r/Learnmusicproduction

Honest question: how many of you rely on loops because writing your own chords feels overwhelming?

Not judging at all, it's just that I've seen a lot of producers who are genuinely skilled with their DAW but hit a wall when it comes to composing original progressions. Curious if this is a common thing or just something I've noticed. What's your experience?

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u/Late-Working-7519 — 1 day ago

16yo Japanese producer/artist. Does bad English pronunciation ruin a track if the beats/lyrics are good?

Hey everyone,
I’m a 16-year-old high school student from Japan. I’ve started making music, mostly Hyperpop and Hip-hop, and I really want to start earning money from my English tracks.
The problem is, my English pronunciation is pretty terrible. I’m confident in my beats and the lyrics themselves, but I'm worried that native speakers will immediately turn it off the moment they hear my accent.
In the world of Hip-hop and Hyperpop, how much does "perfect" pronunciation matter? Can a unique accent or even "broken" English be an aesthetic, or is it a total dealbreaker for you?
I’d love to hear your honest thoughts. Thanks!

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u/Wensto0n — 3 days ago

Producing Vocals BEFORE mixing

Hi everyone !

I have released and payed mixing engineers to mix and master my tracks. Everytime I listen to them back next to my reference and the vocals are just not as loud as I want them ( or anything for that matter )

Is it my responsibility in the PRODUCING phase to saturate and gain the vocals as loud as I want them to the mixer gets the point? Or have I just failed to communicate my desire to have upfront vocals? They are recorded in a treated room so I don't know what I'm doing wrong?

What am I missing? Am I missing a important process? EQ and compression and saturation ofc but am I missing something else?

All help appreciated!

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u/OverPassion4593 — 2 days ago
▲ 23 r/Learnmusicproduction+2 crossposts

Gain staging is a hot topic these days, and I often see the same advice popping up: "normalize all your tracks to the same peak level before you start mixing."

While this will give you headroom, I don't like this approach, as I think it sets you up for a more difficult mix from the start. The reason is that different instruments don't behave the same way. For example, A distorted rhythm guitar has a high average level, a lot of density. A drum kit has tons of transients, and typically more dynamic range. If you apply the same normalization to such different elements, you're basically getting a starting point with your mix where all the most dynamic elements will be pushed down, and that's not necessarily the most musical approach.

A better way is to come up with some nominal target levels for each instrument / group, using LUFS to get a better idea of the relative perceived loudness of each part. Not only will this give you headroom, but also a much more "ready" sounding set of tracks that won't immediately make you go into "fix it" mode. This saved me TONS of unnecessary extra processing. Instead of reaching for EQ or compression to try and balance things out, the "right" starting level can make an unbelievable difference.

If you want to check it out, I made a video detailing this approach and also comparing it with the popular peak normalization gain staging method. Do you have any go-to gain staging work flow? Always looking for new ideas

https://www.youtube.com/watch?v=C8UlBseyYxM&feature=youtu.be

u/andreacaccese — 13 days ago
▲ 2 r/Learnmusicproduction+2 crossposts

Solo female artist recording and producing her first album: I need some help and advice from more experienced music pipo

Good morning music pipo, ✨

I’m currently building a sound treated corner in my apartment, learning about mixing, mastering, AND shopping for a microphone to record and produce my vocals for my first studio album. but I’m a newbie and I need your help, here’s some info for context:

- My genre is a mix between dream/art pop and electronic with r&b and world-music influences.

- The style of the vocals I’ll be recording range from intimate, close, airy and delicate, with runs and riffs, through some more warm, sensual, smoky vocals, also belts in the mid range, and soaring highs with mixed belts in the 4th octave.

- My voice type has been described as “clear and bright”, young, modern. I’ve been told it’s a “Disney princess” voice, other references I’ve been compared to are Barbara Streisand, Ariana Grande. I can also sing in a more opaque, darker style, in a Lana Del Rey or more soul-inspired style, for example. I do wish my voice was fuller, smokier, warmer and more emotional, so I want the recording to help bring more body and fullness in my tone, without losing where I shine which might be that brightness and youthful sweetness/sparkle. (I know, kind of contradictory but I hope there’s ways to make this happen)

- Room treatment options: I can create some DIY room treatment with blankets, rugs, my mattress, pillows etc. I will record either in my bedroom or my living room. They both have reverb and echo so I’ll make a little corner for recording inside them.

- Equipment I have: Scarlett interface, Bose quiet comfort 45 headphones, computer, and I’m still deciding between Logic and Ableton. Currently trying Logic after ableton free trial.

- I have like 700-800 bucks total to invest rn

- I’m planning on producing, mixing and mastering my own music, learning as I go because it’s my first time doing this.

So my questions for those here experienced in recording and producing female art pop are:

♦️1. While I know there’s plenty of home studio microphone recommendations,** I’m asking specifically people who have worked with voices and projects similar to mine, how does the choice of microphone bring out different colors in a vocal**?

What stylistic effect does one of the popular recommendations have over another, for my type of voice?

If you were my producer and had 600 bucks for the mic, and wanted my first EP to sound as professional and competitive and magical as possible, which would you choose?

and also

3. Do you see a red flag or lack in the equipment in my basic setup that could hinder a good result?

…And if you’re feeling generous….

4. Any advice for a girl recording and producing her first album by herself?

Thank you in advance for your time and wisdom.

