u/spirittheyvegone

(This thread will be updated as new information comes out. At the moment, details are scarce and slowly drip-fed. Here's what we know so far)



RELEASE DATE: (Presumably) May 2026

TRACKLIST (Bolds designate the new tracks):

1. Fill in the Blank
2. Vincent
3. Destroyed by Hippie Powers
4. (Joe Gets Kicked Out of School For Using) Drugs with Friends (But Says This Isn’t A Problem)
5. Optimistic Son
6. Drunk Drivers/Killer Whales
7. 1937 State Park
8. Joe Drives Again
9. Cosmic Hero
10. The Ravenous House
11. Connect the Dots (Song of Secretariat)
12. Joe Goes to School

MATADOR'S LETTER:

Hello,

To thank you for your support of Car Seat Headrest, we’re sending you something new (and old) from the band that has not been announced yet. This is ‘Teen of Denial: Joe’s Story’, a new recording from the same world as ‘Teens of Denial’ to commemorate the original album’s 10th anniversary this month. Some things will sound familiar, but you’ll notice some changes too. You’ll find along with this CD copy of ‘Teen of Denial: Joe’s Story’ a note written by Will Toledo providing some context on the new project.

Feel free to post the CD online, tagging Car Seat Headrest and Matador to make everyone jealous. If you have anything else CSH related from your archives, we would love to see it too, either for sharing on socials or sending to Matador directly via info@matadorrecords.com

Thank you, 

Matador Records

WILL'S LETTER (thanks to u/Villi_V for the transcription!):

Sometime last year, it was suggested to me that we do something for the ten-year anniversary of Teens of Denial, so I started looking back on this album to see what we might do. In spite of some of the songs being a regular part of my life for the past decade, it wasn’t a record I’d thought much about as a whole since it came out. Most of the songs I’d come up with over a two-year period at the end of my college days, when I was struggling with a lot of cynicism and misplaced aggression. But by the time the songs were done, I was living in Washington, Car Seat Headrest was a full band with a record label, and in spite of the turmoil of the writing process, the final album was pretty enjoyable for everyone to work on.

This time, looking back at the songs, I wanted to feel like there was a story being told through the album, though I’d never imagined it as being a narrative work. On Hi, How Are You? Daniel Johnston had used the name “Joe” in the titles of a few tracks - “No More Pushing Joe Around,” “Keep Punching Joe”  as a sort of joke, a stand-in for himself. I borrowed the idea, and the name, for titling songs on Denial. This time, I started thinking - who is Joe? And how do the songs, in the way they’re sequenced on the album, reflect what he’s going through? As I started asking this question, a story emerged with startling wholeness and clarity, like finding the foundations of an ancient city while digging in my backyard. As I kept digging, certain songs from the original album fell to the wayside, as they seemed misplaced in this new context; others asked for new lyrics, to fully give birth to the story they contained in the music.

The resulting work feels more like the album Teens of Denial was meant to be. When you’re writing from a dark space, it’s hard to have perspective on where you’re at. This time, I could pull memories of that darkness, and use the distance and additional perspective of ten years of life to shed a fuller light on the experience. Joe is a character going through some of what I experienced, and some of his own problems. Telling his story, and not just my own impressions of life at the end of the teen years, brought a new level of compassion and wholeness to the album. It gave us the opportunity to write new material in “Denial style”, embracing a snappy and simple(ish) rock aesthetic, and in an additional blessing, we were able to team up with Steve Fisk, a joy and inspiration to get back into the studio with after ten years. We mixed the material at his house in Tacoma, and were constantly amazed at the lack of divide between past and present, as we’d punch in vocal overdubs ten years later into the same gear, hearing my voice now running alongside a 2015 Will. For someone coming across this album or this band for the first time, this is how they’d hear the record, not as a relic of the past but as a new piece. It was immensely rewarding to experience that on our side.

For anyone familiar with Teens, comparisons with the original will be inevitable, but I do hope that as much as possible, people can come to this album on its own terms, approaching it as a teen, hearing the music and story for the first time. I believe music is an ongoing story, and albums don’t always do justice to its dynamic, ongoing nature. What gives it life is the new ears that hear it, and the new hearts that engage with it. I’m so grateful that this is a work that people have kept coming to, and I hope that this presentation does them honor with a fresh offering to the conversation. We’ve known that “it doesn’t have to be like this”; now we can wonder - “what if it were like this?”

Will Toledo, April 2026