Different Perspective of The Queens Hatred for Snow - Lana Parrilla 2011
Lana Parrilla explains her personal acting choice to interpret young Snow White's actions as unintentionally selfish, which helped her justify the Queen's extreme hatred.
>"It was tough to wrap my head around. Oh my god, that's why the Evil Queen wants to kill Snow White? because she was really trying to help her!
In order to make sense of this revenge, I felt like this little girl is very selfish. so you told my mother this but then now you're so happy that you get to have me all to yourself.
That's really feeding the Queen... this is my choice, not something the creators have said to me; it made sense, it was discovered in the moment with this young actress--the way that she was articulating this joy and happiness that she gets to have me as her mother in her life--that's what created this hatred for her."
This is a fascinating look into how actors build backstories for their characters there's so much more that goes into a performance than what we see on screen. You essentially have to construct an entire life for someone who never existed, filling in all the gaps the writers leave behind.
Lana Parrilla talks about struggling to wrap her head around Regina's hatred toward Snow, when Snow was only trying to help. The perspective she landed on makes complete sense to me. Snow gets to have Regina. She wanted her as a mother figure, and she's ecstatic about it. But for Regina, this is the beginning of a trapped existence. She never wanted to be Leopold's wife or Snow's stepmother... and yet this little girl opened her mouth, and suddenly Regina belongs to them. Her whole future was decided by a child's inability to keep a secret.
What I also think gets overlooked is that Regina is grieving, deeply and completely alone. She lost her true love. "In the fairytale land, you "only get one love"... and she has no space to actually process that. She has to bury it, perform the role she never asked for, and keep moving. Even in the real world, unprocessed grief causes serious damage to a person. Now imagine carrying that in isolation, with no outlet and no one safe to turn to.
None of this is rational, and I'm not saying it should be... but that's kind of the point. Dark, irrational thoughts are often what grief looks like when it has nowhere to go.
This isn't strictly canon, but how it changed my perspective: Snow wasn't being malicious. She was just a child, and children are inherently self-centered. Not out of cruelty, but because they're simply not wired yet to fully grasp the weight of their actions. The implications of what she'd set in motion never occurred to her, because she was a kid who was happy and wanted to share that happiness. Regina just had to live with the consequences of it forever.
Context of the Quote
>The "Selfish" Interpretation:
>"Parrilla struggled to understand why Regina would want to kill a child who was "really trying to help." She decided to view Snow's actions through a lens of childhood selfishness—that Snow wanted Regina all to herself as a mother figure and thus eliminated the "competition" (Daniel)."
>Working with Bailee Madison:
>"Parrilla noted that this perspective was "discovered in the moment" while working with Madison. She felt that the young actress articulated a certain "joy and happiness" at the prospect of having Regina in her life, which Regina (in her grief) twisted into a reason for deep resentment."
>Why This Quote Matters:
>"This insight became a cornerstone of Parrilla's performance. It allowed her to play Regina not just as a fairy-tale villain, but as a woman deeply wounded by what she perceived as a betrayal of her happiness . By viewing Snow's innocence as a form of "selfishness," Parrilla was able to "wrap her head around" the decade-long quest for revenge that drives the series."