u/Current-Row-159

Image 1 — What nobody tells you about retouching shiny stuff (and how AI quietly changed my workflow)
Image 2 — What nobody tells you about retouching shiny stuff (and how AI quietly changed my workflow)
Image 3 — What nobody tells you about retouching shiny stuff (and how AI quietly changed my workflow)
Image 4 — What nobody tells you about retouching shiny stuff (and how AI quietly changed my workflow)
Image 5 — What nobody tells you about retouching shiny stuff (and how AI quietly changed my workflow)
▲ 11 r/FluxAI+3 crossposts

What nobody tells you about retouching shiny stuff (and how AI quietly changed my workflow)

I’ve been retouching jewelry photos for a while and honestly it’s the hardest thing I’ve ever edited. Reflections pick up everything, dust becomes boulders, and keeping gold looking like actual gold across dozens of shots is brutal. I got obsessed with how big brands like Tiffany or Mejuri keep their entire catalog visually cohesive so I started experimenting with AI, not to replace the craft but to speed up the boring parts.

What surprised me most is that once you have a clean consistent dataset of a single stone, training a LoRA on a specific brand's lighting style actually works. You can make a diamond look like it was shot in their studio, same warmth, same shadow depth, same mood. It's wild.

I ended up shooting 100 frames of the same emerald cut diamond at 4K because I needed a perfect base to train from. It made such a difference that I wanted to share it, not to sell anything, but because I wish someone had told me earlier that the quality of your training images matters more than the prompt. If you're stuck fighting inconsistent source material, the AI can't learn the subtleties.

Anyway, just wanted to share what I've been tinkering with. If anyone else here retouches shiny reflective stuff I'd love to know your pain points. This niche is lonely.

u/Current-Row-159 — 2 days ago