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r/eulalia
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Which non-Redwall animal would want to see appear in a Redwall book?
Let’s say that Brian wrote one more book, and he decided that one of the major characters would be an animal that isn’t normally featured in the series (like the hamster in Triss, for example, or the wolverines in Rakkety Tam). Which animal would you want it to be?
For my part, I’d want to see a coyote. And specifically, I'd want that coyote to be a morally grey character whose best friend is a badger. I've always been fascinated how badgers and coyotes have been seen working as a team in the wilderness, and it'd be so cool to see that dynamic translated to the world of Redwall. Especially how they'd be perceived by the good and bad creatures of Brian's universe. And maybe the coyote does have some vermin tendencies, maybe they're a sly and clever creature with a mean streak, but they're also determinedly loyal to their badger friend, fearless and ferocious when cornered, with a personal code that they don't break.
My most prized possession
My brother worked a bookstore in 2007 and bought me this 19 years ago
Mattimeo 1st Uk edition 1st printing, now is time to search for Mossflower 💪🏻
Storytelling for different audiences (books vs film vs video games), Capyhero Update
Enjoyers of Redwall! With the recent cancellation of Netflix's Redwall series, I was thinking about what makes it hard to bring a book to film, or in general, a story from one medium to another. I've been having some related challenges as I continue writing Capyhero.
I have a critical and invested reader, a pre-alpha reader I suppose you could call it, who is reading chapters as soon as I write them for Capyhero. She comes from a literature background and is highly educated in that field. But she has no video game experience and I think a lot of my challenges come from the fact that Capy (my main protagonist) was initially concepted as a silent protagonist for an action RPG. She has reminded me more than once to "stop making Capy your soulless avatar." lol
I recently finished drafting a chapter that was especially problematic for her (the one with the rough sketches in the images above). Capy walks with a knowledgeable elder character and is given a lot of information that he (and the reader) would not have known otherwise. My reader felt that this was too convenient and too passive for the main protagonist, but this type of moment is quite common in fantasies, especially games (escort mission, anyone?)
I suppose my issue is that Capy is set up as a fish-out-of-water character, learning a strange new world through the intriguing characters he meets, who have been in this world a long time. I realize, Capy's journey throughout the beginning of Book 1 is quite similar to Chihiro's in Spirited Away.
Which brings me to storytelling for different target audiences: folks that were excited about Netflix's Redwall, were you expecting the film medium to feel like the books? What major changes do you think needed to happen between the way the books tell the story vs the (now cancelled) animation?
I personally enjoy the cinematography and composition decision-making that goes into good visual storytelling and I find that I write as if I am "playing" as Capy, similar to how I might play Link in the Legend of Zelda series. This probably explains why I think Capyhero needs so many illustrations. But maybe this isn't "good writing?"
To be fair, a lot of my test readers really enjoyed the chapter, but I have to take my friend's criticism seriously, especially with her more bookish background.
Anyways, folks here were really supportive last time I shared something about Capyhero. Redwall mostly features noble creatures from the rodentia order, so please enjoy some character art from Capyhero that belong to that order. Thanks for you time!
In your opinion, what was the most disturbing death of the series?
I feel like Rabbad in "The Taggerung" was one that really stuck out for me. Eaten alive by large fish as they surrounded him from all sides and pulled him under the water. Rabbad hadn't done anything particularly bad at that point either (though he was still a Juska), so it seemed like his death was especially random and cruel.
Timballisto might be the most inconsistent character of the series
Yes, even more than Rufe Brush or Ripfang.
Brian wrote Mossflower first, so I'll address what he established in that book first. We only meet Timballisto for a short time, but one of the main things we learn about him is that the name "Timballisto" stemmed from his ability to build ballista siege weapons.
Later, in Outcast of Redwall, Brian set up that Timbal went on to have at least one grandson. Brother Barlom records that he has memories of his grandfather before he died.
So far so good, but then Legend of Luke came around. First, Martin reveals that Timballisto died the first winter after Kotir was toppled. I can only assume that Brian killed Timballisto off to explain why Martin has so little info regarding his father and his old home, though that does imply that Martin and Timbal never talked about those days before the latter died. Moreover, we find out in the flashbacks that Tim just has that name automatically. He never builds or even designs a ballista (even though such a weapon would be super useful against corsair ships) and yet he's called Timballisto anyway.
