r/Greco_Roman_esoterica

▲ 74 r/Greco_Roman_esoterica+1 crossposts

This is for all my occultists in the room!

The Lesser Banishing Ritual of the Pentagram (LBRP) is an occultist's bread-and-butter. If you're an occultist, you know what it is. If you're not an occultist, or you're a newbie, here's the basics: The LBRP is a banishing spell meant to purify the space at the beginning of every rite. It comes from the Hermetic Order of the Golden Dawn's (not to be confused with the Greek neo-Nazi group) tradition of ceremonial magic.

The standard version is very Abrahamic, but it's a simple framework that can easily be modified. If you have a Wiccan background, you'll be familiar with the Circle Casting, which is a version of it. The “before me, behind me” formula is also genuinely ancient — it shows up in the Greek Magical Papyri (PDM xiv. 239-95) and in Babylonian magical texts. I'm not comfortable using the Abrahamic version, and I'm not really comfortable with the Wiccan version either, so I thought, why not create a Hellenic version?

There are a couple already in existence. Here's Israel Regardie's version. There's some things I like about this, but his Greek version of the Qabalistic Cross literally just translates the last line from the Lord's Prayer into Greek. IMHO no pagan rite should begin with that, in any language. And the names he chooses for the "before me, behind me" feel inconsistent. Then there's the John Opsopaus' version, the "Olympic LBRP." I like this one better than Regardie’s version, because it seems to be an actual adaptation of the LBRP and not just a translation of it. But it's very long-winded. It includes a lot of complicated visualizations, which are worth doing once, but I don't think they're necessary at the beginning of every ritual. I'd personally prefer something more streamlined.

Then there's this Orphic version by Ariadne Rainbird. There's things I like about this one, too. One interesting thing I learned from it is that, in the Pythagorean tradition, the Pentagram is called "Hygeia," which means "health" or "wholeness." The letters of the word in Greek act as an acronym for the five elements: Ύ for hudor (ύδωρ, Water), Γ for Ge (Γη, Earth), I for heiron (ἱερόν, holiness/divinity, Spirit), EI for heile (εἵλη, heat, Fire), A for aer (ἀήρ, Air). How convenient is that!

Pythagorean pentagram with the letters of \"HYGEIA\" arranged at its points (counterclockwise from top).

But again, the Orphic version is long-winded. As much as I love the Olympians, having a *twelve-*point circle casting is a little much. The advantage is that you can evoke all the Olympians without having to shoehorn them into four points, and it makes sense to do if you already evoke each of the Olympians separately at the beginning of every ritual… but I don’t have the patience for that as part of a quick and low-effort banishing rite. (I also don’t know what most of the words used to greet them mean, and I would struggle to memorize them. The less memorization, the better.)

So, being the lazy occultist that I am, I developed this short and sweet version. The “Pneuma, Psyche, Nous, Soma” is taken from Israel Regardie’s version, but the rest is my own adaptation:

***

Simple Hellenic LBRP

[I'm skipping the Qabalistic Cross entirely. I can't think of a way to adapt it, and you're basically doing the same thing three times anyway.]

Face East. Trace a pentagram in the air with your wand or athame, intone “AITHER.”
Thrust your wand/athame through the pentagram and say “Pneuma” (noo-mah)

Face South. Trace a pentagram in the air, intone “PHANES.”
Thrust your wand/athame through the pentagram and say “Psyche”

Face West. Trace a pentagram in the air, intone “OKEANOS.”
Thrust your wand/athame through the pentagram and say “Nous.”

Face North. Trace a pentagram in the air, intone “GE.”
Thrust your athame or index finger through the pentagram and say “Soma.”

Stand and face east. Say, “HERA before me, POSEIDON behind me, HESTIA at my right hand, DEMETER at my left hand, ZEUS above me, HAIDES below me, DIONYSOS within me. For about me flames the Pentagram, HYGEIA.”

