u/Ok_Butterfly_4834

Prompt👇

duration: 10s

ar: 9:16

fps: 24

MASTER_LOOK_LOCK:

style_family: ultra-realistic handheld phone footage

capture_lock: single-take phone video, eye-level, mostly still framing, slight natural hand tremor only

environment_lock: dense humid swamp at early morning, soft fog above shallow dark water, twisted roots, thick hanging vines

lighting_lock: natural early-morning light, clear visibility, no blur, no cinematic effects

subject_lock: bizarre swamp hybrid creature, naturally camouflaged into the surroundings, wet expanding wings

finish_lock: 8K realism, grounded, documentary-like, no text, no watermark

scene:

the shot opens on a quiet swamp clearing with fog drifting above the water; a strange hybrid creature is barely visible among roots and vines, blending into the swamp until it subtly shifts, then slowly expands its wet wings and shakes off small droplets while releasing a disturbing croak-screech

camera:

eye-level handheld phone recording, mostly locked-off, normal human framing, no dramatic moves

motion:

soft fog drift, faint water ripples, hanging vines barely swaying, tiny droplets shaking from the creature’s wings, subtle body movement as it reveals itself

audio:

natural swamp ambience, insects buzzing, water dripping, distant frogs, disturbing wet croak-screech from the creature

negative:

cinematic lighting, dramatic camera moves, shallow depth of field, motion blur, heavy color grading, action-movie energy, jump cuts, glitches, text, watermark

Prompt👇:

duration: 10s

ar: 9:16

fps: 24

MASTER_LOOK_LOCK:

style_family: ultra-realistic police dashcam footage

style_lock: raw dashcam optics, grounded realism, single continuous take, no cuts

subject_lock: towering humanoid goat-reptile hybrid, long-legged, horned, scaled, unnatural but believable anatomy, aggressive forward charge

environment_lock: empty two-lane road at night, rural roadside darkness, headlights as primary light source

lighting_lock: harsh headlights, dim street spill, deep black surroundings, reflective eyes, wet-looking asphalt sheen

finish_lock: authentic dashcam compression, slight sensor noise, realistic motion blur, no text overlay beyond native dashcam feel, no watermark

scene:

already rolling at frame 1, the dashcam faces down a dark road at night as a towering humanoid goat-reptile hybrid slowly steps into the headlights and stops in the center lane; after a brief tense pause, it suddenly lunges into a full aggressive sprint straight at the camera while distant people scream and scatter off-road

camera:

fixed dashboard viewpoint with subtle vehicle vibration only, no angle changes

motion:

slow entrance, slight head tilt during the pause, then explosive forward charge with pounding footfalls, fast closing distance, fleeing human silhouettes briefly crossing the far background edges

audio:

idling engine hum, tires on pavement, distant panicked screams, frantic footsteps, heavy impact-like creature strides

negative:

cartoon, CGI look, clean studio lighting, floating motion, extra limbs, warped anatomy, goofy expression, slow zombie run, random camera cuts, cinematic crane shots, police officers in foreground, text, watermark

Prompt 👇

9:16 vertical, 10s, single continuous overdramatic TV breakup parody. A crying regular guy and a crying woman in a plain white T-shirt labeled “Sora” face each other in a serious emotional farewell. He pleads for her not to go, she says she has to leave, they rush into a dramatic hug, then slowly separate as the camera tilts down to their hands slipping apart. Play it totally sincere so it feels ironically funny. Grounded TV-drama realism, shirt text large and simple, no extra logos, no subtitles, no watermark, no cuts.

duration: 10s

ar: 16:9

fps: 24

MASTER_LOOK_LOCK:

style_family: deadpan suburban apocalypse satire

subject_lock: average dad-looking man in sunglasses, t-shirt, shorts, rubber clogs, relaxed in a lawn chair

geography_lock: he faces the horizon; the mushroom cloud is far in front of him on that same horizon line, never behind him

cloud_lock: unmistakable nuclear mushroom cloud, tall bright stem, huge boiling cap, layered rolling smoke, distant but dominant

camera_lock: one locked side-profile or rear 3/4 composition only; no POV pan, no orbit, no wraparound, no angle reversal

reflection_lock: sunglasses stay dark, no cloud reflection

lighting_lock: hot suburban daylight, harsh white terminal flash

finish_lock: grounded realism, dry irony, non-graphic, no gore, no bodies, no text, no watermark

scene:

side-profile or rear 3/4 wide shot. the man sits calm in his front yard, facing the horizon. the nuclear mushroom cloud is already visible far ahead of him in the same direction he is looking. hot wind lifts his hair, shirt, and the grass. he never reacts. near the end, a harsh white flash overtakes the frame

camera:

slow cinematic push-in with slight lateral drift, keeping the man and cloud locked in the same correct spatial relation the entire time

motion:

subtle hair lift, shirt flutter, grass rustle, slow turbulent billow inside the distant mushroom cloud

