
r/StevieWonder

Is this a hot take innervisions > songs in the key of life
I adore both albums and Sir Duke is my fav Stevie song but I think Innervisions is just a more impactful listen to me.
What’s your thoughts.
Happy Birthday Stevie! 🎂
Illustration by Stanley Chow
Animation by Mike Labrow
Happy Birthday to me! One of my fav gifts I got today 🥰
If It's Magic, As, and Another Star is the greatest 3-song run ever.
The seamless nature of these three tracks is immaculate. Not only sonically do they flow so well together, conceptually they all build off each other! For an album as vast and encompassing as Songs in the Key of Life, its last three tracks seem to impact me the most. I truly don't think there is a better way to end this album than what we got. While Songs in the Key of Life might not be my favorite album of his, its experience is so different than albums like FFF or Talking Book. In the context of what it does for the album, I truly think it is the greatest 3-song run ever.
What do you y'all think?
I absolutely love this album, and strangely enough even though I find the other classic period albums better, I just can't help but want to hear this album more. I think it's just the sound of it, I love the use of synthesizers in this one. Not only that but it's a very good mix of young Stevie and then classic period Stevie. And I just don't understand why it's the least talked about when it comes to his classic period, I get that the others were better albums as a whole and they were the ones that won albums of the year but I think this one should also be acknowledged as much them too. Does anyone else think that?
George and Stevie Wonder
I love the fact the George and Stevie had a special friendship. George said that he liked to cover Stevie’s songs because they were the right pitch for him and were also brilliant.
What are your favorite moments in Stevie's music? I've got tons but a few that come to mind are the very first second of Sweet Little Girl, and when he says "I'm a little boy" towards the end of Maybe Your Baby. It's kind of a throwaway line but it still makes me laugh. My favorite might be the transition/end of I Believe (When I Fall in Love It Will Be Forever). It's sooo good and I wish it lasted longer but I also appreciate somehow that he just hits you with all this funk at the end of the album and then bows out 30 seconds later.
Amazing Stevie Wonder Vocal Runs 6!
I compiled some cool runs that Stevie did over his career. This will be probably be my last for a while, but I love sharing some of his coolest vocal moments!
That vocal run he does is just… wow. Not to mention him phrasing these Eb5s with ease, and DOING RUNS on top of that! I wouldn’t expect nothing less from 1998 Stevie but damn that was crazy.
Full Video: https://youtu.be/VZjV22kZUpA?si=LAr8862LrDEFN-Ca
Edit: Pavarotti**
All 10 albums are really good, but I definitely like some more! Let me know how you would rank these 10 Albums! I am in the top 500 listeners for Stevie on Apple Music, so here is my opinion coming from a huge fan of Stevie.
Talking Book (11/10): The greatest album ever and a perfect blend of funk and soul. Every track is a 10, and I think this is his most well-rounded album. You and I, Maybe Your Baby, and so many other bangers are on this album! This is also Stevie's best-sounding album, in my opinion. I love the dryer, crisp sound because it feels like I am in the room with Stevie while he's singing.
Fullfillingness' First Finale (10/10): The 2nd best album experience of Stevie. This album is very ethereal and introspective. It's the slowest of his works, but the soundscapes and tracks on this album are. just amazing. Creepin', Smile Please, and It Ain't No Use are the standouts for me.
Music of My Mind (10/10): This album is very underrated and often gets overshadowed by Talking Book. This album features a top-3 Stevie track, Superwoman, along with amazing tracks like Evil, Seems So Long, and many more. This is Stevie's first album where I feel like he reached creative maturity.
Songs in the Key of Life (10/10): This is usually at the top of most lists, but I personally think those three albums are stronger works in terms of consistency; however, none of those albums gives you the experience of SITKOL. As, Another Star, Sir Duke, Summer Soft, Knocks me off My Feet, and so many more classics are on this album.
Hotter than July (10/10): This album is such a great experience. Stevie goes off vocally on this album, and he delves into some Country and Reggae! We see the beginnings of the creative direction Stevie will take in the later part of the 80s, and this album serves as a transition between his classic period and his 80s work. All I Do, Rocket Love, and I Ain't Gonna Stand for It are my favorites!
Innervisions (10/10): This is the other album that usually might take the top spot on a Stevie Album ranking. I love Innervisions so much and the conceptual nature of it. This album is full of classics such as Living for the City, Higher Ground, All in Love is Fair, etc. I just don't revisit this album as much as the others, but it still is a 10/10.
Conversation Peace (9/10): HIS MOST UNDERRATED ALBUM! Stevie is in his prime in terms of vocals, with amazing displays of agility and range. There are a couple of tracks on Conversation Peace I don't revisit as much, such as Taboo to Love and Tomorrow Robins will Sing. But also, there are solid tracks like I'm New (the runs on this are immaculate), Sorry, and For Your Love. This is very underappreciated imo.
A Time 2 Love (9/10): Stevie's latest (and hopefully not final) album is full of amazing moments. The album opens up with a bang, having Kim Burrell and Stevie trade runs and display their amazing vocals. Sweetest Somebody I Know is such a vibe and another amazing vocal performance. This album has more slow songs than Conversation Peace, and we get to hear Stevie's amazing piano work. Moon Blue is also one of the coolest tracks!
Characters (8.5/10): This album marks the beginning of what I like to call Stevie's vocal prime! The synth work on this album is more funky and busier than in In Square Circle, with amazing uses of them on Dark N' Lovely, One of a Kind, and You Will Know. This album heavily leans into that 80s sound, and I love it. I treat it as a counterpart to Michael Jackson's BAD, since they both came out around the same time, and they both have a duet on each album.
10. In Square Circle (8/10): Even though it is last, I still have a soft spot for In Square Circle. Stranger on the Shore of your Love is fantastic, Overjoyed is iconic, and Whereabouts is beautiful. The first half of this album is amazing, but I feel like the second half dips a bit. Land of La La, Go Home, and It's Wrong (Apartheid) just aren't for me. The synth work on this album is beautiful, but some of the production choices, such as the horn sounds on Stranger on the Shore of your Love leave a bit to be desired. Still a very solid album!
That first run is one of the most expressive and beautiful things I have ever heard Stevie sing! It’s incredible that he has retained and even improved his agility throughout the decades of work he has done (1990s being the peak)!
Let me know which run is your favorite and maybe give me a recommendation for a potential part 6!
This is very interesting. to say at the least. The following audio is Stevie Wonder performing a song called "You Will Know," which appeared on his studio album "Characters." However, he says this song was meant for "In Square Circle," which definitely means he shelved it for his next release. He said in interviews in square circle was gonna be a double album, I wish it was. Regarding the recording, it's interesting to see the song in a new light. It was more uptempo, more percussion, and more sounds. I can sort of imagine the image he had for this song on in square circle. By the grace of god, someone taped this amazing concert in Festhalle, Germany. Which is what you're hearing.
It's no secret Stevie often reworked some of his old unreleased songs to fit on later albums such as "My Love is On Fire" and I Love You Too Much".
And this track is no different as he began writing it in the late 70s, only to release it 16 YEARS later in 1995 on "Conversation Peace."