Infrequently Asked Questions
- How did you come up with your clown?
I’ve always been a fan of Vaudeville – the heavy use of puns, the double-talk, the zany antics. What’s not to love? Mojo’s style of humor (and the dynamic I have with Twang) was inspired by Burns and Allen, The Marx Brothers, Abbott and Costello, Bob Hope, Red Skelton, Sid Caesar, and Jack Benny. There are also influences from later acts and shows like The Smothers Brothers, Rowan and Martin’s Laugh-In, The Colgate Comedy Hour, Our MIss Brooks, and Fibber McGee and Molly.
Now, as far as the comedy magic? Well, that was inspired by The Amazing Johnathan, Harry Anderson, and growing up working the Renaissance Festival as a kid and watching a magician there known as Merlin.
Putting that all together was easier to do once I covered it up with greasepaint. That hid the seams very well. After that, I just slapped on a red nose, and Mojo the Wayward Magician was born.
- How did you come up with your makeup design and look?
I started with the eyebrows. As we were taught to start with the facial feature we can exaggerate the most, that’s where I started. (Oddly enough, it’s the least noticeable feature of my face once I put the wig on, but…)
Now, I will admit, my muzzle is constantly changing. Although my look was originally inspired by Emmett Kelly’s “Weary Willy,” there’s a bit of the lighter and non-makeup influence, at times, which stems from Red Skelton’s “Freddie Freeloader” and Sid Caesar’s “The Professor.”
I tend to experiment. Sometimes, it works out. Other times, I’m three hours late to a music festival. (Okay, that only happened once – and I wasn’t there to perform. I did miss out on chilling with some very groovy people that day.) But, I would suggest… if you do an experiment with your makeup, do it the night before a gig.
Of course, Mojo’s look is more Hobo-chic than an actual Tramp. Avant garde Auguste, I guess. Mojo’s more of a Character Clown (Street Magician) than anything else.
- Do you and Twang have a backstory?
Why, yes. Yes, we do.