Bob Luce’s Midlife Crisis: Chapters 9-11
Chapter 9
It was Olivia's idea, which meant it was going to happen.
When Olivia Luce decided something was a good idea, she had a way of presenting it that made everyone else feel they'd thought of it first. She suggested a monthly dinner — just the three of them, Joan, Marcia, and herself. Good food, good drinks, good talk. A new ritual. The Hand girls, plus one Luce who had always been more Hand than she realized.
They chose Ellen's Stardust Diner on Broadway, near the NYU campus, on the grounds that it required no reservations, served excellent cocktails, offered live music, and had the kind of menu that didn't ask anything difficult of you. The kind of place where you could have a real conversation without feeling like you had to be interesting enough for the room.
They met out front on a mild April evening, all three arriving within ninety seconds of each other — which Joan took as a good sign about the family's collective punctuality, and Marcia took as a good sign about the parking.
The host led them to a large corner booth with a clean sightline to the small stage, where an eighties tribute band was currently delivering a committed, slightly overwrought version of Do You Really Want to Hurt Me. Which, given the conversations about to unfold, was either an unfortunate coincidence or the universe having a little fun.
They slid in. Menus arrived. A waiter appeared with the attentive ease of someone who had correctly read the table as low-maintenance and high-tip.
They ordered a round of dry martinis without meaningful discussion.
"Where's Rosie?" Marcia asked, scanning the room as if Rosie might materialize from a neighboring booth. "She's old enough to join us. Shirley Temple, obviously, but still."
"She won tickets to the Mets game," Joan said. "WFAN call-in. She asked Ted to take her."
Marcia put her menu down.
"She asked Ted. And you let her." She said it with the measured patience of someone explaining a preventable error to a person she loves. "Joan. What if he spots a woman in the bleachers, gets distracted, and your fourteen-year-old is still sitting there at midnight waiting for a hot dog and a father figure? Please tell me Rosie has GPS on her phone."
"Ted is perfectly responsible with the children and you know it."
"I know he's charming. And I know charm is not the same thing as reliable. I learned that the hard way."
"He came by last night," Joan said. "He told me he's turning over a new leaf. That he hasn't been with a woman in four months."
Marcia stared at her.
"And you believed him."
"I did, actually."
"Joan. The man is constitutionally incapable of—"
"He took me and Dan to dinner last week," Olivia said, gently inserting evidence into the record. "Chinese food on Bleecker. He seemed... different. Quieter. Like he was actually paying attention." She turned her glass by the stem. "At one point he looked at Dan and said — half joking, but not entirely — 'you better never hurt my niece.' From Ted."
"First of all," said Marcia, "the nerve of that man to be dispensing advice on the subject of hurting women. Second —" she turned to Olivia, "— who is Dan, and why is Ted meeting him before us?"
"We just started seeing each other. Uncle Ted called while I already had plans, and he said bring him along."
"Is he lovely?"
"He's very lovely."
"Well then he should meet us immediately. We are the relevant parties."
The waiter returned with the martinis and a question about food. Joan and Olivia ordered open turkey sandwiches. Marcia went with a chicken club on whole wheat, specified without bacon, then — after a brief internal negotiation — amended to include the bacon.
Joan raised her glass.
"To the Hand girls," she said. "First of many."
"The Hand girls," Marcia said.
"And one Luce," said Olivia.
"You're more Hand than you know," Marcia said, and clinked.
They drank. The band pivoted into something heavy on synthesizer and conviction. The booth was warm, close, and comfortable in the way of places where women have been having necessary conversations for decades.
"Joan." Marcia set her glass down with the care of someone changing gears. "I know you think Ted has changed. And I know you mean well. But what you're asking me to do — be friendly with that man, give him the benefit of the doubt — you're asking me to do something I am not architecturally capable of."
"I'm not asking you to marry him. I'm asking you to stop carrying thirty-eight years of anger like a piece of luggage you've forgotten is heavy."
"I haven't forgotten it's heavy. I've just decided to keep carrying it. It's familiar."
"Marcia—"
"Can I ask you something?" Olivia said.
She said it the way philosophy students ask things — quietly, directly, as if the question had already been argued out in her head and was now ready for public release.
"You've never really gotten serious with anyone since Uncle Ted. I've always wondered about that."
Marcia absorbed it without flinching, which meant it had landed.
"I've had relationships. Bruce Sinclair — two years in college. Vincent Palmer after that, the bank manager. Good men. Both of them." She turned her martini glass slowly. "I just never felt about them the way I felt about—"
She stopped.
Looked at the table.
Something moved through her face that she reassembled quickly and with skill.