Kiss on the forehead, and may the song be with you💋

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u/Adventurous_Track244 — 4 days ago
▲ 2 r/Learnmusicproduction+1 crossposts

Any high quality music production book reccomendation to understand every element of mixing and processing in depth, and other aspects like arrangement and songwriting as well? Preferrably FL Studio oriented but I don't mind any other generalised book reccomendations as well.

I've been remaking songs, studying them in depth and I feel like reading music production on top of that will give me precise clarity on what I'm doing when I'm tweaking around. Looking to learn as much as I can.

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u/Glass-Jump7164 — 20 hours ago
▲ 13 r/Learnmusicproduction+10 crossposts

Beginner Grunge Mix/Master Feedback Needed – I Remain

Hey everyone,
I’d appreciate some honest technical feedback on my grunge track I Remain.
I mixed/mastered it in Cubase with a Steinberg UR22C and aimed for a raw, emotional sound — not overly polished.

Main things I’d like feedback on:

  • Instrument/VST drum balance
  • Vocal placement & pronunciation
  • Overall punch and master quality

Listen here: https://www.youtube.com/watch?v=HQEdfMMa1aw

Thanks a lot to anyone who takes the time to listen.

u/PensionExact3149 — 4 days ago
▲ 3 r/Learnmusicproduction+2 crossposts

Struggling to achieve a professional vocal sound - Need advice

(Willing to pay for a solid answer)
"Hello everyone, sorry for my English. I’ve been producing for 2 years now, but I still can't achieve that 'pro' vocal sound.

My Setup:

  • Interface: SSL2
  • Mic: Rode NT1 5th Gen
  • Room: Home studio with Rockwool acoustic panels
  • Plugins: Waves, FabFilter, Antares

I am linking some dry recordings along with a reference track of the sound I want to achieve.

I’ve tried everything: different mic distances, angles, endless EQing, saturation, compression, and spatial effects (reverb/delay), but I’m stuck.

The issue: When I listen to professional tracks with headphones, the vocals sound distant and smooth, with great clarity in the upper frequencies (above the 'eye level'). My recordings, on the other hand, feel 'low' and muffled. If I try to fix the harshness, they become muddy. If I clear the mud, they sound thin. Maybe the raw vocals aren't good or my setup has issues.

If an experienced engineer can explain what I’m missing or walk me through the process, I am happy to compensate you for your time and a solid answer. Thanks!"

Raw vox 1
Raw vox 2
reference 1
reference 2

u/Any_Kaleidoscope720 — 3 days ago

How do i start learning music production

I am staring my college from August 2026 in noida , want to learn about music production and how musician works how do they create and publish, i thought of joining an well stablished musician as his/her helper for free

The only thing i wish for is gaining knowledge

What do you guys think , should i join someone or you know any youtube channel specific who can teach me these things

Or how do i get contact or find musician to get in with them

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u/srijan098 — 5 days ago

OZONE boosting lows

Why is izotopes OZONE mastering tool always boosting the very low end beyond 50 and 30hz? No matter wich genre I select. For me that makes no sense, because beyond 30hz I don't really think u need that much energy, except for special genres.

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u/Kaschelott_Active786 — 6 days ago

Hey r/Learnmusicproduction,

I'm Hendrik, a developer. Over the past year I've been building NyuJam, a music streaming platform focused on independent artists. I wanted to share some things I learned during the process that might be useful if you're thinking about releasing your music.

What most platforms don't tell you:

  • Streaming royalties are designed to reward volume, not quality – an unknown artist has almost no chance of earning meaningful income
  • Discovery algorithms heavily favor artists who are already popular – new artists rarely break through organically
  • Most platforms keep a significant cut of ad revenue that your music generates

What I tried to solve with NyuJam:

  • A synchronized radio system where every country has its own live broadcast – songs rise from local → continent → global purely based on listener likes, not paid placement
  • 100% of ad revenue goes directly to the artist
  • Free uploads, no label needed
  • Timestamp comments – listeners can react to exact moments in your track

If you're learning production and thinking about where to release your music eventually, it's worth understanding how these platforms work before you sign anything.

Happy to answer questions about the technical side of building a platform too – learned a lot about audio streaming, databases and scalability that might be interesting for anyone into music tech.

-written with help of AI-

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u/NyuJam_r — 8 days ago

hi does anyone know for kanye west and other music stars what sort of piano they purchased which allowed them to connect to a laptop or pc system but also be able to remind and change sounds. whats the best piano for production for a budget of $500

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u/Next-Programmer-7393 — 7 days ago

Quantum Es 2 presonus

Why the fuck does this goddamn fucking device have a mind of its own ? I’m getting sick of this shit it keeps changing all the time without me asking, I’m probably gonna smash this thing pretty soon so let me know quick before it’s too late for fuck fuckin sakes.

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u/AnyCareer154 — 3 days ago

My boyfriend has gotten back into producing music lately and he keeps mentioning that he usually uses his headphones bc he can hear the audio quality better bc his speakers suck and he just hasn't been able to afford new ones so I wanna get him some for his upcoming birthday. I know absolutely nothing about it so just looking for some recommendations. Idk if the genre makes a difference but he does like metal and hardcore adjacent stuff mostly. Thanks for ur help in advance :)

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u/VoodooAbbi — 12 days ago