
The Universe is a hologram: Why Stephen Hawking's boldest theory could be right
Prof Stephen Hawking’s closest collaborator explains emerging evidence supporting the cosmologist’s final thoughts on time

Prof Stephen Hawking’s closest collaborator explains emerging evidence supporting the cosmologist’s final thoughts on time
(Here is video version: https://www.youtube.com/watch?v=mHnrYCqlv9k )
Mathematics is a language that describes reality and the universe. And since the nature of reality is shocking in cosmic horror, the logical conclusion is that studying it can lead to madness. The motif „magic, if it works, is really mathematics and physics, the understanding of which exceeds the human mind” appears in Lovecraft, for example in „Dreams in the Witch House”. This usually works on the principle that the Necromicon and other „books of magic” contain scraps of advanced knowledge obtained from inhuman beings, which superstitious sorcerers then treat as magic. Therefore, it should also work the other way round – a professional scientist should be able to discover dirty and blasphemous secrets through scientific research. Here are some viable candidates for „scholars who looked into the abyss, and the abyss looked into them.”
Kurt Gödel (1906-1978) – Austrian-American mathematician, physicist and philosopher. He dealt with, among others, theory of relativity (which in itself negates the image of the world that „common sense” dictates to us), deriving from it equations intended to prove the possibility of time travel. Towards the end of his life he went crazy, among other things. believing someone was trying to poison him. When his wife was hospitalized for a long time and was unable to taste his meals to prove the lack of poison, Gödel starved himself to death.
Georg Cantor (1845-1918) – German mathematician, creator of set theory. Over time, he delved deeper into mysticism and claimed that mathematics could be used to reach conclusions about metaphysics. Some Christian (Cantor himself considered himself a devout Christian) philosophers of his time claimed that Cantor’s mathematical theories were contrary to religious dogmas (it was something about proving the existence of an infinite being, other than God – I am not a mathematician, I don’t really understand what is going on). Cantor was tormented by bouts of depression, sometimes so severe that they led to hospitalization.
Ludwig Boltzmann (1844-1906) – Austrian physicist, pioneer of the kinetic theory of gases. He theorized the “Boltzmann brain” – a hypothetical self-aware entity that emerges from chaos through random fluctuations. Boltzmann proposed that we and our observed low-entropy world arose from a random fluctuation in a higher-entropy universe. He committed suicide by hanging. „If our current level of organization, having many self-aware entities, is the result of random fluctuation, and it is much less likely to be so than a level of organization that produces only self-aware self-aware entities, then in any universe with the level of organization we see, there should be a huge number of solitary Boltzmann brains floating in unrecognized environments. In an infinite universe, the number of self-aware brains spontaneously, randomly emerging from chaos, along with false memories of life like ours, should far outweigh the number of real brains evolved in the observable universe, arising from unimaginably rare fluctuations”. Did I understand it? Not really, but it sounds quite Lovecraftian – self-aware beings emerging from chaos, our world as a result of random processes taking place in the „higher” universe… it’s easy to spin a cosmic horror out of it. And let's theorize that Boltzmann’s suicide was due to the terrifying conclusions he had reached…
Paul Ehrenfest (1880-1930) – Austrian-Dutch physicist. He researched the theory of relativity (which, as I mentioned, very often leads to „crazy” conclusions about the nature of reality) and laid the foundations for quantum physics (which is even crazier). Towards the end of his life, he fell into severe depression and shot first his son and then himself.
Grigory Perelman (1966) – the only still living member of this group, a Russian mathematician. He had a brilliant career in Russia and the USA. His greatest achievement was presenting evidence for the so-called Poincaré’s hypothesis regarding the shape of the universe. Unexpectedly, in 2005 he left his job and broke off all contacts with the scientific community… And not only that – he stopped leaving his apartment, communicating only by phone or through the door. He consistently rejects all job offers and awards (including the Millennium Award worth one million dollars!).
Each of these gentlemen (except Perelman) lived at the turn of the 20th and 19th centuries. Each of them can be used in the scenario – either as a living and active NPC, as a dead source of knowledge (in the form of unpublished notes containing mythical secrets), or as a background reference („Don’t think about it, Professor X conducted research in this direction… and how did he end up?).
This is just small part of the full, free brochure full of Lovecraftian inspirations from the real life, science, history and culture: https://adeptus7.itch.io/lovecraftian-inspirations-from-real-life-and-beliefs
You have been told that the imagination is a faculty for making things up. This is a lie.
The imagination is not just fantasy. The imagination is a perceptual organ.
Henry Corbin, the great scholar of Islamic theosophy, recovered a lost term: the mundus imaginalis, the imaginal world. Not the imaginary (unreal), not the intellectual (abstract), but a real intermediate realm, as real as the physical world, accessible only through active imagination.
In the traditions of Iran, this realm is called Nâ-Kojâ-Abâd, the “country of nowhere.” It is a place with extension, color, and form, yet not located in physical space. The prophets and sages traveled there. The mystics and theurgists still do.
Giordano Bruno understood this. For him, the imagination was not a passive mirror of the senses; it was a magical engine. To imagine was to act. To form an image in the mind was to shape the cosmos.
The artist knows this instinctively. When you draw, you do not “make up” a figure; you bring forth a form that was already present in the imaginal. Your hand merely traces what your inner eye has seen.
The theurgist goes further. He learns to incubate images, to invite them, to purify the vessel so that the imaginal can descend. This is ontological engineering.
The dream is the gateway. In sleep, the pneuma loosens from the body and walks the imaginal world. The symbols you see are not random; they are the language of that world, so pay attention...
The gatekeepers of modern thought have told you that the imagination is unreal. They did this because the imaginal world cannot be controlled by priests, politicians, or scientists. It is the realm of direct revelation. It renders intermediaries obsolete, it totally depends on the strength of the practitioner and their own creativity.
Magic is not about commanding spirits. It is about aligning with the imaginal. The purified soul becomes a mirror, and the imaginal reflects itself in that mirror.
The image becomes a telesma. The telesma becomes a door.
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“The Angels exist substantially only in the free sublimity of the absolute Heavens, where reality is one with the ideal. They externalize themselves only in the ecstasy to which they give rise and which is inherent in them.”
- Auguste de Villiers de l’Isle-Adam