u/da_ravenn1265

MYH Saga as an Alchemical Allegory

This is now part 3 in my series exploring the MYH Saga through the lens of mythology and esoteric traditions, largely focused on Hermeticism. If this is a topic that interests you then I encourage you to check out my earlier posts if you haven't already (linked at the end). This post will delve into the world of alchemy and attempt to explain how the MYH saga can be viewed as an alchemical allegory.

What is Alchemy

Alchemy is an ancient practice that blends elements of chemistry, philosophy, mysticism, and spirituality. It originated in the Hellenistic period and was practiced in various cultures, including Greek, Roman, Egyptian, Indian, and Islamic traditions. Alchemists sought to discover the philosopher's stone, a mythical substance believed to have the power to grant immortality and turn metals into gold.

Alchemy also had a deeper philosophical and spiritual dimension often seen as a process of personal transformation and enlightenment. The alchemical "Great Work", or Magnum Opus, was thought to represent the journey toward self-realization and inner perfection, often symbolized by the transformation of lead into gold. This process was directly mentioned in Dots & Lines:

>To make gold from garbage is not the alchemical point of this map/math
But truth be told its the pursuit of gold
That turns the goal of men into trash
The souls gold and they turning gold into cash

Lupe is talking directly to musicians/entertainers here but the same message can be applied to anyone in today's society, especially the working class. We are being urged to learn the process of alchemical transmutation for spiritual enlightenment and personal growth, not to use this knowledge for acquiring material wealth.

IG live where I asked Lupe about esoteric teachings (left) and a section from the book he held up (right)

When people hear the word magnum opus they likely think of it in its modern use meaning an artist's best work or their greatest achievement. This can be a rather subjective discussion with Lupe fans showing an affinity towards The Cool and Tetsuo & Youth. The aim of this post is to explore Lupe's work through the lens of alchemy and make the argument that his mangum opus is actually four albums: starting with The Cool, Drogas Waves, Drill Music in Zion and ending with Tetsuo & Youth.

Mapping Alchemy to the MYH Saga

Our alchemical journey will begin in the album The Cool but traces of alchemical philosophy and symbolism can be found in earlier works like Food & Liquor and the Fahrenheit mixtapes. Ya dig? I may circle back to these in the future.

As mentioned in my earlier post, Deep Diving The Cool Trinity, the concept for The Cool was inspired from a talk by Cornel West and Tavis Smiley. They discussed making the cool things (drugs, sex, violence, materialism) uncool and the uncool things (health, knowledge, love, righteousness) cool as a way to influence positive change in the world. The concept uses "three evil angels", or a triad, to represent different aspects of the negative influences found in urban communities and society at large. This album came after Food & Liquor which opened with Lupe mentioning his dualistic philosophy for the world where everything is made from a mix of two things, good and bad, food and liquor.

Interestingly, alchemy also has a dualistic philosophy for the world (shared by hermeticism) and then in the 16th century a triad concept was developed called the Three Primes, or Tria Prima, which are Salt (body), Mercury (spirit) and Sulphur (soul). These three principles were believed to be the fundamental components of all matter and needed to be separated, purified and then reunited in a specific sequence to create the philosopher's stone and complete the magnum opus. This is represented by the triangle inside the symbol for the philosopher's stone with the left point representing Salt, the right point representing Mercury and the apex representing Sulphur. I think you can map this directly to The Cool album cover but arguments can be made that Lupe's characters represent a mixture of these principles. Another interesting correlation can be found by looking at the inner circle inside of the triangle which is said to represent the primordial first matter, the unconscious self, or the unrefined state of the alchemist's soul which must be refined and perfected into gold. Notice how the inner circle has Lupe's name written in gold. If there is interest, I could expand on these ideas in further detail as this is a simple overview. For now let's move on to the four stages of the magnum opus.

