







This work exists at the threshold between the sacred and the chaotic. It draws from the language of sacred art—symmetry, repetition—while rejecting the flattened, commercialized aesthetics often associated with psychedelia. What emerges is a more organic and personal vision: one that treats pattern as spontaneity as well as decoration.
Splatter, overgrowth, organic- nothing is off limits which embraces this spontaneity, reflecting on psychedelic visions post hoc, but with a curiosity about the preeminent world of Forms.
The images think, evolve with the viewer, offering Easter Eggs to the extent that the viewer can peruse and produce them.