To be honest, I don't see why Brian killed off Tim in the first place; assuming that he did it to avoid spoiling his story, Timballisto being alive wouldn't have spoiled all that much. It's not like he went on Luke's voyage, he'd be just as lost as anyone to explain where Luke went or what happened to him. If anything, I think Tim should have gone on that journey with Martin. It would have been fitting for them to revisit their old home together, not to mention giving them both closure over what happened in their youth. Plus it means that there isn't such a chronological inconsistency regarding his lifespan in LoL and OoR
EDIT: I don't mean this to be a total takedown of Legend of Luke; Luke's storyline was genuinely great, and the otter Folgrim is one of the most nuanced characters that Brian ever wrote, IMO.
Would a Badger lord protect a Fox
So I'm working on a long form fanfiction piece and the key part of the story relies on one important crux
Setting the scene, our lord is visiting Redwall for the harvest feast. It is interrupted by the gatekeeper reporting vermin at the gates, so the lord goes to investigate and receives more information from those outside that there is one person by the gates and four more out in the field having chased the one by the gates bust stopped before getting too close to Redwall.
The lord opens the gates and finds a fox in a bad state, who collapses with exhaustion. Is it sensible for the lord to bring her in?
The next day a large horde has formed outside evidently chasing this fox. One of the horde masters servants asks for the fox to be returned and they will leave. The horde leader lies and says that the fox is a murderer, and the lord should give her back. Again is it sensible for the lord to refuse considering how redwall and the long patrol typically treats foxes?
Introducing Capyhero!
Hi everyone! I shared this with the folks on the other Redwall sub and the feedback was super positive so I was thinking you all might enjoy it too! Please let me know if this doesn’t belong here and I can take it down/modify it right away.
My name is Tyler and I'm the author of Capyhero. What is it and why am I sharing it with this group? Capyhero is an illustrated fantasy about a young capybara who finds himself in a strange world called Stratum settled entirely by animals. I'm currently writing Book 1: The Blue Blanket, which introduces our hero, Capy. He awakens with only a tattered blue blanket and the fading memory of a boy named Reed.
It definitely takes inspiration from Redwall, especially for its deep worldbuilding in an anthropomorphic fantasy. There are villages and communities of animals, each with distinct cultures, architecture, history, beliefs, etc. The vibe is a bit different though. Growing up, I really loved Princess Mononoke and Spirited Away and when I was even younger, The Neverending Story. More recently, works like Undertale and Outer Wilds have really stuck with me. Capyhero explores some heavier underlying themes through one hero's heartfelt journey.
The story of Capyhero has been on my mind for about 10 years. I actually tried to turn it into a video game back then, a top down action RPG like Zelda from classic SNES, but the technical ambition was too great while I was working full time at a "real" job. So I shelved it for like 7 years. Then I had my own kids recently and I revisited Capyhero. The story held up, and actually felt more emotionally resonant to me, after becoming a father. So I decided to turn it into a middle grade fantasy series. My hope is by the time my kids are about 10 years old, I'll have 2 or 3 books in this series published! One can dream, right?
I'm about 70% through the manuscript and Jennifer Rees will be editing Capyhero in July (can’t mention her biggest project, but look her up!). Then I hope to release it via Kickstarter in 2027.
Anyways, I wanted to share some of the page spreads from the book. I've been working with u/NickThaGreek on the illustrations. I had a brief stint in commercial art production, but Nick is the super talented traditional artist behind all of these pieces. The process has been amazing in a very simple way. I provide a sketch and the written scene of what I want illustrated, Nick draws with a fountain ink pen on real paper, scans it, and I place it into the book, wrapping the text in a way that I hope will create a joyful reading/viewing experience. The finished book will have about 100 illustrations spread across 250 pages or so. I think, when this is all done, it will be a beautiful thing to have on the bookshelf.
We want to keep all of the art traditionally done (even stuff like the ink wash at the top of the page), which definitely complicates the brainstorming and revision process, but in an age of ai-slop, this is something I think is non-negotiable. We want to make sure we can proudly say Capyhero is made by humans.
Super thrilled to be finally sharing this publicly! But thanks for letting me and please feel free to ask me anything.
This is meant to be about the book version, not the tv show, btw. It's just that the screenshot was too good not to include.
Anyway, I get that Sela is a deeply untrustworthy character, but from what I can recall, she made her deal with Constance in good faith. It's not like she proposed a meeting where Cluny and his rats would ambush Constance the minute she arrived. And it's not like she was offering fake plans, either, as far as she knew anyway. This was her offering Redwall some genuine help in their fight against Cluny. All she wanted was a reward for her services, which anyone would surely find reasonable to ask for, no?
And it's not as if she was asking for the sky, either. She left the ball in Constance's court to decide what a sufficient reward might be for these plans. For all we know, Sela would have been content with a handful of silverware or some trinkets to sell down the road. And instead, Constance takes the plans and then cold-cocks Sela so that she's left unconscious in the forest. For all Constance knew or cared, Sela would be eaten by Asmodeus, or else she'd be killed by Cluny when he found out what she'd been up to.
