u/AdSweet662

God, I just feel awful tbh

God, I just feel awful tbh

The title kinda says it all. I feel this constant self imposed need to be this perfect beacon of goodness to people because I’m terrified of hurting them to the point I feel like I’m lying or manipulating them into feeling bad for me accidentally which makes me feel worse then when I ask them their thoughts on what I could do better, they just smile, nod and say “nothing” and the cycle continues over and over until I’m in my room at 3am overthinking everything. This becomes especially apparent with my boyfriend who has a habit of only texting me back 10% of the time so I feel like I’m not doing enough and I want to do more but he won’t tell me what more I can do whilst I’m constantly telling him to communicate his feelings with me and set boundaries because I’m terrified of crossing them and potentially causing him to leave.

I fucking hate this. I hate it. I hate it. I hate it. Then there’s my god forsaken need to psychologically analyse people. Whenever someone tells me what’s going on, I think telling them specifically what caused their problem and that it’s not their fault (because it’s usually not) will help them feel better but I feel awful afterwards because I think I come across like I’m treating them more like patients or subjects. And I have this constant need for attention and this feeling that people need to bend over backwards and hang out with me which I luckily suppress (the latter) because that is awful to think about other people yet in the back of my mind I think “I deserve it because\_\_\_” which sounds more like a spoilt kid talking in comparison to anything else.

I just…I don’t know. I know what’s wrong with me. I know what I need to do to fix it and better myself. But no matter what I do, I always go back to my bad habits.

u/AdSweet662 — 1 day ago

I am attempting to sing this ass kicker of a song but I have run into a problem and that is on the line “pity the child with no such weapons” with the note being a touch out of my range (by two tones) and I wonder if it’s possible for me to opt down (if there is an opt down) whilst still keeping in the original key?

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u/AdSweet662 — 16 days ago

I’ve noticed a trend in recent years when it comes to musicals (in the past 40-20 years or so) where the music is more about how high you or how long you can belt over emotional story telling. The best example I can give is something like Wicked or dear Evan Hansen. Both shows are amazing but the vocals required can be dangerous in some cases like defying gravity mostly kicks people’s ass because of the changing keys but No Good Deed I heard gave Menzel vocal damage because of the amount of belting in it and Dear Evan Hansen is…a lot. I get that most parts are written around the original actors but still. The only examples I can think of where the hard notes fit in is JCS and Hunchback where in where JCS is framed more around 70’s rock music (although both leads still kick you in the ass) and in Hunchback, Quasi is supposed to be the opposite of Frollo in every regard so his high notes contrast Frollos lower register.

Also most musicals tend to tailor themselves more towards tenors and mezzo’s/sopranos whilst lower voices are usually delighted towards either older characters or villains (e.g Sweeney or the beast) which kinda makes every lead sound pretty similar except for characters like Orpheus who goes high but in his falsetto over constantly belting.

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u/AdSweet662 — 18 days ago