u/Chozogirl86

Gothic Researcher and Activist: Sharing a Book Section on Surviving SA, but also Communicating and Preventing It in Anti-Predation Vampire Language (read: my own experiences and honoring my mom)
▲ 3 r/sexeducation+1 crossposts

Gothic Researcher and Activist: Sharing a Book Section on Surviving SA, but also Communicating and Preventing It in Anti-Predation Vampire Language (read: my own experiences and honoring my mom)

Hi, everyone. I just released a new book section focusing on survivors of SA and anti-predatory vampire poetics (the Gothic) and wanted to share it—namely a video of me reading an essay about SA and surviving but also communicating it in vampiric language.

CW: discussions of SA and surviving it, vampires and blood, sexism, racism, transphobia, fascism and police abuse

tl;dr - trans author (and sex worker) releases a surprise eighth book, honoring her mother as a fellow SA survivor

original introduction (with multiple essays, including the one about Mom, SA, ghosts and vampires): https://nicksmovieinsights.com/2026/04/interview-with-the-vampire-retracing-my-steps-post-book-series-to-recall-how-i-got-here.html

video section "vampires, SA and anti-predation": https://youtu.be/zo2FJrAl5aI?t=667

video section "honoring Mom (rememory essay, surviving abuse and vampiric ghosts and avengers)": https://youtu.be/zo2FJrAl5aI?t=2557

One, this piece comes from my own survivor's perspective as gleaned from my mother (formerly a homeless woman who taught me a lot about respecting sex workers, homeless people, and women [and people treated like women] who are abused by all manner of bad actors).

It also comes from me as a trans-woman Gothic researcher, academic, activist and sex worker invested in media analysis, politics and critical-thinking skills helping prevent future abuse on a systemic level. I was gearing up to release a new book volume, which—while it focuses on older work, before my book series, PhD, master's or even undergrad—includes a 2026 introduction section, "Interview with the Vampire" (on account that I'm on a bit of a vampire kick). This ties to my interest in Atun-Shei's upcoming vampire quasi-documentary and historical horror movie, The Vampires of New Orleans (ETA late 2026), but also my work interviewing other sex workers and work on Gothic media, anti-fascism and TERFs.

u/Chozogirl86 — 1 day ago

Re: Can Vampires Be Socialist? Specifically Stalin and Red Scare Themes in Invincible; or, is the "Man of Steel" Tied to America's Superman in Ways that Reflect in Socialist Dogma and Great Men (of History)?

Hi, everyone. I recently watched Invincible and noticed it had a lot of vampire themes in it, which made me think of my prior query here about vampires being Socialist or, at the very least, tied to historically "Socialist" figures (where or not they always were in practice; e.g., Stalin and company's homophobia); re: can vampires be socialist? Specifically Stalin and Red Scare Themes in Invincible; or, is the "Man of Steel" Tied to America's Superman in Ways that Reflect in Socialist Dogma and Great Men (of History)?

My cited essay above (first link) includes with Thragg (and his "therapy skull") echoing historical figures like Alexander the Great and Octavian, but also Vlad the Impaler and Stalin in real life. The show is super violent, but also fixated on fascist and Communist "Red Scare" tropes that take "Nazi Superman" and really run with it. I've seen others like Vivian Strange and Thought Slime comment on Superman's existence within kayfabe and punk, for example, but not Invincible specifically (though Bornok's video on Tighten from Megamind hits on similar notes Invincible does). And conversely, James Gunn has made a similar "vampire Superman" with his 2019 Brightburn film.

I was wondering what people here thought about Invincible in particular? Namely its vampire themes on the Superman myth, similar to DBZ and other revivals, having fascist face/heel kayfabe elements (etc). To that, centrist kayfabe tends to elide fascism and Communism on and offstage vs America. Then again, Stalin (originally an American ally; re: "Uncle Joe") adopted, along with the other ruling bureaucratic elements of the USSR, various homophobic ideas and policies seen in Nazi Germany and America. But what do people think?

Edit: I was noticing a trend in the comments of this question asked elsewhere, namely the "supermen aren't vampires" kind. To anyone who says/thinks that, think about it like this: "vampire" = a metaphor, meaning to compare two unlike things.

