Steve Souza is more iconic in my eyes, but Rob Dukes is a better singer. Souza's nasally singing grinds my gears if I listen to the band for too long. What do y'all think? Feel free to criticize me in the replies.
I almost forgot they revealed her eyes in *The Loud House Christmas Movie: Naughty or Nice*
That album gets so much hate, but it has some truly great songs. A Good Day to Die, Thorn in My Side, Force of Habit (Title Track), One Foot in the Grave, and a few others.
My point is that it's overhated.
But what do you think of it?
I want to say it's Lord Tetherby. He only cares about money, no matter how he earns it. Flip can be obnoxious, too, but I'm not going to count him. He's a saint compared to Tetherby. He (Tetherby) appears in the episode Out for a Limo..
No Such Luck is the first. Everyone hates it with a passion. What's the second-worst episode in your opinion?
Before Anyone Noticed follows Blake Richardson, a withdrawn and emotionally exhausted teenager struggling to cope with the suicide of his close friend, Anna Berry. In the aftermath of her death, Blake becomes trapped inside memories, unfinished conversations, and the unbearable weight of wondering whether there were signs he failed to see before it was too late.
The story moves between the present and the past, gradually revealing how Blake and Anna formed an intense emotional connection through late-night phone calls, music, movies, and deeply personal conversations that neither of them could have with anyone else. What began as an accidental interaction slowly became emotional dependence, with both teenagers quietly building their lives around each other while the outside world faded into the background.
As Blake reflects on their relationship, the novel reconstructs the subtle progression of Anna’s emotional decline and Blake’s inability to fully understand the depth of her suffering while it was happening. Their bond becomes increasingly intimate and consuming, blurring the line between friendship and love, comfort and codependency. Small moments that once felt ordinary now haunt Blake after her death, forcing him to reinterpret every conversation, silence, and warning sign through the lens of grief.
Centered around themes of loneliness, mental deterioration, emotional attachment, and survivor’s guilt, Before Anyone Noticed explores how devastating losses are often preceded by quiet, nearly invisible moments nobody recognizes until afterward. The title reflects Blake’s realization that Anna had been slipping away long before anyone noticed, including him.
