u/GreatestArtists

The painting is at Musée Marmottan-Monet in Paris.

Minna Carolina Mathilde Louise Gesellius-Saarinen, also known as Loja Gesellius-Saarinen (1879–1968) was a Finnish artist. She was heavily influenced by Swedish craft tradition. She was one of the first artists to bring Scandinavian design to America. She founded the weaving department at the Cranbrook Academy of Art in Michigan.

Theodora Caccia, sister Orsola Maddalena, (1596-1676) was an Italian Baroque painter, Ursuline nun and abbess. She specialized in painting of religious themes, altarpieces and still lifes.

Marie-Antoinette Golay-Speich, also known as Mary Golay, (1864-1944) was a Swiss painter, poster artist and painting teacher, who specialized in still lives. She studied at the School of Industrial Art in Geneva and latter taught painting at the school she founded in Geneva (The Mary Golay School). Since 1904 she lived and worked in Paris.

Julia Dorothy Fitchew (1889-1975) was a British artist and illustrator. Both of her parents were amateur photographers, and her father was also amateur painter. Between 1911-1915 she exhibited a number of large and elaborate watercolours of Shakespearean and legendary subjects at the Royal Academy. During WWI she worked at Supply Depot as a part of British war effort. She later worked as an illustrator and ilustrated numerous children's books. In later years she increasingly specialised in natural history subjects and illustrations. The Natural History Museum, London, has a collection of her work.

She doesnt have a Wikipedia entry, so it would be amazing if somebody could create it.

Helen Dryden (1882–1972) was an American artist and successful industrial designer in the 1920s and 1930s. She trained in landscape painting but she soon gave that up to draw women’s fashions. She was reportedly described by The New York Times as being the highest-paid woman artist in the United States in the 1930s. After start of WWII she struggled with mental health and lived in comparative poverty.

Mary Harriet Jellett, known as Mainie Jellett, (1897-1944) was an Irish painter. She was born in a wealthy family to father who was a barrister and mother, who was a noted musician. Educated at home by a governess, she received early painting classes from Elizabeth Yeats, Sarah Harrison and Mary Manning, before enrolling in the Dublin Metropolitan School of Art in 1914 where her teachers included William Orpen. She later studied in London and Paris. Her Decoration (1923) was among the first abstract paintings shown in Ireland when it was exhibited at the Society of Dublin Painters Group Show in 1923. She was a strong promoter and defender of modern art in her country, and her artworks are present in museums all over Ireland.

Susannah Margaretta Makeig-Jones, known as Daisy Makeig-Jones, (1881-1945) was a British pottery designer. She joined Manufacture of Wedgwood as an apprentice painter in 1909 and quickly rose to lead designer by 1914, eventually earning her own studio. She started to design tableware in 1911. Attracted to the fanciful, she began to design Oriental dragon patterns in 1913. She moved on to her signature Fairyland Lustre design, for wich she is best known, in 1915. The Fairyland Lustre series, transformed traditional bone china into iridescent, dreamlike landscapes filled with imps, goblins, and fairies. Her work became a massive success in the 1920s, particularly in America, as people sought "escapism" from the trauma of the Great War. The Malfrey Pot is part of this series.

Daisy Makeig-Jones (English, 1881-1945)

Jessie Marion King (1875-1949) was a Scottish illustrator. Born into a strict family who disproved of her art as a child, she found solace in the family houskeeper, who become her second mother. She studied at the Glasgow School of Art (1892–1899). She is known for her illustrated children's books. She frequently depicted ethereal "wan haloed knights" and pale ladies draped in stars, influenced by her lifelong belief in fairies. 
She also designed bookplates, jewellery and fabric, and painted pottery. Jessie was one of the artists known as the Glasgow Girls. She was described in 1927 in the Aberdeen Press and Journal as "the pioneer of batik in Great Britain".

Marie Hildreth Meière (1892-1961) was an American muralist. She was born to a botanical collector Marie Hildreth and a salesman Earnest Meière. After studying in Florence, San Francisco and New York, she started working as a costum designer at a theatre. In 1921 she got her first mural commission. She went on to design the murals all around USA. During her 40-year career, she completed approximately 100 commissions. She designed murals for office buildings, churches, government centers, theaters, restaurants, cocktail lounges, ocean liners, and world’s fair pavilions, and she worked in a wide variety of mediums, including paint, ceramic tile, glass and marble mosaic, terracotta, wood, metal, and stained glass.

Levina Bening-Teerlinc (c.1510-1576) was a Flemish Renaissance miniaturist who served as a painter to the English court of Henry VIII, Edward VI, Mary I and Elizabeth I. She was the most important miniaturist at the English court between Hans Holbein the Younger and Nicholas Hilliard. She probably designed the Great Seal of England for Mary I and the earliest one used by Elizabeth I (in the 1540s).

The miniature is from Queen Mary Manual for blessing cramp rings and touching for the evil. It was produced for Mary I (1553-1558) to assist her in Good Friday healing ceremonies. It is an illuminated manuscript, with miniatures attributed to Levina Bening-Teerlinc. The manuscript is hold in Treasures Collection at Westminster Cathedral Archives.

The painting is in the collection of Tate Gallery.

Elizabeth Southerden Thompson was a British painter, who specialised in painting scenes from British military campaigns and battles. She was born in 1846 in Switzerland to a painter and concert pianist Christiana Weller and Thomas Thompson, who dabbled in politics and the arts. Her sister was an editor and poet, known as Alice Meynell. Elizabeth spent her childhood traveling between Italy and England. She began formal art instruction in London in 1866 at the Female School of Art in South Kensington. Initially concentrating on religious subjects (she was a Catholic), she eventually specialized in depicting British military campaigns. She exhibited at the Royal Academy between 1873 and 1920. Her 1874 masterpiece, The Roll Call, was famously purchased by Queen Victoria after it captivated the British public. It was so popular that a policeman had to be stationed next to the painting in order to regulate the crowds that came to see it. She wrote about her military paintings in an autobiography published in 1922: "I never painted for the glory of war, but to portray its pathos and heroism." She also ilustrated her sister's poems. In 1922 she retired and went to live with the youngest of her six children at Gormanston Castle, where she died in 1933.

Julie (1864-1944) was a German-Jewish painter who created many illustrations for Jugend and was a well-known and established portrait painter in Germany. Since the art schools there did not accept women at that time, she traveled to Paris in the 1890's to learn painting techniques and skills. She later became involved with the Berlin Secession and became a prominent member of it. Among her clients and friends were many female artists and important figures in society. This ended however with the rise of Nazism. On October 28, 1942, at the age of 78, Julie and her sister, writer and translator Luise Wolf, were deported on the "68th transport of the elderly" to the Theresienstadt concentration camp. Despite horrific conditions there, she continued drawing until her death in the camp in December 1944 at the age of 80.

Clarice Cliff (1899-1972) was a British ceramicist and industrial designer. Born into a poor family of an ironmonger and a laundress, she started working at the pottery factory at the age of 13. She learned painting and design her aunt, who was a hand-painter. Relocating to another factory at 18, she rose up the ranks, till she become the head of factory creative department. Her designs were extremly popular in 1930s. She become one of the UK's most prolific and important ceramicists. During World War II only plain white potterywas permitted under wartime regulations, so she assisted with management of the pottery but was not able to continue design work. After the war she designed less as before and worked in managment of the factory and latter retired.

Art Deco: Clarice Cliff by Victoria and Albert Museum