"Can we change the subject."
It wasn't a question.
Joan slipped an arm around her sister and kissed her cheek without a word — the kind of gesture that makes language unnecessary and, in fact, slightly intrusive.
"I love you," Joan said. "That's all."
"You two are going to make me cry in a diner," Marcia said, composing herself with visible effort, "and I refuse to do that. This is a girls' night out. We are supposed to be having fun." She pointed at both of them. "Fun. Starting now."
"I have news," Joan said.
It landed exactly the way good news does — a shift in the air, everyone leaning in without realizing they've done it.
"I'm going back to work. Donnelly and Donnelly. Next month, if everything goes the way I expect."
"Oh, Joan." Marcia reached across and took her hand. "Good. That is genuinely good. You were wasted at home."
"You were not wasted," Olivia said, correcting the record with precision. "You were raising us. But this is wonderful, Mom. You're going to be extraordinary."
"Mickey Donnelly — my old boss's son, now a named partner, which I'm still adjusting to — called me back in forty minutes. I'm brushing up, getting myself back in shape. I'll be ready." She paused. "It's good to have something that's mine again."
"What does Dad think?" Olivia asked.
The table went slightly still.
"I haven't told him." Joan said it simply. "We've hit a rough patch. A significant one. I'm not sure where things are heading, so I'm making decisions for myself. Preparing for whatever comes."
Olivia nodded slowly. "Mom. I'm not blind. I've known something was wrong for a while."
"There's a twenty-five-year-old dental hygienist involved," said Marcia, "that's what's wrong."
"Marcia." Joan's voice sharpened. "I told you that in confidence."
"She's a grown woman, Joan. She can handle it."
"I can handle it," Olivia said. "And I want to. I need to know what's happening so I can be here for you."
Joan looked at her daughter — this twenty-year-old with her father's eyes and her mother's steadiness — and felt the familiar swell coming. She blinked it back.
"Okay," she said. "Okay."
"No more," Marcia declared suddenly, refilling all three glasses. "I'm calling it. No more husbands, ex-husbands, future ex-husbands, dental hygienists, or men of any kind for the rest of this evening." She raised her glass. "We are three women at a table with excellent martinis and a band that is about to ruin a perfectly good Elvis song, and we are going to enjoy it."
On cue — as if the universe had been waiting for its entrance — the band pivoted into Can't Help Falling in Love, the opening notes floating out with the gentle, devastating simplicity of a song that has been making people feel things against their will for sixty years.
The three of them went quiet for a moment, listening.
Joan thought about Bob — and then, just as quickly, about James.
Marcia thought about something she was absolutely not going to discuss in a diner on Broadway.
Olivia thought about Dan, and Thomas Aquinas, and the possibility that the two were not as incompatible as her classmates insisted.
The waiter arrived with their food. The martinis were cold and exactly right. The band played on.
"To us," said Olivia, raising her glass.
"To us," said Joan.
"To us," said Marcia.
And then, so quietly it was almost to herself:
"God knows we deserve it."
Chapter 10
They got there early, just like Ted had promised, and the promise was kept with the particular satisfaction of a man who was practicing keeping promises.
Citi Field in early April had a specific quality Ted had loved since he was a boy — the smell of cut grass and fresh paint and anticipation, the stands still half-empty, the whole enormous bowl of the place catching the last of the afternoon light while the players moved through their pregame routines with the unhurried ease of men doing something they'd done ten thousand times. Batting practice. The purest thing in baseball. Nothing at stake, everything possible.
They walked hand in hand from the parking lot to the entrance, Rosie in her number 22 Juan Soto jersey — bought by Bob at Christmas, worn tonight with the reverence usually reserved for relics — and Ted in his classic number 17 Keith Hernandez, soft with age, which he considered the single most defensible garment he owned.
They hit the concession stand before finding their seats. Hot dogs, soft pretzels, Cokes. Rosie spotted the foam fingers on the merchandise rack — orange, oversized, LET'S GO METS across the front — and held one up.
"Obviously," said Ted, and bought two.
Field level, behind first base. Ted took the seat closer to home plate without mentioning why, which was that he'd spent thirty years watching foul balls and knew exactly where they went and had no intention of discovering whether his fourteen-year-old niece's reflexes were fast enough.
In the cage, Marcus Simeone — one of the new acquisitions, still finding his footing with the crowd — was lining drives into the outfield gap with the repetitive authority of a man who had been doing this since he could hold a bat.
"If he hits like this all season," Rosie said, with the confidence of someone who had done her research, "we'll forget Brandon Nimmo ever existed."
"We got him mostly for his glove," Ted said. "If he hits at all, it's a cherry on top."
