I'm stumped, posted is the original cut. I was told it was okay to air it, but the echo is horrid. I threw on a deReverb and tried messing with that but honestly I have no clue how to take this on. Any ideas to salvage something like this? This was a recorded call that can't be redone
I use my Adobe Audition 3.0 daily for work. I love that it doesn’t cost me any money, I’m starting to wonder if I might be missing out on any upgrades or new features.
I record my radio show through this, voice only, my stuff at home tends to be just a bed music track and my voice. Nothing crazy. Every once in a while I need to get a commercial done for a festival, so the session gets a bit more work.
I’m wondering if anyone has any experience with Reaper. I was also looking at Hindenburg PRO. The Adobe Audition CC just seems like too much to pay when there are other options including staying with FREE.
Your feedback would be great! Thanks so much.
I’m mastering my movie audio in Audition, and this is the first time I’m attempting mastering. The movie is primarily driven by a lot of music and dialogue, with a lot of dynamics. My mastering chain includes a subtle parametric EQ to reduce mud at the 250 Hz range, a little bit of compression to glue everything together using the SSL Master Buss compressor, and the stock brick-wall limiter to control the peaks. I adapted this chain from u/Jason_Levine ’s Audio Masterclasses (primarily focussed on music mastering). I just want to know what a typical mastering chain is for lengthy movie audio like this. I’m also thinking of using the Waves L4 Ultramaximizer for the limiter. Any thoughts on this? Do you think this will color the audio and be unsuitable for movie mastering? Should I instead stick to the brick-wall Limiter inside the “Multiband Compressor”? Any help is highly appreciated.