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Image 1 — The American Life Insurance Building in Beirut, Lebanon (1967-72) by Irving & Jones, and Arkbuild
Image 2 — The American Life Insurance Building in Beirut, Lebanon (1967-72) by Irving & Jones, and Arkbuild
Image 3 — The American Life Insurance Building in Beirut, Lebanon (1967-72) by Irving & Jones, and Arkbuild
Image 4 — The American Life Insurance Building in Beirut, Lebanon (1967-72) by Irving & Jones, and Arkbuild
Image 5 — The American Life Insurance Building in Beirut, Lebanon (1967-72) by Irving & Jones, and Arkbuild

The American Life Insurance Building in Beirut, Lebanon (1967-72) by Irving & Jones, and Arkbuild

Photographs by Elie Aramouny and Karim Andary.

The below article was written by Friedrich Ragette and appeared on pages 7-13 of the July/August 1971 print edition of Saudi Aramco World.

American Life Insurance Building

To Irving and Jones, the Beirut architects who won the contract to design a Middle East heading quarters for the American Life Insurance Company, the problem of weaving Arab themes into contemporary structures was less pressing; Beirut is increasingly as much a showcase for international architecture as for Arab buildings. The result in this case, nevertheless, is markedly eastern.

Irving and Jones, working with Arkbuild, Beirut architects and engineers, had to create a structure that would have dignity, would suggest a discreet prosperity and would look well in a setting of pines just off the boulevard to the Beirut International Airport.

But the primary need was functional. The building had to incorporate the latest in climate control, illumination, sound-conditioning and communications, and offer unobstructed inferior space for flexible portioning.

The design that the architects eventually worked out has given Beirut one of its most handsome buildings. It is quietly elegant, impressive, attractive, yet very functional.

In order to avoid unnecessary internal columns, the peripheral supports were turned into a colonnade encompassing the whole building. But in bracing the top the architects seized the chance to introduce an emphatic eastern flavor by inserting a series of graceful pointed arches at the top and suspending a closely woven metal screen between the columns to shield the three upper floors from excessive sunlight. Executed in aluminum but tinted like bronze, the screen is clearly derived from the mashrabieh screens which long ago hid harem beauties from sight yet permitted them to see out and get fresh air.

u/MelkartMagazine — 9 hours ago
🔥 Hot ▲ 74 r/ModernistArchitecture

Red Cross Project in Jounieh, Lebanon, by Raoul Verney (1974)

Conceived as a gift to a globally celebrated humanitarian institution, the project draws from the crescent-shaped plot — initially a constraint, but one that ultimately informed the foundation of its design narrative. The intent was to shape the site into a harmonious ensemble, integrating a blood bank, an amphitheater, emergency response training spaces, and a clinic.

These programs are expressed through a poetic composition of interlocking volumes, carefully nested within one another. This spatial layering echoes the fluidity of the terrain while reinforcing the unity of purpose central to the Red Cross mission.

Images Source: Archi Verney

u/MelkartMagazine — 4 days ago
🔥 Hot ▲ 61 r/brutalism

Red Cross Project in Jounieh, Lebanon, by Raoul Verney (1974)

Conceived as a gift to a globally celebrated humanitarian institution, the project draws from the crescent-shaped plot — initially a constraint, but one that ultimately informed the foundation of its design narrative. The intent was to shape the site into a harmonious ensemble, integrating a blood bank, an amphitheater, emergency response training spaces, and a clinic.

These programs are expressed through a poetic composition of interlocking volumes, carefully nested within one another. This spatial layering echoes the fluidity of the terrain while reinforcing the unity of purpose central to the Red Cross mission.

Images Source: Archi Verney

u/MelkartMagazine — 4 days ago
🔥 Hot ▲ 230 r/ModernistArchitecture

Shams Building in Beirut, Lebanon by Joseph Philippe Karam (1957)

Overlooking Pigeon Rock, this structure captures a vibrant local take on modern architecture. Its most striking feature is the façade, where a bold mix of colors appears through alternating 2×2 cm enameled pâte de verre panels.

Less immediately visible, yet more significant, is the structural system: 34 V-shaped columns arranged in two rows that support the building and were originally designed to create the impression that it is hovering above the ground.

At the top, the building is finished with a contemporary reinterpretation of an attic roof. Despite its clearly modern character, its overall massing follows a classical three-part composition, consisting of a base, a central section of typical floors, and a defined upper level that completes the form.

Image 1: Arab Center for Architecture

Image 2: Studio Safar

Image 3: Joseph Philippe Karam Archives

u/MelkartMagazine — 15 days ago