"A cherry on top is still a cherry."
"Fair point."
The stands were filling slowly around them, the crowd settling in with the relaxed patience of early-season baseball, when hope is still theoretical and everyone is in first place. Rosie looked left, looked right, performed a casual survey of their immediate neighbors with the reconnaissance skills of someone who had been watching spy movies, and determined that no one was close enough to matter.
She turned to Ted.
"Uncle Ted. I need to talk to you about something."
"Sure, kid. What's on your mind?"
She took a breath. "I was eavesdropping last night. You and Mom in the kitchen. I want you to know that upfront."
Ted turned to her with an expression of theatrical outrage that lasted approximately two seconds before collapsing into something more honest. "Eavesdropping," he said. "All right. Go ahead."
"I heard everything," she said plainly, without apology. "About Aunt Marcia. About therapy. About — all of it." She met his eyes — brown, like his, like Bob's, the Luce family contribution to her face. "I just want you to know you don't have to worry."
Ted looked at his niece. "I don't?"
"No. Because I've had a plan for a while now. And now that I know how you actually feel about her, the plan is significantly better than it was."
Ted rested his elbow on his knee, his chin in his fist, and regarded her with the expression of a man trying to look casual about the fact that he was extremely interested in what came next.
"Tell me the plan," he said.
Rosie leaned forward.
"Okay. Originally — before last night, when I didn't know you were on board — I was going to manufacture a dinner. Mario's, that new Italian place around the corner from our building."
"I know Mario's. Good gnocchi."
"Right. My plan was to invite both of you separately. Tell each of you I wanted to have dinner, just the two of us. Get you to the same table. Then Carrie — my best friend, she's my backup — texts me an emergency. Something about needing help studying for a test. I apologize, I have to go, I'm so sorry, don't let the food get cold. And suddenly it's just the two of you. Alone. At a nice restaurant. With good gnocchi." She spread her hands. "Like a Tom Hanks and Meg Ryan movie."
Ted stared at her for a long moment.
"You love your Netflix," he said.
"I'm a romantic. I'm not ashamed of it."
"And now that you know I'm already — " he searched for the word, " — motivated. How does that change things?"
"It changes everything. Before, I was going to have to somehow get you to act natural and not say anything weird. Now I just have to get Aunt Marcia to the table. You can handle yourself from there." She paused. "Can you handle yourself from there?"
"I've been handling myself at dinner tables since before you were born."
"With women you were trying to impress temporarily. This is different."
Ted opened his mouth. Closed it. "Fair point," he said.
Rosie continued, with the methodical confidence of someone walking through a project plan. "Tomorrow night I'm going bowling with Aunt Marcia. I'm going to tell her I've been seeing this boy and he's taking me to Mario's Saturday night for dinner and she can come play chaperone." She paused for effect. "She's such a yenta she won't be able to resist."
Ted looked at his fourteen-year-old niece in her Juan Soto jersey, foam finger resting against her knee like a scepter.
"You know," he said, "that is genuinely the most sophisticated operation I've encountered since — " He stopped. "You are absolutely my niece."
"You say that like it's a new discovery."
"Before I started working on myself, I mean. The scheming gene." He shook his head. "It skips a generation and then comes back stronger."
"I prefer strategic planning."
"Of course you do." He put an arm around her shoulders. "Rosie. I want you to know something. Whatever happens Saturday — whether it works or it doesn't — the fact that you care this much — " He cleared his throat. "It means a lot to me, kid."
Rosie looked up at him with the expression of a fourteen-year-old who was not going to cry at a baseball game and was managing that fact with some effort.
"Don't get mushy on me, Uncle Ted. We've got a Mets game to watch."
"Right." He straightened. "You're absolutely right."
Freddie Peralta was sharp from the first inning, working quickly, his fastball finding the corners with the confidence of a pitcher who had decided tonight was his night and had informed the baseball accordingly. He went six innings scoreless, giving up three scattered singles and a walk that he erased immediately with a double play that made the crowd exhale with the relief of people who hadn't realized they'd been holding their breath.
Juan Soto hit two home runs.
The first left the park so decisively that the crowd was on its feet before it cleared the wall. The second was higher and longer, landing somewhere in the second deck, and Rosie held her foam finger above her head with both hands and screamed something that Ted was fairly certain violated at least two of the emotional-regulation guidelines Dr. Matz had suggested.
Final score: Mets 4, Braves 1.
They walked back to the parking lot through the postgame crowd, foam fingers raised, Rosie narrating the Soto home runs in real-time replay with the detail and conviction of a beat reporter filing from the scene. Ted listened and laughed and thought about Saturday night and tried not to think about Saturday night too much — which Dr. Matz would have called appropriate emotional regulation and which Ted called harder than it sounded.