Alchemical symbol for the Philosopher's Stone (left) compared with The Cool album cover (right)

The Four Stages of The Magnum Opus

It is important to preface this section by saying Lupe's work, especially his later work, is intentionally abstract, and ambiguously scrambled. In Cake he seems to be inviting us to dissect it and rearrange the pieces to understand his chemistry. Depending on which lens, or frame of reference, we are using I believe his albums and songs can be rearranged to paint many different pictures/narratives. I will be using the album covers as my main frame of reference to articulate the four stages of the magnum opus. I think each album is exploring more than just one stage of alchemy but an emphasis is given to a particular stage represented by the colors and themes.

The Cool (Nigredo / Blackening)

The initial stage of the great work is Nigredo, or the blackening. This stage represents the process of confronting the chaos, or Jungian shadow, within oneself. It is the breakdown of the ego, the destruction of false identities, and the purging of negative qualities resulting in a painful spiritual death for the alchemist. This stage is often symbolically represented with symbols of death like a raven/crow or skull.

The Cool explores themes of personal and societal decay with our main character MYH engaging with these negative influences like lust, materialism and pride. The album ends with MYH experiencing death which is a key symbol for this stage of alchemy. In Jungian terms our character MYH confronted his own shadow, the repressed or unacknowledged parts of his psyche, and begins letting go of old, limiting beliefs so a new, truer self can be reborn.

Drogas Wave (Albedo / Whitening)

The second stage of the great work is Albedo, or the whitening. This stage symbolizes internal reflection, washing away of impurities, and the awakening of a softer, lunar consciousness and self-awareness. After the chaos of facing your shadow in Nigredo, Albedo is a time of insight, integration, and the releasing of past traumas. This stage is often symbolically represented with the moon, water and cleansing rituals like baptism.

Drogas Wave has a heavy use of water and themes of baptism, cleansing one's body/spirit/soul. A key aspect of this album is about attempting to reconcile the misunderstandings in the myths we have been told and to release past traumas/sins to arrive at a new, more enlightened understanding. Lupe discusses some of this in an IG live where he shows his most prized possessions, gold manillas, and how they represent the future and a refined perspective.

Drill Music In Zion (Citrinitas / Yellowing)

The third stage of the great work is Citrinitas, or the yellowing. This stage symbolizes the dawning of an active, solar consciousness and wisdom. After the softer reflection and cleansing of Albedo, the alchemist shifts from knowing oneself to becoming oneself. This stage involves a refining, creative fire that turns the purified matter (alchemist's soul) into gold often symbolized with the sun and the burning of the phoenix.

Drill Music In Zion can be tied to this stage of alchemy by its release date of 6/24/22 which is 3 days after the summer solstice - the height of the Sun's power. This date is also associated with John the Baptist who is a wild, less refined prophet with a bold, direct message that served as a precursor to Jesus (Tetsuo & Youth). This album's center piece (quite literally) is MS. MURAL which ends with a burning death (phoenix) which represents the artist freeing themselves from previous limitations like a record label or fan expectations. A similar image closes out SEATTLE as Lupe absorbs negativity and then burns out. He has said he wants to die in a blaze of glory and be in pieces (Osiris myth?).

Tetsuo & Youth (Rubedo / Reddening)

The fourth and final stage of the great work is Rubedo, or the reddening. This stage symbolizes the perfect union of opposites (the alchemical wedding) and the resolution of inner conflicts. The alchemist's soul has transcended duality and is fully aligned with the divine, achieving a state of perfection and harmony. Carl Jung explains this stage as a completion of individuation and the attainment of the Self - a state of wholeness. Rubedo is often symbolically represented with blood, red flowers and the rising of a phoenix from its ashes - a symbol of resurrection, regeneration, and the attainment of immortality.

Tetsuo & Youth is a masterpiece and contains the entire alchemical process within it but the cover suggests a focus on the final stage of rubedo. A key aspect of this stage is the perfect union of opposites and Natureaspraxis did a fantastic write up which explores the dialectic tension found throughout this album with Mural serving as the climatic resolution - the philosopher's stone. When listening to the album in reverse (rising up towards the sun/summer), Mural is preceded by Blur My Hands which contains a clever reference to the different stages of alchemy within the chorus.

