"Working with Szilveszter Makó on this campaign has been a dream of mine for a long time. Together, we wanted to create something that felt less like traditional bridal and more like stepping into a painting.
Shot in Milan, the images are filled with personal details from my own world, tamily photographs, lace handkerchiefs inspired by my grandmother, painted cats, an ode to my own, and little traces of celebration and memory throughout. At the centre of it all is the Clio bride. Romantic, playful, independent, and impossible to place into one role alone."
At its Google I/O conference on Tuesday, Google unveiled an AI-powered overhaul of Search centered around a reimagined “intelligent search box” — what the company describes as the biggest change to this entry point to the web since the search box debuted more than 25 years ago.
Instead of returning a simple list of links, Google Search will drop users into AI-powered interactive experiences at times. Google is also introducing tools that can dispatch “information agents” to gather information on a user’s behalf, along with tools that let users build personalized mini apps tailored to their needs.
The resulting experience will no longer look much like how people envision Google Search, which has long been defined by ranked links to websites that have the information you need.
With the revamped Search experience, the new search box simply expands to accommodate longer, more conversational queries, rather than making you decide what type of search experience or mode you want to choose at the start of your query. It will also have a new AI-powered query suggestion system that goes beyond autocomplete to help people craft more complex and nuanced queries, Google says.
Google’s AI Overviews will also allow users to ask follow-up questions in AI Mode, beginning Tuesday, the company noted.
Set against the backdrop of a futuristic, neon-soaked metropolis, a troubled young woman embarks on a high-stakes search for her missing father. As a mysterious mist descends upon the city and unleashes a lethal presence, her path intersects with an American soldier on a desperate mission of his own.
You’ve talked a bit before about how difficult it is to make a film in the U.S. now and your desire to work more internationally. How did your experience on “Full Phil” underscore that feeling?
I’m just so sick of the rules and I’m so sick of the system. It is not designed for artists to express themselves. We’re just really under the thumb of different priorities that don’t align with real dream-making. And I don’t mean to wax poetically because I mean this so very literally, I just don’t think that it’s possible to create sort of radical, vital work under capitalistic parameters. Especially like, most of the people in charge are a bunch of bros that have come up under a bunch of other bros and those people don’t really identify with the type of things that I personally want to say, that the people I align with want to say.
You know, the three movies that go to Cannes and do well, they get bought by the studios that I somewhat admire that do well at distributing them and winning fucking Oscars. And that’s cool. But it’s like, totally not enough. And what, are we going to like, wait to be chosen like a fucking golden ticket? Like, “I got the golden ticket! I can make one fucking movie!” We need to make more work. There needs to be more work, more output, more connection and less fear and less fucking bureaucracy and also less making billionaires more fucking billionaires. It’s driving me insane. We spend so much money, we just like hemorrhage money making stuff in a system that honestly is not designed for us. Like we can’t shoot in L.A., it’s absolutely impossible and it’s where our fucking entire business was born. There’s no way to play the game anymore.
“The search for the next James Bond is underway,” Amazon MGM Studios said in a statement. “While we don’t plan to comment on specific details during the casting process, we’re excited to share more news with 007 fans as soon as the time is right.”
Gold did not respond to a request for comment, but a source with knowledge of the production confirmed her involvement. Her enlistment in the 26th James Bond makes sense. Gold understands the complexities of big franchises and is best known for filling out the world of Westeros on HBO’s “Game of Thrones.” Her credits include the Netflix series “The Crown,” as well as five films in the Star Wars franchise. The latter gig saw her cast Daisy Ridley as Rey in “The Force Awakens.” Gold’s credits also include “Les Misérables,” “The Martian” and “Conclave.” She was nominated for an Oscar for her work on “Hamnet” in 2025 — the first year that the Academy had an award for casting.