***

Feel free to take this format and substitute whatever divine names you like! Traditionally, each cardinal direction corresponds to a Classical element: East to Air, South to Fire, West to Water, and North to Earth. So, you may want to pick names that work with those correspondences. I chose the names of four Protogenoi who embody those elements most directly. I kept Regardie's use of “Pneuma, Psyche, Nous, Soma," which means “spirit, soul, mind, body.” For the "before me, behind me" portion, I used the names of the six Children of Kronos, arranged according to their elemental correspondences, with Zeus and Hades as an "as above, so below." I added "Dionysus within" for a particularly Orphic flair, and because Dionysus is personally significant to me.

From here, you can make it as complicated as you like, adding visualizations, or voces magicae, or chanting the Ancient Greek vowels, etc. The great thing about this ritual is how versatile it is. And I do recommend using it! It clears the space of negative influences, it puts you in the right mindset for ritual, and I've found that it helps to calm me down when I'm anxious. Even if you don't want to use this format, having an easy way to invoke the gods while dispelling bad stuff is recommended.

u/NyxShadowhawk — 11 days ago
▲ 34 r/Greco_Roman_esoterica+2 crossposts

Hecate goddess of ?

I’ve just read a comment section (on TikTok, lol) which said that Hecate isn’t really the goddess of magic and witchcraft, that it’s just a modern interpretation. That she was just the Goddess of crossroads, liminal spaces, etc.

But I wonder, if she was not the goddess of witchcraft, Why in the PGM most of spells invoke her or involve her in some way? Also in the myths, why did Medea and Circe entrust themselves to her?

Some people said that in Ancient Greece magic was something profane and punishable, but for I know, the only type of magic that was rejected in society was the one to make other people sick, or love spells and rituals.

reddit.com
u/Difficult_Hat_1053 — 6 days ago

An interesting analysis of what the frescoes at the Villa of the Mysteries could mean. The author relays what seems a credible theory that they were a visual metaphor for Dionysian initiation.

There has been some blowback to the idea that the Villa of the Mysteries represented a Dionysian initiation. If it was so secret, why put it in a dining room where anyone can see it? A fair point. But ultimately the art does seem to be too esoteric for mere pleasure.

A gorgeous book.

u/UrsusofMichigan — 11 days ago
▲ 43 r/Greco_Roman_esoterica+1 crossposts

Those who appreciate or practice Orphism, rejoice! Harvard University Press is releasing this addition in July! I pray to the gods that it includes the Hymns in this nicely bound edition.

hup.harvard.edu
u/NyxShadowhawk — 6 days ago

The magician as mystagogue

I hope this photo is legible.

From _Cults of the Roman Empire_ by Robert Turcan

By Imperial times, and especially with certain influences from Egypt and the Near East, the practice of magic had itself become something of a Mystery. The magician had become an initiate seeking personal union with the divine.

Of course everyone knows about Theurgy. But we're talking about a broader set of magic here. Those magicians, sometimes denounced as charlatans by the intellectual elite, viewed magic as its own initiatory path, its own Mystery.

Is this how we should view it? Is this how you do, in fact, view it? What do you think?

u/UrsusofMichigan — 4 days ago

A quick sketch on necromancy

Terms:

  • Nekuomanteion = Oracle of the Dead
  • psuchomanteia, “rites for divination from souls,”
  • Psuchagōgos = evocator of souls = those who helped restless ghosts by locating their body and then consulted them on why they’re restless. Also an epithet of Hermes. Itinerant diviners and magicians and were prominent in pythagorean circles in southern italy. Deemed as charlatans by Plato. 
  • Goetes = sorcerers whose powers are connected to the dead. Possibly originally “ shamanic” in nature.  Oriignally their power was thought to derive from evocation of spirits
  • “Shamans” = send their souls outside of themselves, they perform these rites in underground chambers of wisdom, and have an ability to prophecy.  Linked to the Pythagorean tradition.

 

First literary reference  = The Odyssey. We can trace the literature from classical Greece to the fall of Rome.  However, the only  direct “documentary” evidence for necromancy is the PGM and is influenced by the Egyptian understandings. 