>From the floating death
To the fire of death
To a flower outside my grave

From an alchemical lens the "floating death" represents the process of dissolution, or a drowning, like MYH in his casket of liquor or the Long Chains in the ocean. The "fire of death" would represent the process of calcination, or a phoenix burning, like Joan of Arc or the Wicker Man referenced in the second verse of Blur My Hands. Finally the "flower outside my grave" represents the process of coagulation, or a rebirth, like in The Cool where he uses flowers outside his grave to clean himself. Finally the instrumental outro of Blur My Hands gives me images of rising from the ashes into the heaven's sphere right before we enter into Mural - a song that has all but guaranteed Lupe's immortality.

Lupe Fiasco's Mangum Opus - blackening, whitening, yellowing, and reddening

The Next Level

I know, that was a lot... but there is more for those who are interested in continuing to dig deeper. This was an overview of alchemy but each step, each album and each symbol deserves continued exploration. Now that we have established a framework of alchemy, I want to explore Tetsuo & Youth further and see if we can extract even more gold by looking at the seasonal interludes and the structure of the album. I'll catch you on the next one. Peace!

Index of related posts:

  1. Deep Diving The Cool Trinity
  2. MYH Saga and the Osiris Myth
  3. MYH Saga as an Alchemical Allegory
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u/da_ravenn1265 — 2 days ago

MYH Saga and the Osiris Myth

In my earlier post Deep Diving The Cool Trinity I described The Streets, The Game and The Cool as shadow archetypes of a family and related them to an inversion of the Christian holy family. With that framework in mind I want to now explore how the MYH saga can also be interpreted through the lens of another holy family - the Kemetic or Egyptian one.

I am by no means a scholar of this material but I am deeply interested in it. Apologies if I am oversimplifying or butchering any of this material.

The Egyptian Trinity/Triad

Most people today relate the Trinity to Christianity but there are several older traditions that have divine triads like Hinduism and Egyptian mythology. Scholars have discussed how Christianity has borrowed ideas from the ancient Egyptians like "resurrection, salvation, virgin births, and central figures who were the sons of supreme gods" with others pointing out the similarities between the Christian and Egyptian holy families. Others discuss how religions are often the syncretism of previous myths and traditions. Why reinvent the wheel when the "Egyptian religion was chock-full of relevant, longstanding archetypes, dramatizations, and convoluted elaborations of various aspects of the dying and rising god mytheme". I am not here to make any conclusions on religions, just to point out the similarities in narratives, archetypes and symbols. With that said let's get into the Osiris Myth.

Horus (left), Osiris (center) and Isis (right)

The Osiris Myth

The specifics of this myth vary depending on the sources but here is a general summary. At the start of the story, Osiris, rules Egypt alongside his Queen Isis. His brother Set, who is associated with violence and chaos, is jealous of Osiris and conspires to replace him on the throne. Set decides to host a party where he offered a beautiful box (sarcophagus or coffin) to whomever fit inside it perfectly. Several guests lay in it but none of them fit perfectly until Osiris tried. Once he was laying in the box Set sealed it shut and threw it into the Nile where it floated out to sea with Osiris drowning inside. The box was said to have washed ashore near the city of Byblos where a beautiful tree grew around it. The king of Byblos had this tree cut down and made into a pillar for his palace with Osiris' body still trapped inside. Isis learns about this from a dream and sets out to retrieve the body. Isis was able to retrieve it but Set stole the body of Osiris again and cut it into 14 pieces and scattered them across the land. This leads Isis on another journey to gather all of the pieces together and reassemble the body in an effort to resurrect Osiris. She was able to recover most of them except for his penis which was swallowed by a fish. She then fashions him a golden phallus and is able to briefly resurrect him and have a miraculous conception before he leaves for the afterlife to become the ruler of the dead in the Duat - the Egyptian underworld. A now pregnant Isis hides from Set and raises her son Horus who will later go on to avenge his father by defeating his uncle and reclaiming the throne of Egypt as its rightful King. This symbolically represents order triumphing over chaos.