negative:

cloud behind him, cloud reflected in sunglasses, front view, POV pan, orbit, wraparound move, random angle change, generic smoke plume, fireball filling frame, gore, bodies, text, watermark

duration: 10s

ar: 16:9

fps: 24

MASTER_LOOK_LOCK:

style_family: deadpan suburban apocalypse satire

subject_lock: average dad-looking man in sunglasses, t-shirt, shorts, rubber clogs, relaxed in a lawn chair

geography_lock: he faces the horizon; the mushroom cloud is far in front of him on that same horizon line, never behind him

cloud_lock: unmistakable nuclear mushroom cloud, tall bright stem, huge boiling cap, layered rolling smoke, distant but dominant

camera_lock: one locked side-profile or rear 3/4 composition only; no POV pan, no orbit, no wraparound, no angle reversal

reflection_lock: sunglasses stay dark, no cloud reflection

lighting_lock: hot suburban daylight, harsh white terminal flash

finish_lock: grounded realism, dry irony, non-graphic, no gore, no bodies, no text, no watermark

scene:

side-profile or rear 3/4 wide shot. the man sits calm in his front yard, facing the horizon. the nuclear mushroom cloud is already visible far ahead of him in the same direction he is looking. hot wind lifts his hair, shirt, and the grass. he never reacts. near the end, a harsh white flash overtakes the frame

camera:

slow cinematic push-in with slight lateral drift, keeping the man and cloud locked in the same correct spatial relation the entire time

motion:

subtle hair lift, shirt flutter, grass rustle, slow turbulent billow inside the distant mushroom cloud

negative:

cloud behind him, cloud reflected in sunglasses, front view, POV pan, orbit, wraparound move, random angle change, generic smoke plume, fireball filling frame, gore, bodies, text, watermark

Prompt 👇

duration: 10s

ar: 9:16

fps: 24

MASTER_LOOK_LOCK:

style_family: handheld desert found-footage creature sighting

style_lock: raw realism, documentary tension, continuous shot, no cuts

subject_lock: hybrid burrowing creature with insect-like jointed limbs, reptilian claws, goblin-shaped torso, dusty scaled hide

environment_lock: arid sandstone desert, loose sand, harsh heat, natural outcrop cover

lighting_lock: brutal midday sun, dry glare, atmospheric heat shimmer

camera_lock: hidden observer viewpoint from behind a sandstone outcrop, handheld, cautious zoom-in

finish_lock: grounded, eerie, believable, no text, no watermark

scene:

from behind a sandstone outcrop, a hidden filmer captures a hybrid creature already digging at full speed, clawing violently into the sand with insect-jointed limbs and reptilian hands while its dusty goblin-like torso stays hunched over the forming burrow; sand sprays backward in rapid bursts as the creature stays fully locked on the excavation and never looks up

camera:

handheld covert view, slight natural shake, slow nervous zoom-in as the digging intensifies, long-lens compression with heat haze warping the image

motion:

rapid claw strikes, dirt flung behind the creature, shoulders pumping, spine flexing, dust drifting through hot air, shimmering distortion across the frame

audio:

dry wind, frantic scraping claws, sand kicking back, hushed whisper: "It's making a burrow... look how fast."

negative:

cinematic polish, clean studio lighting, hero framing, cute creature design, slow digging, fantasy glow, extra limbs, warped anatomy, text, watermark

Prompt👇

ar: 9:16

duration: 10s

fps: 24

MASTER_LOOK_LOCK:

style_family: grounded found-footage creature realism

subject_lock: hybrid creature with humanoid musculature, fish-like dorsal fins, reptilian claws, wet mud-coated skin, fully focused on feeding

environment_lock: muddy marsh edge, dense reeds in foreground, shallow brackish water, swamp atmosphere

camera_lock: hidden observer angle from behind reeds, handheld zoom, unstable autofocus, natural documentary framing

lighting_lock: overcast natural light, muted colors, damp low-contrast realism

finish_lock: raw cryptid footage feel, realistic textures, no text, no watermark

scene:

the shot opens already in motion from behind reeds with the hybrid kneeling in mud and digging fast with reptilian claws, pulling small crabs from beneath the surface and eating them immediately, never glancing toward the camera, completely absorbed in the feeding pattern

camera:

handheld hidden-camera view, slow nervous zoom-in, autofocus hunts and breathes, slight shake from the filmer adjusting position behind the reeds

motion:

mud splatter, claws tearing through wet muck, small crabs twitching, dorsal fins shifting subtly with body movement, reeds swaying lightly in foreground, wet chewing and digging rhythm continuous

audio:

soft swamp ambience, mud squelch, faint crab shell crunch, quiet breath from the filmer, whispered line: "It's feeding... it knows exactly where to dig."

negative:

clean cinematic framing, polished monster design, heroic pose, direct eye contact, exaggerated gore, extra limbs, warped hands, frozen pose, text, watermark