To that, asking "are supermen vampires?" is a poetic invitation to make such a comparison; i.e., supermen to vampires, or legendary alien beings tied to great power and wealth from other/older more notably barbaric (and extravagant) worlds and time periods; e.g., most famously, Dracula (demonized after his death but being a giant dick in real life), but also the Kurgan or Connor MacLeod, and evil Superman (or just Superman period, as vampires aren't exclusively evil beings; e.g., the Count from Sesame Street). Same goes for Thragg or anyone else in that show (even humans can have vampiric qualities; e.g., evil lawyers, or supervillains with no superpowers [other than money and unscrupulously abusing it] like Lex Luthor).

u/Chozogirl86 — 6 days ago

Vampire Supermen in Invincible (and similar stories/persons)

Hi, everyone. I recently watched Invincible and noticed it had a lot of vampire themes in it. This includes with Thragg (and his "therapy skull") echoing historical figures like Alexander the Great and Octavian, but also Vlad the Impaler and Stalin in real life. The show is super violent, but also fixated on fascist and Communist "Red Scare" tropes that take "Nazi Superman" and really run with it. I've seen others like Vivian Strange and Thought Slime comment on Superman's existence within kayfabe and punk, for example, but not Invincible specifically (though Bornok's video on Tighten from Megamind hits on similar notes Invincible does). And conversely, James Gunn has made a similar "vampire Superman" with his 2019 Brightburn film.

I was wondering what people here thought about Invincible in particular? Namely its vampire themes on the Superman myth, similar to DBZ and other revivals, having fascist face/heel kayfabe elements (etc). :)

Edit: I was noticing a trend in the comments, namely the "supermen aren't vampires" kind. To anyone who says that, think about it like this: "vampire" = a metaphor, meaning to compare two unlike things (and which, in academia, is called "synthesis," or the [dare-I-say-commonplace] merger of differing ideas and works to make something new).

To that, asking "are supermen vampires?" is a poetic invitation to make such a comparison; i.e., supermen to vampires, or legendary alien beings tied to great power and wealth from other/older more notably barbaric (and extravagant) worlds and time periods; e.g., most famously, Dracula (demonized after his death but being a giant dick in real life), but also the Kurgan or Connor MacLeod, and evil Superman (or just Superman period, as vampires aren't exclusively evil beings; e.g., the Count from Sesame Street). Same goes for Thragg or anyone else in that show (even humans can have vampiric qualities; e.g., evil lawyers, or supervillains with no superpowers [other than money and unscrupulously abusing it] like Lex Luthor).

u/Chozogirl86 — 6 days ago

Hi, y'all. Gothic trans scholar and activist leaning into my vampire side, and I want to ask, can vampires be Socialist? And by extension, can the Gothic mode?

That is, can the academic/poetic sides of vampirism play a role in Socialist projects developing Communism (as Marx himself used; e.g., Kapital, 1867). For context, this ties to research that I'm currently doing that works within a liminal frame: between fiction and non-fiction, history and poetics after releasing my latest book volume (tied to my 2023 book series, Gothic Communism). So the question may as well extend to Gothic as a whole all those who perform/incorporate it in their work (academic or otherwise, my emphasis being unpaid labor). The example I give here is Atun-Shei Films aka Andrew Rakich's The Vampire of New Orleans, alongside my own aforementioned scholarship.

I've give some initial context on Rakich and myself, then share some extra thoughts (to stimulate discussion). The rest of the post divides in three:

  • On Rakich and Myself
  • My Initial Response (Partially) to Rakich and Learning of Their Project
  • Further Details

On Rakich and Myself

Andrew Rakich, a YouTuber essayist and activist, is also a horror nerd releasing a documentary/horror movie hybrid: The Vampires of New Orleans. According to the wiki, "The Vampires of New Orleans is an upcoming feature-length docudrama from Atun-Shei Films. Incorporating both educational and fictional elements, it will explore how the horrors of New Orleans history resonate to the present day" (source).

As an Gothic trans an-Com scholar of vampires and the undead (tied to Gothic more broadly), I'm interested in Rakich's approach, as such; e.g., I came across his work initially through critiques of the Lost Cause myth and Civil War histories, on YouTube, but also really enjoy his use of camp (Nazi outfits) to "bash the fash" and punch up for a variety of worth causes (Indigenous activism, eco-Socialism, anti-racism, etc). "New Orleans" appears to do all of that while walking the line between fiction/non-fiction, all while focusing on vampires. So I wanted to discuss the film and its approach, here; i.e., as part of vampires and the Gothic mode, as a whole, including its anarchist potential.

