
The song started with a simple idea, what if gave instruments alternating delay to create a call and response groove. It was also a chance for me to play with energy dynamics a bit. Risers, drop outs, volume plays.
I noticed that dirtywave m8 has the tendency to sound very different on good headphones or good speakers, which just means when you record the final song you gotta play with the levels a lot. I should probably export stems and fine tune that way instead of recording into ableton over audio cable.
I find sound design on this thing to be so intuitive, the way you can quickly test out new filter settings, see a little dot on the LFOs and envelopes, tweak old instruments. It's amazing like that. Also, deep copy of patterns is soo good (SHIFT+OPTION to highlight, then SHIFT+EDITx2 (gotta press edit twice fast)).
I didn't play much with tables on this one except the hats, I used a 00 table with loop back at different points to get a little more variety without explicit programming but you can go a lot further than that.
I also used the transpose feature a lot to breathe a little life into old chains without reprogramming the individual notes. This is also how i got my risers.
Last thing I can note is that I "finished" this song yesterday, and this morning on the train I did another pass and just added a bit of special sauce here and there, and a little variety, did not do any major demolition, but it took the song up a notch for sure.
I did debate over whether the groove gets too overused but I didn't think spamming variation would help too much and it's a decent groove. It's either a bit hypnotizing or annoying depending on taste.
Thanks all, hope my notes may help other beginners like me to producing and the wonderful dirtywave M8.