u/ChambanaFilm

▲ 35 r/Chambana+1 crossposts

Hi!

The Savoy Lumière had a fantastic weekend, and it looks like the rest of the week is going to be great at well (info below), but tonight's screenings sales are what the call in the industry "soft".

Mondays are traditionally horrible days at the movie theater, so last year I made the Monday movie $1, so we're going to repeat that this year.

YES, tonight's screening of Just One Man, about an Indianapolis man who has erased over $20 million in medical debt by riding his wheelchair across the state is now $1. Director Andie Redwine will also be there to talk about the film afterwards.

https://preview.redd.it/wblnzozlo6zg1.png?width=1920&format=png&auto=webp&s=f8c6bf18ced312e21be79aff88267e1d7aab7761

More info: https://2026lumiere.chambanafilmsociety.org/the-tenderness-tour/

Tickets: https://checkout.square.site/merchant/MLEXH26MXNKWM/checkout/WLU4XUTU6P4GAWWI4HTGOXEO?src=embed

It's a dollar, come on out and take a chance on something!

Also, if you didn't see our update on other social media late last week, we have added films on Wednesday & Thursday. Both of these films were released Nationally on April 10th, and had no intention of playing in the Champaign area, so I booked them both to fill out the week.

Wednesday: The Christophers (YouTube Trailer)
Tickets: https://checkout.square.site/merchant/MLEXH26MXNKWM/checkout/FNMSPCUWVADZW75LAXWA2OXM?src=embed

The Christophers is a recent black comedy directed by Steven Soderbergh (Ocean’s 11Out of SightErin BrockovichTrafficMagic Mike, and many more). The film stars legendary stage and screen actor Ian McKellen alongside Michaela Coel, best known for creating and starring in HBO’s I May Destroy You.

McKellen plays Julian Sklar, an aging painter whose family hires a new assistant to care for him. Unbeknownst to Julian, she is actually a skilled art restorer. Fearing that Julian will pass away without producing new work to sell, his family secretly tasks her with locating his unfinished paintings and completing them—effectively forging new pieces to secure their inheritance.

The Christophers premiered at last year’s Toronto International Film Festival and was released in April by Neon, but it never screened in Champaign County. The film currently holds a 97% rating on Rotten Tomatoes and a 3.5 average on Letterboxd.

Don’t miss this rare opportunity to see The Christophers on the big screen—and to support bringing more mid-budget, artist-driven films to the CU community.

Thursday: Exit 8 (YouTube Trailer)
Tickets: https://checkout.square.site/merchant/MLEXH26MXNKWM/checkout/MGMKPNL6DV47ZZJTVSSXC4RC?src=embed

In Japanese with English subtitles.

A quick glance at the history of films based on video games shows a pretty consistent pattern: most of them are… not great. But Exit 8 is anything but typical. In fact, it may be the strongest video game adaptation ever made—and it’s possibly the only one to screen at the Cannes Film Festival.

The original game is built on a deceptively simple idea: you walk through a subway corridor, carefully observing every detail. In the next corridor, something might be off—a flickering light, a shifted door, a poster whose eyes seem to follow you. If everything looks normal, you keep moving forward. If something feels wrong, you turn back… only to find yourself progressing anyway. Reach Corridor 8, and you escape. Miss something, and the loop continues.

The film expands this minimalist concept into something far more layered and cinematic. It stays true to the eerie, observational tension of the game while building out a richer narrative filled with psychological twists and mounting dread. The result is a gripping, PG-13 thriller that manages to feel both faithful and entirely fresh.

With a 92% rating on Rotten Tomatoes, Exit 8 proves that video game adaptations don’t have to be hollow spectacle—they can be thoughtful, unsettling, and genuinely compelling.

I hope to see you at the movies this week!

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u/ChambanaFilm — 10 days ago
▲ 23 r/centralillinois+3 crossposts

I'm not sure if things are slow this month because its the end of the semester, or because I've been so preoccupied with  The Savoy Lumière that I've missed things. Either way, there are only two events that I know about that AREN'T related to the Savoy Lumière. I'll list those first, and then put all of the Lumière events after. Lumière events are all the same as last time, but with some new additions on May 22nd.

Saturday, May 2: UIUC Student Film Festival
📍 Spurlock Museum - 7:00pm - Free

We never get any info about these films before the festival, but these are all films made by UIUC students.

Thursday, May 7: Chungking Express
📍 Analog Wine Bar - 7:30pm - $8 - $10
Film Fanatic Movie Nights

I don’t have time to write something compelling, but this is a fantastic movie that you should definitely come out for.

