2 / 5

>Beyond occasionally marvelling at the lively work of the puppeteers, there’s not a lot to hold on to in The Mandalorian & Grogu, not even the supposed father and son connection between its marquee characters. As the story returns things to status quo, it’s hard to think of what has even changed between the two, what they might have learned about each other, and if the filmmakers will ever be an interest in finding out. 

The Independent - Clarisse Loughrey - 2 / 5

>While the first season of The Mandalorian did well to Star Wars-ise western genre tropes – with Ludwig Göransson’s synths, each cascading note sharpened to a blade’s edge, doing much of the heavy work there and here – The Mandalorian and Grogu feels comparatively bored by its own allusions to gangster cinema. A smooth-talking kingpin hides away in a luxury compound that looks like a big Tesco, while the later emergence of a deadly hitman is merely a CGI replica of a character from Filoni’s own animated Clone Wars stories (as is Rotta).

The Telegraph - Robbie Collin - 2 / 5

>It’s a curate’s egg of a film, and its utterly scrambled quality control may be best summed up by a second-act shot of Grogu, Pascal and Rotta lined up, spying over the crest of a sand dune. One alien looks alive and delightful, the other looks like a giant computer-generated bullfrog, and then there’s Pascal with a shiny bucket on his head. When Disney paid George Lucas $4bn for Star Wars in 2012, I’m not sure either side was dreaming of this.

Associated Press - Mark Kennedy - 2 / 5

>The “Star Wars” franchise once led the culture with its imagery, swagger and style. But this movie is a step back, formulaic and aping “Top Gun,” “Blade Runner,” “Transformers” and “Men in Black.” Even Ludwig Göransson’s score is off, marred by cheap-sounding ‘80s synthetic chirps along with what sounded like Yiddish folk ditties. The runtime saps energy and when it’s all done, the scrolling credits for all those special effects goes on a full five minutes. You used to leave a new “Star Wars” movie on a cloud. Here, that galaxy is far, far away.

Digital Spy - Ian Sandwell - 2 / 5

>There's nothing wrong with the idea of a standalone Star Wars adventure. It's blockbuster season, we just want to be entertained. The problem for The Mandalorian and Grogu is that it's just not that entertaining.

IndieWire - Kate Erbland - 'C+'

>None of these problems are particularly new, not in a world in which franchise expansion requires both more more more and an entry point for even the most casual of fans. Still, there’s something that feels small about this particular story, charming enough in the moment and almost instantly forgettable the moment the credits roll. It feels disposable. It feels like, well, what most things feel like these days: content. It’s time to ask for more. That is The Way.

IGN - Tom Jorgensen - 5 / 10

>This is not the way. The Mandalorian and Grogu dutifully offers another two hours and change of watching Din Djarin and his adorable green son fly to some planets and clear out rooms of monsters or gangsters every 20 minutes or so. But this is a Star Wars movie missing the thrills, the surprises, the challenges, the addition of really anything of note to the franchise, not to mention a vested interest in seeing its characters grow and change.

Next Best Picture - Giovanni Lago - 4 / 10

>Now, the franchise is at a tipping point, and “The Mandalorian and Grogu” is debatably a coin toss between the remnants of the Kathleen Kennedy-era of Lucasfilm and the launch of Filoni’s creative reign. What’s present here is one of the most visually horrid and banal “Star Wars” creations to date. Is the allure of getting children in a theater to see Grogu enough to keep this franchise afloat and, more importantly, on the big screen? Who’s to say, but if it’s any indication of what the next decade of storytelling for the “Star Wars” universe will be, then we’re in deep trouble.

Slash Film - Jeremy Mathai - 4 / 10

>Is this really what "Star Wars" has become? Maybe that misbegotten Budweiser Super Bowl "trailer" was actually the film's most honest and accurate piece of marketing all along: a shallow, shamelessly corporate commercial to move some merch. There have been worse movies before and there will inevitably be worse ones to come. This sure feels like the most boring, though — one whose philosophy seems to be that you can't swing and miss if you never bother taking the bat off your shoulders. That might be its greatest sin of all.

InSession Film - Benjamin Miller - 'D'

>The film is shiny and predictable, the score is familiar, the script is meaningless, and the performances are what they are.  There is nothing to hang your hat on, besides it being a Star Wars film.  If it didn’t have that franchise attached to it, there would be zero reason to keep your interest.The Mandalorian and Grogu is a major disappointment. Never before has Star Wars felt so pointless and skippable. For a franchise with such monumental highs, this is a staggering low.

Collider - Aidan Kelly - 6 / 10

>Is The Mandalorian and Grogu the worst Star Wars film ever made? Far from it, as there is much fun to be had here. Is it the best in the franchise? Also not the case, as it could very well be the most forgettable and inconsequential entry the franchise has produced yet. Andor, Maul - Shadow Lord, The Acolyte, Visions, and especially the earliest seasons of The Mandalorian proved that Star Wars can be so much more than a few gunfights and starship battles. In the right conditions, it can be a truly unforgettable cinematic experience, even when the movie isn't that good. The Mandalorian and Grogu are neither great nor awful, and that's what makes it one of the galaxy far, far away's most frustrating

The Bulwark - Sonny Bunch

>The bottom line: Two things may be simultaneously true. I think my kids, for whom this picture is designed, are going to enjoy The Mandalorian and Grogu, and maybe quite a bit; and I think it plays like a couple of mid-tier episodes from the TV series. As such, I’m not sure it’s the rousing hit Disney needs to rekindle the moviegoing experience for the Star Wars franchise. But it’s probably good enough for a generation that has yet to experience the joy of Star Wars on the big screen.