At the car, Rosie stopped and looked up at him.
"So we're doing this?"
Ted unlocked the car and looked at his niece across the roof.
"We're doing this," he said.
They got in. He started the engine. The parking lot was alive with the happy noise of a home team that had just won, and somewhere behind them the stadium lights were going off one bank at a time. Ted Luce drove his niece home through the April night feeling something he hadn't felt in a long time and had almost forgotten was available to him.
Something that felt, cautiously, like hope.
And also — it had to be said — like a man who was about to walk into an Italian restaurant on Saturday night and had absolutely no idea what was going to happen next.
Which was, Dr. Matz had told him, exactly the right way to feel.
Chapter 11
Bob was back in the apartment by six-thirty a.m., moving through the kitchen with the careful quiet of a man who had learned to occupy his own home like a guest. Jesse had put him through chest and back that morning — a serious session, the kind that leaves a fifty-year-old feeling accomplished and punished in roughly equal measure, which Bob chose to interpret as progress.
His first appointment wasn't until eleven. He sat at the kitchen table with a cup of black coffee — no sugar, no milk, nothing that would compromise the fast — and found, for the first time in recent memory, that he wasn't in any particular hurry to be anywhere else.
Rosie sat across from him with her Cheerios, still assembling herself for the day, her hair doing something independent and optimistic above her left ear.
In the living room, Joan had the CBS Morning News on, her coffee in hand, her attention drifting between the television and something on the iPad in her lap, which she angled slightly away from the kitchen doorway in a gesture so small it was almost not a gesture at all.
"Uncle Ted and I had the best time," Rosie announced, addressing her father with the authority of a correspondent filing from the scene. "Freddie went six scoreless. The stuff he had on his fastball — " She shook her head with professional admiration. "And then Soto hit two. Not home runs — moon shots. Actual moon shots, Dad. You would've lost your mind."
Bob looked up from the Post — an article about first-time crypto investing he'd been reading with the focused attention of a man considering his options — and set it down.
"I saw they won. Good start to the season." He smiled at her over his reading glasses. "We should go. You and me. I want to see you in that Soto jersey I got you."
"I wore it last night. Uncle Ted had his Hernandez on. Lucky jersey. Very lucky, as it turned out."
"Yeah." Bob wrapped both hands around his cup. "You know, Rosie — I know I've been a little scarce lately. Work's been — " He paused, rearranging. "With the weather getting better, I'm going to make more time. You and me. Handball in the park, shoot some hoops like we used to. What do you say?"
Rosie looked at him with the carefully measured expression of a fourteen-year-old who had things she could say and had decided, for now, not to say them.
"I'd like that," she said. "I miss you, Dad. Just tell me when."
"Soon," he said. "I mean it."
From the living room, Joan listened with the focused stillness of a woman choosing, with considerable discipline, not to respond. She had thoughts. She kept them.
"Okay, Rosie — let's get moving." Joan appeared in the kitchen doorway. "Teeth, then bus. Go."
Rosie carried her bowl to the sink with the slightly theatrical compliance of someone demonstrating that she was, in fact, a reasonable person. She disappeared into the bathroom and reemerged sixty seconds later with her backpack on and her hair only marginally improved.
She kissed Bob's cheek. He held the hug a beat longer than usual.
"Bye, Daddy. Loved having breakfast with you." She pointed at him. "Start practicing that jump shot."
"Mine's already better than yours."
"It really isn't."
Joan walked her to the door, pulled her in close, kissed the top of her head.
"Be careful."
"Mom. Always."
The door closed. The apartment reconfigured itself around the two of them.
Bob picked up the Post. Joan put her cup in the sink. Since he'd come in, they had exchanged exactly one polite good morning — the conversational equivalent of two ships acknowledging each other in passing and continuing on separate headings. Bob had things he might have said and wasn't sure how to say them. Joan had stopped being unsure some time ago and had simply stopped.
She went to take a shower.
Bob heard the water start and settled onto the couch, clicking over to CNBC for the morning futures. He wanted to check the S&P. His phone was on the kitchen table — too far, and he was too comfortable.
Joan's iPad sat on the cushion beside him.
He knew her password. Had known it for years — his birthday, the same way his password was her birthday, one of those small symmetries of a long marriage you stop noticing until you don't.
He told himself he was just checking the market.
He opened it.
What he found instead was not the market.