My Initial Response (Partially) to Rakich and Learning of Their Project

Atun-Shei,

My name is Persephone van der Waard, and I'm a Gothic academic, author and critic/trans sex worker and activist who specializes (more recently) in vampire poetics; i.e., as metaphor for state predation, mid-abjection (re: "State Vampirism," 2026). I wanted to ask if there's a place to watch your upcoming vampire film, The Vampires of New Orleans—meaning either in part or in full, as I value the work you do greatly. This includes your work on animal rights, anti-racism and Indigenous struggles, but also Gothic as a whole. One Gothic nerd to another, I would very much like to review The Vampire of New Orleans (or interview you about it) as part of my state vampirism compendium.

For context, I recently saw you announce your upcoming vampire flick and it piqued my interest; re:

You: "Vampire movies can be creepy, sexy, atmospheric and fun... they're rarely legitimately frightening. [...] Y'all have no idea what's about to hit you, good lord, this movie's gonna blow your socks off."

Me: You know what, mister? I'll take you up on that. When it releases, I'll review it and add the review to my work on critiquing capital/state vampirism.

In other words, vampires = undead and the undead are a metaphor for capital, specifically its feeding (through trauma) mid-abjection (from Julia Kristeva, 1980). Frankly they have been since before Marx, but certainly after him and his famous spectres' dialectical-material critique. This ranges from myself and my work, in the 2010s and 2020s, but also Creed and Derrida in 1993, George Romero in the 1960s and '70s (and Matteson in 1954 and similar works; e.g., Bodysnatchers or The Thing from Another World, etc), Lugosi's 1932 White Zombie as arguably the first zombie film in the modern sense* (not including Whale's Frankenstein from a year prior)—all of them preceded by Marx' Gothic paraphernalia, in the mid-1800s (1848 with his manifesto and spectresand 1867 with Kapital and vampires), and tout le monde beaten to the punch by Mary Shelley's seminal 1818 novel, Frankenstein; or, the Modern Prometheus† (as I've written on extensively after finishing my book series, whose Undead Module dedicates to zombies, vampires and other undead poetics). In Gothic, there's also an overarching element of vaudeville and exploitation, which liberation shares the same language, bodies and costumes with, in duality (thus speaks subsequently to your tactical frivolity—clowning theatrically on fascism/reversing abjection [re: mevis-à-vis Kristeva but also Creed's monstrous-feminine] by literally wearing Nazi "mil spec" outfits in your own work).

*See: "Attack of the Bourgeois Braineaters" (2004).

†Which I recall you covering yourself, in "The Sexual Politics of Frankenstein" (2025), though I haven't seen it yet.

Further Details

For further details on my interest in this work by invite Atun-Shei, I invite them to discuss their upcoming film, The Vampires of New Orleans, alongside my own work: https://youtu.be/l8EeziQWOpo

reddit.com
u/Chozogirl86 — 18 days ago
▲ 18 r/anarchocommunism+1 crossposts

Andrew Rakich, a YouTuber essayist and activist, is also a horror nerd releasing a documentary/horror movie hybrid: The Vampires of New Orleans. According to the wiki, "The Vampires of New Orleans is an upcoming feature-length docudrama from Atun-Shei Films. Incorporating both educational and fictional elements, it will explore how the horrors of New Orleans history resonate to the present day" (source).

As a scholar of vampires and the undead (tied to Gothic more broadly), myself, I'm interested in Rakich's approach, as such; e.g., I came across his work initially through critiques of the Lost Cause myth and Civil War histories, on YouTube, but also really enjoy his use of camp (Nazi outfits) to "bash the fash" and punch up for a variety of worth causes (Indigenous activism, eco-Socialism, anti-racism, etc). "New Orleans" appears to do all of that while walking the line between fiction/non-fiction, all while focusing on vampires. So I wanted to discuss the film and its approach, here; i.e., as part of vampires and the Gothic mode, as a whole.

For further details on my interest in this work by invite Atun-Shei, I invite them to discuss their upcoming film, The Vampires of New Orleans, alongside my own work: https://youtu.be/l8EeziQWOpo

u/Chozogirl86 — 18 days ago