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r/midjourney

🔥 Hot ▲ 107 r/midjourney+1 crossposts

Drifting Through Infinite Oceans

Thanks for watching!

Used Kling 3.0 Omni for the animation.

Song: Personal Contact by Michel Colombier (1970)

YT: @DreamHouseAnimation

u/NegroCollegeFund — 5 hours ago
🔥 Hot ▲ 64 r/midjourney+1 crossposts

In another parallel universe life looks very different… 🪐

u/MrTippyToes — 8 hours ago
Image 1 — A flat-color Mid-Century Modern illustration in the 1950s graphic design style. Mid-Century Modern Illustration. A 1950s housewife in an ultramodern kitchen surrounded by futuristic appliances.
Image 2 — A flat-color Mid-Century Modern illustration in the 1950s graphic design style. Mid-Century Modern Illustration. A 1950s housewife in an ultramodern kitchen surrounded by futuristic appliances.
Image 3 — A flat-color Mid-Century Modern illustration in the 1950s graphic design style. Mid-Century Modern Illustration. A 1950s housewife in an ultramodern kitchen surrounded by futuristic appliances.
Image 4 — A flat-color Mid-Century Modern illustration in the 1950s graphic design style. Mid-Century Modern Illustration. A 1950s housewife in an ultramodern kitchen surrounded by futuristic appliances.
▲ 7 r/midjourney

A flat-color Mid-Century Modern illustration in the 1950s graphic design style. Mid-Century Modern Illustration. A 1950s housewife in an ultramodern kitchen surrounded by futuristic appliances.

u/ProfessionalVivid607 — 1 hour ago
Image 1 — Sin City — pure black and white ink with one single deliberately placed color accent. The scene: a street-level view of a rain-slick urban canyon at midnight. An angular, silhouetted male figure in a fedora and trench.
Image 2 — Sin City — pure black and white ink with one single deliberately placed color accent. The scene: a street-level view of a rain-slick urban canyon at midnight. An angular, silhouetted male figure in a fedora and trench.
Image 3 — Sin City — pure black and white ink with one single deliberately placed color accent. The scene: a street-level view of a rain-slick urban canyon at midnight. An angular, silhouetted male figure in a fedora and trench.
Image 4 — Sin City — pure black and white ink with one single deliberately placed color accent. The scene: a street-level view of a rain-slick urban canyon at midnight. An angular, silhouetted male figure in a fedora and trench.
▲ 3 r/midjourney

Sin City — pure black and white ink with one single deliberately placed color accent. The scene: a street-level view of a rain-slick urban canyon at midnight. An angular, silhouetted male figure in a fedora and trench.

u/ProfessionalVivid607 — 43 minutes ago
Image 1 — The Espresso Machine — Milan 1958
Image 2 — The Espresso Machine — Milan 1958
Image 3 — The Espresso Machine — Milan 1958
Image 4 — The Espresso Machine — Milan 1958
🔥 Hot ▲ 68 r/midjourney

The Espresso Machine — Milan 1958

A flat-color Mid-Century Modern graphic design illustration celebrating Italian industrial design of the 1950s. The subject is a magnificent La Cimbali or Faema E61-style commercial espresso machine — but rendered in pure flat graphic style, as if designed for a Milan design exhibition poster.

u/ProfessionalVivid607 — 13 hours ago
Image 1 — Maximum reductive minimalism.
Image 2 — Maximum reductive minimalism.
Image 3 — Maximum reductive minimalism.
Image 4 — Maximum reductive minimalism.
▲ 7 r/midjourney

Maximum reductive minimalism.

Absolutely pure and seamless color transition between two carefully selected colors with no subjects, textures, horizons, or anything else. The color transition is vertical, with the top of the painting being an absolute specific deep blue-violet, the exact color of the zenith sky 25 minutes after sunset, during astronomical twilight, when there is not the least bit of the setting sun visible on the horizon. The color transition proceeds smoothly without any perceptible gradations, there are no bands, no discrete transitions whatsoever — it is absolutely seamless, the way a gradient ought to look: blue-violet → deep indigo → deep warm purple → rich dark wine. So smoothly done will the gradient be that it is impossible for the human eye to notice the slightest difference between adjacent colors even 1cm apart anywhere along the gradient. From the top, where it is deep blue-violet, to the bottom, where it turns into rich dark wine. No texture. Smooth. Seamless. Color experience.

u/ProfessionalVivid607 — 3 hours ago
Week