The DMs opened in front of him like a door he hadn't meant to walk through. James. Joan and James, back and forth, the easy, familiar rhythm of people who had been talking long enough to stop being careful. Photos of kids. Comments on each other's posts. The particular warmth of an exchange between two people who had decided they liked each other and were no longer pretending otherwise.
He sat with it for a moment.
Then, because he was already there — and because some part of him apparently needed to know the full extent of it — he opened her email.
Donnelly & Donnelly. Mickey. An offer — warm, specific, whenever you're ready — extending her the job she'd walked away from twenty years ago as though it had simply been waiting, patient as a good coat at the back of a closet.
Bob set the iPad down.
He stood up.
He sat back down.
He stood again and began moving around the coffee table in a slow, agitated orbit — the walk of a man processing information his brain had received but his body hadn't caught up with yet. The apartment he'd lived in for twenty years looked exactly the same as it always had, which seemed, in this moment, fundamentally wrong.
What alternate universe, he thought, am I living in.
He heard the shower stop. Then the hairdryer. He kept moving until he heard her footsteps in the hallway. Then he stopped.
When she came through the doorway and saw him still there, she startled slightly — the small, involuntary flinch of someone who had expected the apartment to be empty.
"I thought you'd be gone by now," she said.
"Joan." He said it simply, without preamble. "Who's James."
The question landed.
Joan looked at him for a long moment — not the flinching, scrambling look of someone caught, but the steady, clear-eyed look of someone who had been waiting for this conversation and had already decided how to have it.
"Excuse me?"
"James. The DMs, Joan. I saw them. Who is he?"
"You went through my iPad." She said it flatly.
"I — yes. I know your password — "
"You went through my iPad," she said again, as if she wanted the sentence on the record. "And now you're asking me — your wife — " the word arrived with weight, " — whether I have a boyfriend." She held his gaze. "You want to talk about nerve, Bob."
"I'm your husband. I have a right — "
"You haven't been my husband." Her voice was controlled, which was somehow worse. "Not really. Not for three months. And yes, I know about Sally. I've known for a while. So don't stand there and talk to me about rights."
Bob opened his mouth.
"I'll admit," he said, then stopped, started again. "Look. Maybe something has been going on with Sally. These things — they happen. Men my age, sometimes — " He heard it as he said it, how inadequate it sounded. "That doesn't give you the right to go looking for revenge."
"Revenge." Joan repeated it carefully. "Getting a job is revenge. Meeting a kind person who treats me like a human being is revenge." She shook her head. "You went through my emails."
"The job, Joan — I make good money. We don't need — "
"This isn't about money." Her voice dropped — which, if he'd been paying attention, was when she was most serious. "This is about the fact that you may be walking out on us, Bob. Any day now. And I am not going to stand here and wait for that to happen without doing something about it."
"Our daughters — I don't want them knowing any of this — "
"They already know." She said it plainly. "You've been acting like a man in the middle of a slow-motion car accident for three months. Rosie is fourteen, not four. Olivia is twenty. Give them some credit."
Bob stood in the center of the room, the apartment arranged around him like a set for a life he'd been neglecting.
"I'm just working through some things," he said. Even to him, it sounded thin. "I just need a little time."
Joan looked at him for a long moment.
"You can have all the time you need," she said. "In the guest room."
"Joan — "
"Either the guest room or you move in with Sally. Those are the options."
"You can't be serious."
"I've never been more serious about anything in my life."
He stared at her. "What is Rosie going to think?"
She looked at him — something in her expression harder, or maybe sadder. "You should have thought about Rosie before any of this started. I've been thinking about Rosie. That's been my full-time occupation for three months."
The room went quiet.
"Are you ready to end things with her?" Joan asked.
Bob looked at the floor. The wall. His hands. "I don't know what I'm ready to do. That's what I'm trying to figure out."
"Then figure it out from the guest room," she said.
He looked up. "Do you understand how humiliating this is?"
Joan didn't move. "My husband of twenty-five years is sleeping with a woman our daughter's age," she said. "And you want to talk to me about humiliating." A beat. "The guest room, Bob. Your clothes will be on the bed. You can put them away yourself."
He stood there for another moment — a man in a jacket, holding his keys, in a kitchen that smelled of coffee and the particular silence of something that had just shifted permanently.
"I have an eleven o'clock," he said, because it was the only thing left he knew to be true.
Joan didn't answer.
He put on his jacket and walked to the door. Paused. Turned back, as if to say something — and didn't. Then he left.
The door closed behind him.
Joan listened to his footsteps fade down the hall. The elevator. The building settling back into itself.
She stood in the kitchen for a moment.
Then she went to get the vacuum cleaner.
Some things you hold together with routine.
It's not nothing.
It's actually quite a lot.