

AJFA Tattoo
Was super into AJFA this year and also wanted to get a second tattoo! To live is to die imo is the best song on the album and I loved the title in general, so far I am extremely happy with this tattoo!


Was super into AJFA this year and also wanted to get a second tattoo! To live is to die imo is the best song on the album and I loved the title in general, so far I am extremely happy with this tattoo!
What Metallica Album/Song made you decide to ride on their Bus?
I found these at a local store. They all have cardboard cases which is common in new CDs. Plus the years on the back said 2018, or 2021. They contain pre-production recordings, interviews, and Live content. Pretty cool and it’s cheap but I wanted to know if it’s legit.
Peak Metallica performance
I think there’s an angle that doesn’t get discussed enough—especially around three songs: “Bleeding Me,” “The Outlaw Torn,” and “Fixxxer.”
I think that these tracks can be seen as proto–post-metal, or at least as an early exploration of ideas that the post-metal scene would later fully develop in the 2000s.
These songs break pretty radically from Metallica’s thrash roots—not just stylistically, but structurally and emotionally:
They abandon tight, riff-driven songwriting in favor of ong-form, evolving compositions
They rely heavily on repetition and gradual development, rather than constant variation
They build toward emotional climaxes through layering and dynamics, not speed or technicality
They create a strong sense of atmosphere and space, sometimes more than “songs” in the traditional sense
In other words, they function more like journeys than tracks.
Take “The Outlaw Torn” or “Fixxxer”—they’re built around slow, hypnotic progression, with tension accumulating over several minutes before release. That’s a core principle of what bands like Isis, Neurosis (in their later era), or Cult of Luna would go on to systematize: music as a gradual emotional and sonic transformation.
What’s interesting is that Metallica weren’t following that movement—they were actually slightly ahead of it in this specific direction. These songs came out in 1996–1997, before post-metal really solidified as a recognizable genre in the early 2000s.
If you isolate these songs, they feel like something else entirely:
not commercial compromises, but experiments in atmosphere, repetition, and emotional depth.
On these three tracks, they briefly stepped into territory that the post-metal scene would later claim and expand.
This is 2011 Metclub t-shirt that was sent back then, when membership was renewed. I kind of miss renewing my membership, but I am grateful that I am a legacy member to this day.
Hello👋🏻
I am an intermediate guitarist.
I write my own metal music.
but I want to learn some Metallica riff because I haven't studied anything for a long time
I know
Seek and Destroy
Jump in the fire
Fade to black
For whom the bell tolls
maybe some solo because I'm weak in solos
I only know how to Don't cry
I’ve loved this album since the 90s. I’m glad they did a vinyl reissue. Listening to it now, sounds amazing.
Hi! Unsure if this has been asked -if so will look into deleting this. Also not quite sure how to describe this so please do go easy on me haha.
Towards the end there is a creepy lead part which sounds reversed and wondering if this would have been James playing or Kirk? I know James plays all the rhythm section but wasn't sure if this would have been James or if they just sampled parts of the the main solo?