Necromancers were typically male Greeks, but the literati placed their origins in Egypt and Near East. Pythagoras reputedly learned mysticism in Egypt and Babylon. The Persian magi are associated with necromancy. In literature, women become associated with the art and are usually portrayed as wicked or evil.  Necromancy was always considered odd, and the Platonists in particular condemned it. Romans in particular feared necromancy and, not by coincidence, most of the depraved emperors were said to use it.

Necromancy is similar to practices Greeks used to placate the dead in their tombs.  Ghosts hovered around their tombs.  Tombs of course were used for curse tablets. Pythagoreans particularly connected with tomb necromancy.  Not greatly dissimilar from katabasis (descent into the underworld as used in the Mysteries) as the initiate is confronted with ghosts and terrors. 

Battlefields with their recently dead are also a place for necromancy. Can also perform necromancy in dark woods and marshes (naturally dark places). Oracles of the dead were also located in caves or lakeside.  Curse tablets were often deposited here as well. 

Hades, Persephone, Hermes and Hecate-Trivia were associated with necromancy. The Pythagorean “shamans” were associated with Apollon. However, in art, at least one of these “shamans” has a thyrsus and thus is linked to Dionysus. The PGM because of its Egyptian influence has quite a few deities associated, including sun and moon. 

The basic rite of evocation is not, in and of itself, magical and closely resembles the rites of the dead performed at tombs.  One constructs a pit and a fire: the pit is for blood and wine libations for the spirits of the dead, the fire is for a holocaust offering for the deities of the underworld.  What makes it magical are extra steps and understandings 

  • Purification: several ways for the necromancer to achieve purity, which becomes a rite in itself and sometimes involve sacrifice of animals
  • Timing: usually done at night, although could be performed in naturally dark places like thick woods and caves. Darkness is what was essential. Often done at night off the full moon. 
  • Circumambulation: could be practiced around the pit and fire. 
  • Offerings: the aforementioned pit and fire.  Blood and wine were libations; black sheep were usually the animal offerings. 
  • Utterances, chants, prayers, magic words. 
  • Stones and dolls. Pliny makes mention of a “holding stone” used to hold onto ghosts once summoned.  Probably the closest thing in today's terms would be a crystal?  The use of dolls and poppets were also known.
  • Dress:  dress in black
  • Incubation: it is thought that after all these steps were performed, the necromancer would go asleep (or trance or lucid dreaming?).  Sleep, dreams, death, and night are all connected; the soul is detached from its body. The ghost would speak to the necromancer in their dreams.

Divination: ghosts were asked to divine through lamps and bowls.  Boys were used as mediums for it was thought their innocent souls were better for such things. This gave rise to the idea that boys were sacrificed in such rites. 

The ghosts most likely to be evoked were those that had died before their time, either violently or otherwise. These ghosts would have been confused or angry and wanting to talk to someone.  Also, if they were not buried properly, they would want to reach out for someone to find their bodies and bury them; this was actually one of the chief duties of the necromancer. 

Why consult ghosts?  Ghosts see the past clearly (they were thought to chat with each other so all the ghosts have knowledge of what collectively happened through humanity). A ghost attached to a tomb sees everything that happens around its tomb.  And Pythagoras and Platonists believe a soul detached from its body and earthly concerns has a special wisdom.  For all this, consulting ghosts about the future is not necessarily the main point; they are more likely to know the past and present. 

Keep in mind however the prevailing afterlife view was that once the shades of the departed reached Hades, they drank the waters of Forgetfulness. So how did they remember their past lives?  That goes back to the previous discussion the ghosts most likely to be consulted were those that had died untimely and/or not been properly buried.  Those ghosts would not yet have reached the underworld. 

Finally, the necromancer is someone who inveigles the line between life and death.  The ghosts are partially animated to life by the evocation and particularly by drinking the blood offering; the necromancer himself “dies” in some sense by descending into darkness and especially by practicing incubation, for dreams are a boundary between the waking world and the world of the dead.  

Edit: heavily based on _Greek and Roman Necromancy_ by Daniel Ogden

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u/UrsusofMichigan — 5 days ago