A defining work of 1990s world cinema, this restless, intoxicating romance captures Wong Kar-wai at the moment his style fully ignites. Shot with kinetic immediacy by Christopher Doyle, the film transforms late-night Hong Kong into a neon-lit dreamscape of chance encounters, missed connections, and emotional drift. Its fragmented storytelling, pop-music obsessions, and offhand intimacy redefined modern screen romance, influencing everything from indie cinema to fashion, music videos, and global arthouse aesthetics. A time-stamped mood piece that somehow feels eternal, it remains one of the most beloved and endlessly rewatchable films of its era.

The 2nd Annual Savoy Lumière!

All screenings are at the Savoy 16 + IMAX, all tickets are $12. a 10-ticket pack is $100, and fully shareable. (Actually, the $10 price works for every ticket over 10.)

Festival week begins on April 29, (tonight!), with an opening night dedicated to local filmmaking, featuring a collection of locally produced short films, now titled HomeGrown Shorts. The program both begins and ends with films featuring local standout actor Matthew Green, and also includes work from Brim writer Trude Namara, a documentary from alum Jason Lindsey, and several additional regional filmmakers.

On Thursday, April 30, we present a fascinating documentary about the pioneers who inspired this festival: the Lumière Brothers. Lumière! Le Cinéma! showcases newly restored versions of their films alongside a rich narrated exploration of their work and legacy.

Friday, May 1 features a comedy shorts program that I’ve whimsically titled Comedic Shorts, alongside Hekla, the fourth film from Michael Glover Smith. A loose follow-up to Relative, the film follows an aspiring actress navigating auditions, breakups, and self-doubt over the course of a single day.

Saturday, May 2 is a full day of programming, beginning at 10:30am with family-friendly animated shorts, followed by the teen drama Under the Lights. The day also includes a thriller and horror shorts block, the conversation-driven shorts program Is This Therapy?, and two feature thrillers: the comedic-thriller Anywhere and the creature feature When the Night Falls, filmed in Clifton, IL, which closes out the night.

Sunday, May 3 offers another full slate. We start at 10:30am with the crowd-favorite 25 Cats From Qatar. Additional features include American Dendrite (whose setup is impossible to summarize briefly—please, check out the synopsis) and Video Dreams: A VHS Massacre Story, which chronicles 30 years in independent filmmaking. Also screening is $POSITIONS, a fast-paced comedic thriller about a well-meaning screw-up who invests his family’s savings in cryptocurrency.

Sunday also introduces our Identities shorts series, beginning with Identities: Asian-American. These programs explore the subtle interplay between heritage and everyday life across different communities, with additional entries—Identities: Jewish-American and Identities: The Souls of Black Folk—screening during the post-festival period.

On Monday, May 4, we spotlight an inspiring story out of Indianapolis, The Tenderness Tour. Richard Propes has spent years traveling across Indiana in his wheelchair—sometimes over 1,000 miles each summer—raising money for families in need. After discovering that medical debt can be purchased for pennies on the dollar, he sets out to eliminate $155 million in debt across the state—despite never having raised more than $20,000 before.

Festival week concludes on Tuesday, May 5 with Nuisance Bear, winner of the Grand Jury Prize for Best Documentary Feature at this year’s Sundance Film Festival. Expanding on the award-winning short of the same name, the film explores life in Churchill, Manitoba—known as the “Polar Bear Capital of the World”—and features stunning cinematography that demands to be seen on the big screen.

Post-festival screenings continue with Identities: Jewish-American on May 8 and Identities: The Souls of Black Folk on May 15. The series concludes on May 22 with the documentary Tight & Nerdy, following a traveling burlesque troupe performing a show set to the music of “Weird Al” Yankovic. This film is preceded by a short local documentary, Maybe It’s This, about Defy Gravity CU.

And finally, we close everything out with one last event: Lumière After Dark: The Weird Revuea live burlesque performance featuring local talent.

So, overall the schedule for Friday, May 22nd will be:

1 Ticket for:
6:00pm - Maybe It’s This - 30 minute short film
6:30pm - Q&A with filmmakers and subjects of Maybe It’s This
7:00pm - Tight & Nerdy
8:30pm - Zoom Q&A with Tight & Nerdy Filmmakers

1 Ticket for:
9:30pm - Lumière After Dark: The Weird Revue

It’s hard to imagine a more exciting ending to the festival. Hope to see you there!

u/ChambanaFilm — 15 days ago