Mapping the Osiris Myth to the MYH Saga

With this myth in mind I encourage people to revisit The Cool Wiki video that Lupe put out. In it he mentioned how The Cool was resurrected after he drowned inside his casket and he goes on to discuss how a skeleton is dismembered and its parts are scattered amongst different characters and MYH goes on a quest to reassemble the body. Later he mentions a Tibetan buddhist monk character who performed sky burial funeral rights and is symbolically represented by the endless knot. This video was released in 2020 but he seems to have been playing with these ideas for years. To extrapolate this further lets dive into one of my favorite songs Body of Work.

The song opens up with the chorus saying "closet full of bones, just don't try to put them back together". We then open up the first verse with the following lines:

>Quiet in the court of the courtship
Marriage of the dork and the gorgeous
Took her from the king of the corpses

One of the ways I interpret this line is MYH getting married to The Streets after he defeats The Game. This interpretation ties in with the Hamlet and Oedipus references later in the song. The "king of the corpses" evokes imagery associated with The Game but also notice that Osiris became known as the ruler of the dead. Both of these characters can be viewed as the Father in their respective trinities with Osiris representing the light/righteous archetype and The Game representing the shadow/corrupt archetype. In the second verse we get these lines:

>14 broads like the king of Norway
14 broads having dreams of foreplay
14 arm Shiva, viva la coup

"14 broads" can be phonetically heard like Fortinbras (king of Norway) which is a Hamlet reference. This deserves a whole post on its own but for now I will just point out how the play is about a king being slain by his brother and the son seeking revenge towards his uncle. That is one way it relates to the Osiris Myth but also notice the repetition of 14 which is how many pieces his body was cut into. Other versions of the myth say it was 42 pieces hence 14 being said 3 times. This is then followed by the chorus which is telling us not to put the bones back together. In the third verse we get the following lines:

>Sky burial, let the wind carry you farther/father
Than I could (live forever)
An anatomy, not of me, knotting me to it

Here we get a reference to a Tibetan sky burial which is a funerary practice where a body is dismembered and left on a mountain to be eaten by vultures. He then appears to reference the endless knot given the context of the verse and the album at large. Are we perhaps already getting fragmented references to the ideas described in The Cool 2? Lupe has built a career on sending people back, so it makes sense that he would be leaving easter eggs foreshadowing future narratives/universes. That is how I approach Lupe, understanding the early work to be more informed about his later work and vice versa.

I suspect that more of the Osiris Myth and Egyptian mythology can be mapped out in Tetsuo & Youth and the rest of the MYH saga. After all, the myth is meant to symbolize the eternal cycles of life, death and resurrection. A few examples are in Prisoner 1 & 2, where the musical interlude can be interpreted as Ra's journey through the underworld as the sun god battles with chaos in order to be reborn. The song also ends with the chorus saying "I would just box these n***as and throw away the key. I'd throw away the ki like the coast guard watching me". Here we get a visual of someone being locked in a box and something thrown into a body of water right before we enter into Body of Work - which some people interpret as d.r.u.g.s. being smuggled inside the body of a women/the streets/hip-hop. "On god / En garde"

Hamlet (1996)

The Next Level

Hopefully I am not losing too many people who are expecting a literal or explicit interpretation. I am largely focusing on an esoteric and mythological interpretation and not the personal narrative or social commentary that is clearly present. My goal is to point out some of the archetypes and symbolism that I am personally gathering from it and not trying to arrive at a definitive conclusion. I would be a fool to think I held all the keys to Lupe's work.

Now that we are armed with some knowledge about Egyptian mythology, I want to next venture into the world of alchemy and how that can be found within the MYH saga as well as on the album covers. To be continued... ya dig

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u/da_ravenn1265 — 10 days ago