Even when I was a kid reading the book, I thought that was really cold and unjust of Constance.
The funny implications of the Mattimeo riddle
One thing I always found so strange is the riddle in Mattimeo. Apparently Abbess Germaine wanted to remind Redwall how to get back to Loamhedge Abbey, and so she so she left the riddle behind in a needlessly complicated way, using various abbey landmarks (including her own tomb) and she set it out in Loamscript of all things, which many of the Redwallers couldn't even read, even in Germaine's own lifetime.
I once typed it out in response to an earlier post, but here's how I like to imagine that scenario played out:
Germaine: "Attention, Abbey dwellers! I wrote down these instructions on how to get back to Loamhedge."
Columbine: "That's a good idea, Mother Abbess! Always good to know where we came from."
Germaine: "Exactly, and that's why I wrote each step out in a cryptic manner. What use are instructions if they don't make you think, after all."
Skipper: "Well, that's mighty strange, but if you say so, Mother Abbess. Wait, I can't read any of this..."
Germaine: "Oh, yes, it's in Loamscript. But don't bother translating it, we're always going to use this text at Redwall."
Lady Amber: "And what about those of us who can't read Loamscript?"
Germaine: "They can learn to read Loamscript, can they not? What else are we doing here all day?"
Bella: "So... should we keep these instructions with the new Abbey records, Mother Abbess?"
Germaine: "Don't be silly! I want these instructions carved into the abbey rock!"
Lady Amber: "As you say, then, Mother Abbess. Where should we carve it?"
Germaine: "Glad you volunteered, Amber! You and your squirrels can carve it on top of that tall tower! How about... right above the crow carving!"
Lady Amber: "You mean the one which two of my squirrels nearly died trying to put in place?"
Germaine: "That's the spirit! It has to be on top of the Abbey Crow! Hmm... Top Abbey Crow... I like that! That'd be a great clue to where the instructions are!"
Ferdy: "A clue? Is that really necessary?"
Germaine: "Indeed it is! Where's your sense of adventure? Oh, and let's have the clue carved on my tomb while we're at it!"
Gonff: "Well... that's one way to leave the clue, I suppose..."
Germaine: "Also, don't forget to make it a first part to the riddle, like an anagram which they'll have to figure out. Best to make them earn the riddle, you know?"
Columbine: "Mother Abbess, are you sure you're feeling alright?"
Bella: "Just roll with it, everyone. It's a thing, just take it from me."
Martin: "Hmmm, this all gives me a lot of ideas. Did I mention that I'm gonna have a successor called Matthias-"
Everyone else: "YES!"
Hi everyone, just sharing the first book (Spring) of a four part animal fantasy series I wrote inspired by and dedicated to the memory of Brian Jacques and my brother who I grew up with reading Brian's beloved series.
I get a free Ebook promotion to use every once in a while so wanted to share with you all if you'd like to read it, here's the link to it all you need is the kindle app for IOS or Android
Last of the Wild Days: Book One - Spring eBook : Loney, Daniel J: Amazon.co.uk: Kindle Store
Rereading “Pearls of Lutra”, it really feels like they got the short end of the stick. Sure, they're carnivorous, and several of them are openly villainous and sadistic, but it's their nature to eat meat, they didn't choose to do that. And besides, their backstory is surprisingly sympathetic. They were driven from their original home by that invasive otter tribe which Inbar comes from, and then their new home is infested with corsairs and searats. The mammals are basically colonizers on both fronts; why wouldn't the Monitors dislike such creatures?
It’s also debatable how much they were being forced to serve Ublaz. Given that he’s got hypnotic eyes and they all stop fighting and look dumbly at each other when Martin declares that he’s dead, I wonder how much consent they really had. And then the survivors are left to deal with dozens if not hundreds of marooned vermin who loathe them. I don’t fancy their chances on that island either.
[Meme] Redwallers when Deyna shows up to the abbey (he has Mike Tyson tattoos)
I’m binge reading all my redwall books I finished loamhedge and I’m just about to finish outcast of redwall now I can’t decide which 1 of these I should read next
I write a substack where I connect literature to problems of today. I recently wrote about Lord Brocktree, one of my favorite Redwall books. I looked at how the book presents a picture of a great warrior as someone who has all kind of traits beyond lethality. Although Brocktree is a great fighter, he doesn't actually fight that much. Instead of just focusing on fighting, Brocktree cares for others, mentors younger creatures, and shows mercy.
Check it out if you're interested. https://oldbooksfornow.substack.com/p/lord-brocktree-lethality-and-restraint?r=6yfkfj