How do you keep political satire character-driven instead of turning it into a lecture?
I’m working through a satirical thriller structure and trying to keep the story grounded in character pressure rather than turning every scene into an argument. The challenge is that the target is institutional absurdity — ambition systems, bureaucracy, status games — so the satire can easily get louder than the people inside it.
For writers who handle satire, dark comedy, or political/cultural fiction: what helps you keep the characters alive while still letting the system feel ridiculous? Do you start from the joke, the wound, the power dynamic, or the plot consequence?